I’m here, but need to be up there

mountain climber
Onward and upward! (snappy hat optional)

I’ve been writing screenplays for quite a number of years, but only in the past, say five to six have I shown some significant improvement.

More than a few readers who’ve read my last three scripts have commented that each one displays a step up in quality a compared to its predecessor. Which is very nice to hear.

Feeling pretty confident in my skills and material, I submitted some of them to a few of the high-profile contests (or at least the ones that really matter). The results were less than encouraging. Don’t get me wrong. Top 15 percent in the Nicholl is nice, but it’s still falling short of expectations.

You can have the most incredible script you’ve ever written, enter it in a contest, and chances are it might still go nowhere. Contests are just one way in.

But I digress.

I figured there was nothing more that could be done with the scripts, so I might as well file them away and move on, using them for occasional query letters.

However.

While my scripts may not be similar to those that win contests (can you imagine me writing a coming-of-age story set in 70s Reno?), they’re still fun, entertaining reads, and my passion and enthusiasm for them continue to burn strong and bright.

Like with my writing skills, they’re good, but can still be better.

That’s why I’ve decided to do what I can to make that actually happen. I’ve already gotten several sets of notes on some of my scripts, and most mention the same issues, along with some potential fixes.

As always, I have the luxury of picking and choosing which suggestions to implement, and I sincerely hope the end result is a collection of scripts of decidedly higher quality.

It’s been quite an effort for me to get my writing to get to the level it is now, and spending a little more time on trying to make it better will be definitely worth the effort.

Gosh, what a full plate!

primanti bros
It’ll take time, but feeling confident I’ll accomplish that which I set out to do. (In the meantime, anybody up for Primanti Brothers? (Pittsburgh shout-out!))

My projects over the next couple of months are shaping up nicely.

-Finish overhauling the outline for the comedy spec and convert it into pages

-Some more fine-tuning on the pulp sci-fi (courtesy of a steady influx of good notes)

-Maybe one more pass on the western. Yeah, I know. But I recently got some keen insight on a few parts which could do with a little improvement.

The potential is still strong for all three, both in terms of contests and queries.

I have to say that this time around, my analytical and editing/proofreading abilities feel a bit stronger. Not that they’re the pinnacle of perfection, but at least slightly more developed than, say, a few years ago. That’s a definite plus. Nor would I hesitate to take full advantage of the sage advice of my squadron of savvy readers.

I feel a bit more prepared now, as well as a little more confident about ending up with a triad of really solid scripts.

That’s the hope, anyway.

Another part of my enthusiasm comes from seeing the results of some of the major screenwriting contests, some of which I entered and didn’t fare as well as I’d hoped. I’ll work on these scripts, send ’em out and hope for the best.

On a brief side note, I recently read the comment on an online forum – “Waiting for notes. What should I do to occupy my time?”

I suggested “Start working on your next project.” It’s what I would do. Can’t think of a better way to get your mind off a finished script than starting a new one or digging into the archives and touching up an older one. Gets the creativeness pumped up and really does help pass the time.

Anything that lets you flex your writing muscles while adding to your arsenal of material can only be seen as a good thing.

At least 11 choice “re-” words

teacher
No, class. “Relapse” is not one of them.

Progress on the latest draft of the comedy spec is coming along. Slowly, but still coming along.

Among the highlights:

–repairing the script. Previous drafts had some notable and sizable problems on several fronts, so this is all about fixing them, or at least figuring stuff out to make it better overall. This is the main priority.

–revising the story. Some of the scenes still work. The ones that don’t are out, with variations and totally new ones being developed and considered. A work in progress is a beautiful thing.

–reviving older ideas. I keep all the notes and items jotted down over the course of working out the story, so there’s always a few items worthy of dusting off. This time around is no exception.

–reorganizing the tone. Notes on a previous draft stated how uneven the story felt; like it was a few opposing ideas competing for attention. Currently working on streamlining things to make it all mesh better.

