Presenting: Your Scripts! (vol 2)

Since we’re all part of one big writing community, I wanted to do my part to help support my fellow creatives and offer everybody the opportunity to show off one of their scripts.

A very hearty thanks to all the writers who sent in. A grand total of 88 scripts for film and television, along with a new category loaded with potential – webseries.

Genres of all types are represented here, so there really is something for everybody. If any of the scripts below catch your eye or sound intriguing, please don’t hesitate to contact the writer. I’m sure they’d be more than happy to send it your way.

Happy reading!

FILM

AMASAI AND THE MEANING OF EVIL

Austin Curreri

Animated Action-Adventure

After a near-death brawl, a street-punk turned monk Amasai fuses with the Angel of Justice, embarking on a journey into the Pit to beat up fallen angels, sinners, and Sin himself to end evil.

Screencraft 2019 Fellowship – semifinalist

Screencraft 2019 Animation – quarterfinalist

AustinJCurreri@gmail.com

AMERICA UNARMED

Shawn Madeiros

Drama

U.S. President plots a dictatorship using his secret covert force to create chaos so Americans vote to give up their 2nd Amendment rights. The American Gun Club uses its network of U.S. militias in hopes of saving the “Land of the Free”.

shawn.madeirosbiz@outlook.com

ANN & DALE GET MARRIED

P.J. Marino

Comedy

During the quarantine, two nerdy teenagers meet at a skate park, fall in love, and hatch a risky plan to leave their depressing town behind.

pjmarino@pjmarino.com

BEAUTIFUL LIE or THE UGLY TRUTH

Antonio Shorter

Drama

A male and a female live a happy life together as they dreamed of but jealousy is a common trait that people have and it can lead to consequences that no one wants to go through.

antonioshorter21@gmail.com

BORDERLAND

Ken Henderson

Horror

A young farmer struggles to survive a horrific dust storm and the hellish creatures hidden within it.

Screamfest Horror Film Festival – Finalist

kenhenderson@gmail.com

BRAINS

Paul Zeidman

Horror/Comedy

Stranded in the rural backcountry, eight high school overachievers find themselves in the middle of an outbreak of an intelligence-destroying virus that turns its victims into mindless savages.

paul.zeidman@gmail.com

BUFORD’S ALL NIGHT ZOMBIE DINER

Gregory Blair

Comedy-Horror

The graveyard shift at a lone diner becomes the hilarious, raucous battleground for some disco-dancing, man-eating zombies and a handful of young, hick hash-slingers.

Script World Screenplay Competition – Winner

GBMaximumZ@2writers.com

DEVIL I KNOW

Michael McCormick

Horror

Cedar Hills in Boston, the only cemetery in the world with a trolley running through the middle, disturbing the peace of the dead, creating lost souls.

mccmichael333@gmail.com

DIAMONDS

Peter Andrews

Comedy – short

Buying jewelry for his girlfriend becomes a hero’s quest when they visit the shop of a family friend.

Austin Film Festival – second rounder

andrews845@verizon.net

DO NOT DIVIDE THE DEAD

Jonathan Concepcion

Period Drama

After the Second World War, the USSR censored all information on the Jewish Holocaust. When her last surviving relative – her half-brother, a Photojournalist – goes missing, a self-hating Soviet Jewish survivor goes on a journey to find him, and confronts the identity she left behind.

2018-2019 UK FIlm Festival – Top 50 feature scripts

concepcionjonathan3@gmail.com

DREAM NO MORE

Ery De Jong

Horror/Science-Fiction

After a meteor impact, a lesbian couple and their daughter move onto a sailboat to escape civilization’s end, only to realize that an alien force is hunting them through their nightmares.

LGBT Los Angeles Film Festival – Winner – Best Feature Screenplay

erydejong@gmail.com

EDEN’S PARADISE

J.E. Swainston

Science-Fiction/Action

In a dystopian future, a young woman leads a small group of survivors, fleeing the dangers of the big city to find sanctuary and build a new home;  better to serve in heaven, than reign in hell.

janetswainston@gmail.com

EDISON’S GHOSTBOX

Travis Seppala

Biopic with Horror elements

When Thomas Edison creates a machine to communicate with the dead, it pits him against the most notorious skeptic of the day – Harry Houdini. [based on actual events]

2019 WRAC List – featured

2020 Shoot Your Sizzle – Top 100

2020 Screencraft True Story – quarterfinalist

2020 Table Read My Screenplay – top 100

2020 PAGE International – semifinalist

flannelmann@yahoo.com

ENEMY

Clint Williams

Western

After one of their own murders a Comanche boy, a small group of Spanish cavalrymen find themselves stranded without horses deep in hostile territory, facing the dangers posed by vengeful warriors, nature and each other.

clintwilliams3@gmail.com

ESET

Dina Mousa

Fantasy-Adventure

In the world of trickery and betrayal of ancient Egypt, an arrogant goddess-queen is forced into a life of hiding and later leads a battle of the gods to save the world from eternal darkness.

dinamamousa@gmail.com

EVIL MOM

Michael Raphael Salomon

Folk Horror

A young psychopath’s penchant for darkness comes full circle after hallucinogens, a pagan ritual in the forest and a series of unexplained deaths lead to the unearthing of his family’s hidden past—murder, insanity, incest and human sacrifice.

Austin Film Festival – Second Round

Tracking Board Launchpad – Second Round (still in contention)

dr.ms@earthlink.net

GOOD SAINT BINKY

Tom Batha

Dramedy

When a grief-stricken widower decides on suicide he must first travel cross-country to deliver his playful 110 pound Rottweiler to its new home.

Stage 32 Feature Screenwriting Contest – winner

Lato1@comcast.net

GRAD NIGHT

John Henderson

Horror

A high school senior races to stop a killer who strikes each year on graduation night before she and her friends become the next dead students walking.

johnmichaelhenderson@gmail.com

INITIATE GOD MODE

Ash Willeby

Family Action

On one of the worst days of her life, a blacklisted video game developer gets imbued with her in-game-character’s powers; can she use them to get her life back on track? 

ashwilleby@gmail.com

LOCAL HIRE

Cindi Woods

Comedy

A struggling actress who can’t afford to work local hire hits on a sketchy plan to use a nursing home for free lodging but runs into bigger trouble when the plight of her elderly roommate threatens to derail her Hollywood dream.

cindiwoods@gmail.com

MABON

Simon Doyle

Horror/Thriller

An elderly woman worries that her frail husband is turning into a different person after leaving hospital, a condition which may be related to the appearance of a mysterious occult group in the area. The Shining meets The Wicker Man.

simon.doyle@doctors.org.uk

MARIDIA

John G. McGillivray

Science-Fiction/Horror

After an alien virus wipes out most of humanity’s presence among the stars, a young actor and her sole companion, a talking synthetic eagle, search space for survivors and hope.

john.mcgillivray@gmail.com

MECHCRAFT

Brian Fitzpatrick

Science-Fiction

A teen singularity is hunted by relentless enemies for his shape-shifting nanotech ability. It’s The Matrix meets Harry Potter.

The Script Lab Screenwriting Contest – quarterfinalist

Screencraft Sci-Fi/Fantasy – quarterfinalist

Final Draft Big Break – quarterfinalist

PAGE International – quarterfinalist

brianfitzauthor@gmail.com

MIA’S ACCIDENTALS

G. DeAngelis

Family-friendly Comedy

An awkward girl determined to lead an elite fife-and-drum corps is thwarted by its powerful director, so she forms her own corps of misfits, and rights an old wrong, when she leads them to a public showdown.

PAGE International – finalist

Humanitas Comedy Fellowship – finalist

deangelis.gina.m@gmail.com

MOSLEY MANSION

Stephen Tronicek

Horror

A dangerously obsessive horror fan is invited to her favorite director’s mansion, and must learn to let him go.

stephen.tronicek@gmail.com

NANA AND JAKE

Ross Allaire

Family/Science-Fiction

A retired first-grade teacher and her orphaned grandson must outwit an obsessed small-town sheriff in order to save who they think are refugee aliens on a doomed planet.

PAGE International Screenwriting Awards, 2020 – Semi-finalist

rossallaire@gmail.com

OUTSOURCED

Tony Ferrendelli

Supernatural Comedy

After a man accidentally sells his girlfriend’s soul to Satan, he must go to Hell to retrieve it.

PAGE International – quarterfinalist

Houston Comedy Film Festival – nominee – Best Feature Screenplay

San Angelo Revolution Film Festival – nominee – Best Feature Screenplay

ISA Fast Track IX Fellowship – top 50 writers

Table Read My Screenplay (Park City) – semifinalist

ajferrendelli@gmail.com

OUT THE WINDOW

Lynn Matheson

Drama

A middle-aged woman’s cancer diagnosis becomes her coming of age story when she finally finds her voice and chooses how to live her life.

matheson.lynn@gmail.com

PATRIOT-1

Kevin Powers

Action

Disillusioned Delta Force Operator Ken Baker rediscovers the ideal that he fights for after finding himself embroiled in a conspiracy involving a dangerous new faction in Afghanistan, an energy corporation and a traitorous team member.

Recommended by Indie Film Hustle (coverage)

Recommended by WeScreenplay (coverage)

2020 Los Angeles International Screenplay Awards Spring – semifinalist

kevinpowers70@gmail.com

PHOENIX

Chaise Gerber

Drama

One night long ago reshaped Maya’s life and forever changed the future of her and her family, and if she’s ever going to move on she must face her scars of the past and rise above.