–refurbishing characters and/or their traits. From the protagonist and antagonist to supporting characters to those appearing in one scene, everybody gets some kind of modification. Some big, some not-so-big.

–reinvigorating the jokes. With comedy already being a subjective topic, I’m trying to come up with stuff I think is funny. Influences abound, and I want my sense of humor to be what runs that particular engine.

–remaining calm. Finishing this draft won’t happen overnight, and trying to force creativeness or rush progress is the absolute wrong approach. Preferred method – taking it one step at a time.

–resuscitating self-confidence. Writing a comedy’s tough enough to begin with. I’ve done it before, and despite a few missteps along the way, feel pretty solid about my chances this time around.

–relinquishing the self-imposed pressure. Naturally, I want to have a good, solid script when I’m done (hopefully it won’t take many more drafts). Stressing about getting to that point won’t do me any good, which leads to the final point…

–relaxing and recharging the writer. A good portion of my available time is spent writing or at least thinking about it. Working on it too much runs the risk of burnout, which would be completely counterproductive. Therefore, I allow myself time to simply step away and do something totally non-writing-oriented.

And when the time is right, I return to the rewrite.

Whew! Took me a while to refine this, but I don’t recall being so resplendently relieved to be done. Even better, none of it had to be redacted.

One curtain falls, another rises

stage
Don’t go far, folks. Next show is on the way!

Among the sizable slew of ongoing projects of which I’m currently undertaking, finishing the edit/polish/rewrite of the pulp sci-fi spec was pretty high up near the top of the list.

Mostly because it was something I felt I absolutely had to do; sort of a “get it out of my system” thing.

And for now, it is. Finished. At least until the next sets of notes come in and the whole process starts all over again. No big deal. Par for the course.

Overall, I like how it turned out. As has been the case before, it was also simply just fun to write. That helped. And some of my readers from the previous draft were quite enthusiastic about what a fun read it is. That also helped.

Even though the story’s pretty much set in place, every once in a while inspiration would strike, or a suggestion would be made, and I’d come up with a way to potentially improve a particular moment, scene or sequence.

So off it goes to some very savvy readers, and my attention redirects to the much-interrupted overhaul of one of my low-budget comedies, which has been a sizable challenge on its own.

Creating amazing tales of thrills, excitement, and heart-pounding fantastic-ness? No problem. Trying to craft a smart, funny story? A challenge, to say the least.

Then again, I do loves me a good challenge.

I refuse to be complacent

runner
The road gets tougher, you run harder

First-round results for two of the biggest, high-profile screenwriting contests have been released within the past week, and the pattern for my western’s performance in both has once again repeated itself.

Total whiff for PAGE, and top 20 percent for the Nicholl. (I’m not doing Austin this year)

I didn’t get notes from the former, and based on the ones I got last year for the latter, am not that curious as to why it placed where it did.

My initial reaction was, naturally, disappointment, but this year is markedly different in what came immediately after.

There’ve been days where the agony, frustration and just plain shittiness of things not working out was so strong I’d seriously contemplate just walking away. After all, that would be one less member of the competition, right?

But that’s simply not an option – for any of us. Our desire to succeed as writers burns too bright.

I may not have done as well as I’d hoped with these contests, so instead of shrugging my shoulders and saying “Oh well. Better luck next year,” I plan on doing whatever I can to increase my chances. With a vengeance.

Gone is the wallowing in a blessedly brief mindset of “poor, poor pitiful me”.

In its place – a reinvigorated drive to buckle down, work even harder and write scripts so fucking amazing those readers won’t know what hit them.

I don’t think I can. I KNOW I CAN.

Damn the torpedoes and full speed ahead, chums.

-A new addition and a return appearance on the bulletin board this week:

-Filmmakers Caitlin Stedman and Kayla Ditlefsen have launched a crowdfunding project for their short film Unattainable. They’re around the 60 percent mark, so donate if you can!

-The crowdfunding for filmmaker Steve Davis’s No Glory continues, with about a month to go. Steve’s a talented guy, and this sounds like a fantastic project. Donate if you can!