2020 Screencraft Drama – semifinalist

chaisesgerber@gmail.com

PICK UP SIDNEY

Natalie Higdon

Comedy

After her life falls apart, a struggling actress goes on a haphazard journey with her estranged half-brother in order to pick up her late stepfather’s inheritance, forcing her to come to terms with the family she left behind.

2020 Nicholl Fellowship – quarterfinalist

LiveRead/LA – official selection

2020 Screencraft Fellowship – semifinalist

natalie.higdon@gmail.com

PING

Ryan J. Murphy

Horror

A journalism student stumbles upon a mystery involving a deadly spirit who is murdering rideshare drivers. Think The Ring without a videotape.

ryanjmurphy107@gmail.com

PLAYTHINGS

Brendon Udy

Horror/Thriller

A woman flees her abusive partner, only to find herself captive in a strange Victorian home. Now tormented by the larger-than-life homeowner, the woman must make a daring escape before her bones are ground to make bread.

brendon.u@gmail.com

QUICKLY QUIETLY

Jeff Haber

Action/Thriller

A federal undercover agent pursues a bomb suspect through a luxury hotel, but must do so in silence.

j.r.haber@att.net

REFLECTION OF VENUS

Rebecca M. Gintz & Sarah K. Croshaw

Horror

A young computer programmer’s life is in jeopardy after she purchases an antique that an evil entity is attached to. Being agnostic, she struggles to accept the paranormal activity in her home and seeks psychiatric help.

2020 Script Summit – Winner – Horror Feature

2020 Script Summit – Winner – Golden Age

joshrebeccagintz@yahoo.com

ROOMS OF EXPERIENCE

Steffany Sommers

Drama

An up-and-coming district attorney is compelled to confront her own painful past when she prosecutes an elderly woman who took the life of her severely disabled adult son.

Script Summit – Debra Landwehr Engle Fellowship – winner

Diverse Voices Screenwriting Competition – semifinalist

steffanysommers@yahoo.com

SELDON SEEN

Peter R. Feuchtwanger

Romantic Dramedy

After starting at a new high school, a charmingly quirky teen with a delusional disorder, or “daydreaming on steroids,” falls quickly for another new student but, after finding that she has bipolar disorder, the two lovebirds struggle to find order in their disorders.

Screencraft Comedy – finalist

The Script Lab Free Screenplay Contest – finalist

Filmmatic Comedy Awards – semifinalist

Big Apple Film Festival – semifinalist

PRFProductions@gmail.com

SEVEN FOR AN AUGUST NIGHT

Nicolas Edelbach

True Crime – Drama/Black Comedy

The night after Sharon Tate and four others were murdered, Charles Manson, along with six family members, spends the night driving around Los Angeles county seeking two more homes to continue their kill spree; but not everyone in the car is on board with the plan.

nicolasedelbach@hotmail.com

SHADOW MEN

Kent Hill & Sean Francis Ellis

Action/Science-Fiction/Thriller

When his friend disappears in a secluded mountain town, a former Special Forces Soldier discovers the townspeople are being subjected to mind control experiments by a secret organisation.

deathstalker2rules@gmail.com

SILENT MOMENTS

Wesley Chambers

Drama

While mourning her sister’s suicide, a recently discharged soldier seeks to ruin the life of the therapist she blames for the death.

wesleypchambers@gmail.com

SOUL PASSAGE

Patrick Mediate and Kristin Ilagan

Adventure/Thriller/Horror

A clever ex-NYPD cop turned small town detective on the verge of retirement is forced to take on one last case when his teenage daughter is abducted. His investigation leads him from Suburbia to the underground world of Haitian voodooism where he finds out that the kidnappers’ intentions are darker and more sinister than he could have ever imagined. In a race against time, he must suspend his conventional beliefs and accept the world of the supernatural in order to save her from a fate worse than death.

Winner – New Orleans Horror Film Festival

Winner – Mile High Horror Film Festival

Winner – The Magic of Horror

Winner – The Los Angeles Film Awards

Second Rounder – The Austin Film Festival

Quarterfinalist – Screencraft Horror

…and over 15 additional Official Selections, Award nominations or wins.

patrick.mediate@gmail.com

SPACEMUTT: THE MOVIE

Anthony Moore

Animated Science-Fiction

The self-proclaimed greatest hero of all space and time is supposed to rescue a Prince from an enemy planet before his upcoming coronation, there’s only one problem, the kid doesn’t want to go.

Future Film Writers – 5-Page Read – winner

Flixze Film Festival – finalist

Las Vegas International Film and Screenwriting Festival – in consideration

techrat@live.com

STAKES FOR SUCCESS

Darcie Gray

Romantic Comedy

A woman strives for the dream career in male dominated 1980s NYC, but love could jeopardize everything in this high stakes world of blinding lights, fabulous fashion and electro beats.

dgray8228@gmail.com

SURVIVAL AS A GHOSTWRITER

Ericka S. Gomez

Comedy – short film

A lyrical genius decides his key to acceptance is through the Hip-Hop battles at his new high school until a popular senior threatens to ruin his life by forcing him to ghostwrite his lyrics.

Columbus Black International Film Festival – Winner – Best Comedy Short Screenplay

Houston Comedy Film Festival – Winner-Best Comedy Short Screenplay

Script Summit Film Festival – 3rd Place – Best Michigan Short Screenplay

Portland Film Festival – finalist – Best Comedy Short Screenplay

Summer In The South Film Festival – finalist – Best Comedy Short Screenplay

Filmatic Short Screenplay Awards – semifinalist – Best Comedy Short Screenplay

diversefilms79@gmail.com

THE AXIS NOXIOUS

Jay Han-San

Drama-Fantasy-Mystery

The perfect world of an angel of death turns upside down when he falls in love with an angel of life putting him on a path of self-discovery.

jayhanbooks@gmail.com

THE CHRISTMAS SPIRIT

R.J. Anderson

Christmas Comedy-Drama

When a Christmas Spirit transfers into a young boy, two families struggle to return it before Christmas is forgotten.

rjandersonusmc@gmail.com

THE FAMILY JEWELS

Elizabeth Ditty

Romantic Dramedy

In the days before their mother’s funeral, a newly-jilted former trust fund kid leaves her siblings in the lurch when she embarks on an emergency road trip to discover the truth about her parents’ marriage, her mother’s massive jewelry collection, and herself.

Screencraft Comedy – quarterfinalist

Screencraft Drama – quarterfinalist

Austin Film Festival – second rounder

izzi.ditty@gmail.com

THE GRADUAL DETERIORATION OF WALTER TWIG

L.S. Garvey

Science-Fiction/Fantasy Romance

When his mirror image goes rogue and steals his girlfriend, a mentally ill cello prodigy struggles to control his reflection in order to save his girlfriend before he loses her to the other side of the mirror forever.

Austin Film Festival – semifinalist (top 2%) – advanced in comedy, sci-fi, horror, and Enderby (can be made for under $10M)

lsgarvey@hotmail.com

THE INTRUDER

Robert Rhyne

Horror

After moving into an isolated farm with a strange history of suicides, a newly-single mother discovers a ghostly intruder living there, and must protect her troubled teenage son from becoming his next victim.

Stage 32 Search for New Blood – first place

Horror Hotel Screenplay Contest – finalist

Shriekfest – finalist

After placing highly in the 13 Horror.com screenplay contest, “The Intruder” was published by the contest sponsor as a paperback and kindle e-book, now available on Amazon, Barnes & Noble, and Walmart’s platforms.

randprhyne@aol.com

THE KEEPER

Kevin Nelson

Historical Drama

The incredible true story of Ida Lewis, a lighthouse keeper who saved dozens of lives while facing the struggles of a woman thriving during the Reconstruction Era. 

2019 ScreenCraft Public Domain & True Story – finalist

2020 Nicholl Fellowship – top 20%

2020 Launch Pad Feature Competition (Pending) – quarterfinalist

2018 Austin Film Festival – second rounder

2020 Atlanta Film Festival Screenwriting Competition – quarterfinalist

kevinnelsonwriter@gmail.com

THE LACKEYS

Johnny Dinh

Horror/Thriller

A group of ex-henchmen find themselves abducted by their old boss, and now must escape his lethal torture rooms. 

johnny_n_dinh@yahoo.com

THE LEGEND OF YAKATUTCH

Sean Francis Ellis

Horror/Science-Fiction/Adventure

A snowboarding champion must embrace his First Nations heritage to save his girlfriend from a legendary beast, which needs her DNA to restore its humanity.

2016 Toronto Horror Film & Screenplay Festival – finalist

2017 Beverly Hills Film Festival Screenplay Competition – official selection

2017 Screencraft Screenwriting Fellowship – quarterfinalist

seanfrancisellis@gmail.com

THE MAN WITH A GLOVE

Suzanne Lutas

Supernatural Thriller

When a claustrophobic art intern is held captive, she must restore a mysterious painting which has more inside than just paint.

2018 Screencraft Horror – quarterfinalist

2020 The Script Lab Free Screenplay – quarterfinalist

2019 Pitch Now Screenwriting Competition – finalist – Thriller/Horror

2020 Miami Screenplay Contest – semifinalist

2020 Wiki Screenplay Contest – semifinalist

suzannebl@mail.pf

THE NETHER GLOOM

Amir Olin

Horror/Mystery/Supernatural

A priest breaks the seal of confession over a series of child murders and reveals it in a court. The murderer is sent to prison, where he gets killed by co-prisoners. Soon, something evil settles in the priest’s house.

amirolin@yahoo.com

THE RED ARROW

Mark Rodney, Ronald Wenick, and Anat Golan

Biopic Drama

A famous Grammy-nominated jazz musician by day and con-artist by night must sacrifice himself to save his son in 60’s  Vegas, after the two get in way over their heads with schemes involving the US Army, Howard Hughes, Sonny Liston, Sheriff Ralph Lamb, and the mob.

Sundance – finalist (special mention for finishing in top 4%)

StoryPros – finalist

Scriptapalooza – semifinalist

info@thewritescript.com

THE ROAD KINGS

Jerron Spencer

Horror/Comedy

Resurrected as avatars of Heaven, Elvis Presley and Jim Morrison fight evil– and their own sinful natures– as they battle to save a small town from the wrath of a vengeful demon queen seeking to create hell on earth.

jerronspencer@gmail.com

THEO JESSUP, TEEN “GENE”-IUS

Isaac D. Lucas

Action/Thriller

A savvy teen is forced to flee when a greedy scientist hunts him down to harvest his advanced DNA as a cancer cure.

kiwee@y7mail.com

THROWBACK

Rachel Woolley

Horror/Comedy

Adult girlfriends struggling to reconnect at an old-school slumber party must fight for their lives when the “dream dudes” from their dating board game manifest in the flesh…and turn out to be total nightmares.

Women In Horror Fest – Winner, Best Feature

Screencraft Horror – finalist

RachelWooley@outlook.com

VERMIN

Pat Semler

Horror

A world-weary oil wildcatter and a strident biology student must work together when a fracking drill site she’s documenting is overrun with radioactive carnivorous moles.

patriciasemler@gmail.com

WHEN IN ROME

Jeff Naparstek

Romantic Comedy

Embark on this zany romp through ancient Rome as a struggling farmer vies for the hand of the emperor’s daughter. Cat and mouse games abound in this wacky tale of love and sport. Buckle up for a fun ride!

2019 Houston Comedy Film Festival – winner

2019 Portland [Oregon] Comedy Film Festival – winner

2020 Austin Revolution Film Festival – semifinalist

2020 Indie Gathering Film Festival – 3rd Place – Rom-Com Category

2020 Page International Screenwriting Awards – semifinalist

2020 Creative Screenwriting Unique Voices – semifinalist – 2020

2020 Red Flight Pictures Screenplay Awards – semifinalist

propwriter1@gmail.com

TELEVISION

AIDA

Niya Kapree Johnson

Historical Horror

In 1720, Aida, a young enslaved African woman takes part in a ritual gone wrong, resulting in the creation of the first of her kind, werewolves. Fighting those who wish to oppress them is just the beginning of Aida’s problems when Captain Billy, a mysterious supernatural being, blows into town looking to cause trouble for Aida and her pack.

niyakapreehonson@gmail.com

AWAKENING

Zaelyna Beck


Drama/Supernatural – pilot

After getting fired from a temp agency, a chronic insomniac takes up meditation therapy, where she befriends a comatose girl and awakens a supernatural gift within her that could forge a new career.

zaelyna@gmail.com

BUBBY

Cari Haim

Comedy

Bubby, a recently widowed Jewish grandmother, moves into her daughter’s happy family home. Will their conflicts about religion, raising kids, and family traditions bring them closer together, or create a permanent rift?

cariteacher@hotmail.com

DEBT

Christopher J. O’Bryant

Crime Drama

Debt collection is a multi-billion dollar industry. Career collector, JOSH, life falls apart after he repossesses the wrong car and winds up confronted by dangerous men who will kill to keep their secrets.

2020 Page International – finalist (top 10 best drama pilot scripts)

chris@obryant.ws

DOG MEN

Andrew Orillion

Fantasy Police Procedural

After being thrown out of his guild in the Medieval fantasy port metropolis of Dog’s Head, a former apprentice wizard finds a new lease on life when he joins the local police force known as the Dog Men.

andrew.orillion@gmail.com

EPHEMERAL

Justin Olson

Science-Fiction/Drama

A guilt-ridden physicist resurrects the hometown he destroyed decades ago inside a massive Time Sphere, giving himself just 27 hours to save his wife and son from nuclear catastrophe.

Write LA – finalist

nojustlions@gmail.com

FABRICATIONS

James Tichenor

Science-Fiction – pilot

A recovered addict hitching rides to track down her abducted six-year-old son joins forces with a mistrustful independent trucker to combat the first wave of an alien invasion hidden in his sealed cargo.

2020 TSL Free Script contest – semifinalist

2020 Screencraft Sci-Fi – quarterfinalist

james.l.tichenor@gmail.com

FLAGRANT

Isaiah Taylor

Half-hour Dramedy

A Black student-athlete from the West coast gets a culture-shock after receiving a basketball scholarship from a Midwest university. Now he must overcome racial prejudices to find his place and leave a lasting impact on the basketball team.

taylor.isaiahr@gmail.com

GARYTOWN

Seth Nelson

Comedy

An irresponsible deadhead taxidermist continues the prank of a lifetime, until a nosy talk-singing podcaster uncovers his true identity, sending his life into a depressive downward spiral of despair.

snelson1076@me.com

GROUNDLING

David Priest

Supernatural Crime Thriller

In a small Arkansas town plagued by mysterious disappearances, a doubting monk in search of cosmic meaning uncovers a secret tradition of his order that might save the townspeople, at grave risk to his own soul.

david.priest12345@gmail.com

HADES

Michael Boaks

Medical/Crime Drama

An ER doctor struck off. A crime boss diagnosed with cancer. Gangland tensions rising. This could be the start of a beautiful friendship…

2020 Austin Film Festival – second round

2020 LA International Screenplay Awards – finalist

michaelboaks@hotmail.com

HIRE POWER

Nick Burrows

Comedy/Drama pilot

A trainee recruiter quickly learns about the dark side of the industry when he pursues his future father-in-law as a client. As his personal and professional lives collide his future at the firm is thrown into doubt by a contentious merger with their biggest rivals.

ndburrows@hotmail.com 

I’M FINE

Teresa Warner

One-hour Dramedy

After her father commits suicide, Katie, must learns to navigate her grief and this new part of adulthood with the help of a suicide loss support group. Maybe with their help she can figure out if her father is actually haunting or she’s going crazy.

twarner@alumni.flagler.edu

MANTIS

Janese Taylor

Action/Thriller limited series

After freeing a group of teenagers from a sex-trafficking ring, a Black female vigilante’s own personal plans go awry when a Russian syndicate puts a price on her head.

San Francisco International Screenwriting Competition – semifinalist

Austin Film Festival – 2nd rounder

Coverfly Red List – #4 for Action Television in October 2020

janese16@gmail.com

MOODY & THE GHOST

Kim Hornsby

Dramedy/Suspense/Romance

After a horrific car accident that takes her sight and robs her of telepathy, a kickass ghost hunter with a popular YouTube show finds both senses restored in the presence of a sea captain ghost from 1850 who strikes a deal to enable her if she’ll help him pass on.

Austin Film Festival – 2nd rounder

Imaginarium Screenplay Contest – finalist

Table Read My Screenplay – top 100

kimhornsby@yahoo.com

OCCUPIED INTELLIGENCE

Colin Lieberg

Historical Drama pilot

Based on a true story. Two women risk their lives to rescue downed soldiers and translate Nazi intelligence as part of a civilian spy ring, only to face betrayal and capture.

colin.lieberg@gmail.com

PEREGRINE

Joan Albright

Science-Fiction/Action/Drama

Trapped in the demilitarized zone between warring American states, a disavowed soldier must keep her half-brother alive while evading the gangs which feud over the Zone’s meager resources.

joanalbrightwrites@gmail.com

PLAINSVILLE

S.E. McKendrick

Science-Fiction – pilot

Welcome to Plainsville, the town on the edge of the final frontier.

scripts2020@mail.com

SHELTERED

Layla Cummins

Supernatural Crime Drama

A homeless mother witnesses the strange murder of a political activist on the streets of Bristol and becomes the new target of a killer-for-hire summoned by society’s wealthy elite.

laylacummins@hotmail.co.uk

SLIM CHANCE

Erick Buckley

Fantasy

Chance Blood, a luckless, middle-aged Dad stumbling through a mess of a life, haplessly becomes the avatar of Eris, Goddess of Creative Chaos and must cope with Gods and Goddesses, Monsters and Demons, his kids and ex-wife, and his new place in this ever stranger Universe.

erickbuckley@gmail.com

SOUTHERN FRIED

Guy Crawford

½ hour comedy-dramedy

A prodigal daughter and her surprise fiance return to her small southern hometown to take over the family diner, setting up a collision of worlds and values that leaves everyone trying to figure out how to coexist  in the new normal.

You can take a peek at selected scenes of this LBGTQ-diverse cast script being performed on the Southern Fried episode at thethingforawd.com.

guyc2_2000@yahoo.com

TEACH

Michael Hager

Comedy

Two teachers grapple virtually with difficult parents, manipulative administrators, and absurd colleagues, all while maintaining a shred of a romantic relationship in the time of COVID.

michaelhag@gmail.com

THE DOLL HOUSE

Elisabeth Joplin

Drama – pilot

After walking away from a long term relationship, a young woman gets a job as a sex worker where the lines on morality begin to blur.

mslizjoplin@gmail.com

THE HOLLYWOOD CANTEEN

Alison C. Wroblewski

Drama/Period/Crime

When the Hollywood Canteen opens to fanfare in 1942, a secretary, soldier, and star decide if they still want “in” while a murderer lurks in the shadows.

WeScreenplay TV Pilot – quarterfinalist

alisoncrews@mac.com

THE KINGS OF SUBURBIA

Justin & Chris Cleroux

Crime Drama

A debt-ridden doormat of a suburban dad starts to seize opportunity after a chance encounter with two familiar, unexpected robbers.

justindcleroux@gmail.com

THE PATSY

Irene Platt

Crime – pilot

A senator’s wife is tortured through a cochlear implant she doesn’t know she has…

legalsurfer95@gmail.com

YUAN YUAN AND THE HOLLOW MONSTER

Catherine Chen

Family Animation

Eight-year-old Jackie is determined to protect her newest pet, a tiny turtle named Lucy, at all costs. Even if it means chasing down a massive hurricane called the Hollow Monster.

Student Academy Awards – semifinalist (short film)

Animation Block Party – Best Animation for Kids

yuananim@gmail.com

WEBSERIES

ALL SAINTS

Aray Brown

Drama/Thriller

When a brainwashed girl must kill her uncle and sacrifice his blood to a cult God, she joins forces with an unconventional cop to save her soul.

brown.aray@gmail.com

Q & A with Michael Jamin

Michael Jamin has been a television writer/showrunner for the past 25 years. His many credits include King of the Hill, Wilfred, Maron, Just Shoot Me, Rules of Engagement, Brickleberry, Beavis & Butthead, and Tacoma FD. He’s currently working on a collection of personal essays to be published in 2021. Some of them can be read on michaeljamin.com

What’s the last thing you read or watched that you thought was incredibly well-written?

I thought the show Fleabag by Phoebe Waller-Bridge was a masterpiece. She wrote one soliloquy towards the end of the series that made me want to stand up and applaud.

I’ve also been re-reading David Sedaris’ works. To me, his writing is like watching a magic trick. When you finally arrive at the end of one of his pieces, you ask yourself, “How did he get me here?” It’s just so lovely. When people read a good book, they often say, “I couldn’t put it down.” But I put his books down all the time. I’ll read a particularly poignant passage, or beautifully craft line, and stop reading for a few moments just to admire it.

Were you always a writer, or was it something you eventually discovered you had a knack for?

In high school and college, I very much enjoyed writing, but I wasn’t a good writer. I was funny, but I didn’t yet understand story structure so my writing lacked cohesion and purpose. Even though I studied under some very talented authors, I don’t think they knew how to convey this. They just wrote from the gut, and because their talent level was so high, their writing was very engaging. It wasn’t until I got work as a staff writer in television that I really started started to learn about structure, and that can applied to so many different mediums.

How’d you get your start in the industry?

A year or so after moving to Hollywood to follow my dream of being a sitcom writer, I met a guy who would eventually become my writing partner.  For a couple of years, we worked every night and weekend to assemble a good collection of spec scripts. Probably close to a dozen. Eventually we landed on the writing staff of Just Shoot Me and we’ve worked steadily ever since.

What do you consider the components of a good script?

Even in comedy, it’s not about the jokes or funny situations. It’s all about story and how engaging you can make it. Until the audience can identify the three main components of every story, the writer is just wasting their time… daring them to find something better to do.

What are some of the most common writing mistakes you see?

Most new writers don’t really understand what makes a story. They think they understand, but if you ask them to define what a story is in one clear sentence, they’re at a loss. It’s a difficult question!  But if you can’t define it accurately, you’re never going to be able write one on a consistent basis.

What story tropes are you just tired of seeing?

It’s not so much tropes that bother me as it is tired old cliches. In comedy rooms, we call them clams. They’re jokes that have been floating around the zeitgeist and you’ve heard a million times. “Asking for a friend.” “Said no one ever.”  Those are clams. You see them on dopey friends Facebook posts. That’s fine for them, because they’re not writers. But if you want to be a writer, then your job is to create new things to say, not transcribe old ones.

What are some key rules/guidelines every writer should know?

Start the story sooner.

Raise the stakes.

What’s the story really about?

Does the idea have enough weight to be a story?

Do your act breaks pop?

What are your thoughts about writing a spec script for an already-existing show as opposed to a totally new and original pilot?

When I’m staffing for a show, I much prefer reading scripts for existing shows. Writing an original pilot is very hard, and it requires a completely different skill set from writing a spec for an existing show and it’s a skill set that I’m not really looking for. I don’t care if you can create an entire world. I want to know if you can write a compelling script for characters who already exist.

Have you ever read a spec script that immediately told you “this writer gets it”. If so, what were the reasons why?

Most spec scripts from new writers are mediocre. And these are writers who are good enough to land representation. But there’s no demand in Hollywood for mediocre writers. If the story doesn’t start quickly enough, or that first act break doesn’t pop, I’ll put down the script and pick up another one. That may seem unfair, but viewers are no different. If they’re not engaged by the story, they’ll click the remote and find a story that does engage them. I’ve got a huge pile of scripts to read and one of them will be great. I decided to hire one new writer without even finishing the script. I could tell he knew what he was doing.

How can people find out more about you and the services you provide?

I’ve been a sitcom writer and showrunner for 25 years. A friend of mine who is an aspiring writer had been begging me to create an online course, but I just didn’t have the time. When the pandemic hit, that excuse went out the window. So I spent a few months creating an online screenwriting course. This is everything I wish I had when I was trying to break in. If anyone is interested, the first 3 lessons are free.

You can also follow me on social media:
Facebook:  https://www.facebook.com/MichaelJaminWriter/
Instagram: https://www.instagram.com/michaeljaminwriter
Twitter:    @MJaminWriter

Readers of this blog are more than familiar with my love/appreciation of pie. What’s your favorite kind?

Speaking of tropes, there’s nothing more familiar than the standard apple. But it works, so why are we trying to improve on it?

Another trove of more treasures

As the lockdown continues, here are some works of your fellow creatives to help you pass the time – plus an informative opportunity for aspiring TV and webseries writers. Take a gander at the offerings below.

The Arab Messiah

Jeff Naparstek

Book [via Kindle]

Historical Fiction

A young woman on an archaeological expedition brings the past back to life with the resurrection of an ancient Pharaoh.

Into the Black, A Sci-Fi Mystery (Janey McCallister Mystery, Book 1)

Beth Barany

Book

Sci-Fi Mystery

Anything goes at Bijoux de L’Étoile space station casino—until theft turns to murder and first-time lead investigator Janey McCallister must find the killer before he escapes into the black.

Page Turner Awards eBook Finalist

The Joy of Self-Publishing 101 Kept Secrets

Diana Mugano

Book [paperback & Kindle]

Inspirational

If you need reasons why you should publish your book look no further. This book will answer your questions. All the best on your journey of publishing a book! And do not forget life always offers maybe even when you cannot clearly see the possibilities in front of you, keep your writing alive!

Liam McPhee and The Thief of Laughter

Marlena Evangeline

Book

Young Adult Fantasy

The rugged shores of Scotland in the 1800s, with its highlands and heaths serve as a backdrop for the inviting faerie-tale like story of Liam McPhee, an eleven year old hero that faces an array of almost insurmountable challenges in a young adult fantasy designed to attract all ages of readers.

liammcphee.com

The book comes out on Nov 1, so here’s a link for preordering.

Wedgie & Gizmo

Suzanne Selfors

Book

Middle Grade

The story of a blended family, as told from the alternating and singularly distinctive voices of the family pets: a deluded evil genius guinea pig named GIZMO, and his happy-go-lucky rival, an equally deluded Welsh Corgi called WEDGIE.

Amazon Best Book of the Month

Kinsane Entertainment

Webinar for TV writers – TV and Web Series Creators

Terry McFadden

Your written pitch document is usually the deciding factor that determines if your show will be bought. How is yours fresh, different, comprehensive and most of all you? Details in the link.   https://scriptwritersnetwork.com/events/pitching-you-in-your-written-pitch-document-for-tv/

Lesson learned

A very recent post was all about my effort to read more scripts. I’ve been doing that, and from the ones I’ve read so far, the biggest takeaways are:

Wow, these are some fantastic scripts, and…

I need to be a better writer.

Not that I’m terrible. Maybe decent. Somewhat above average. But they don’t want decent or somewhat above average.

They want AMAZING.

PHENOMENAL.

MIND-BLOWINGLY AWESOME.

They want a script that once you read it, you can’t forget it.

My game needs to be severely upped if I want to make that kind of an impact and achieve the desired results.

What’s been truly eye-opening has been the overall quality of the scripts. They’ve been more than exceptional on several levels – originality, story, character, plot, etc.

The writing is vivid – incredibly so, and really makes you feel like you’re right there in the story. It wows me while I’m reading and compels me to keep going. This is something I strive for with my own work.

Reading these makes me want to do better when it comes to the quality of my scripts. I can only hope that I actually will.

Don’t be that person

yelling

The story you are about to read is true. Only the names have been omitted to protect the innocent.

The script of a friend of mine has had some positive results in the contest world, and the most recent venture was getting professional analysis on it, resulting in somewhat decent scores.

I’ve read this script, and it’s very, very good. It takes a classic story everybody knows, and then examines what happens AFTER the events of that story. There’s a lot to like about it, and my friend is doing what they can to get it out there.

Part of their effort is seeking advice from those with more experience. Sometimes it’s via social media, private online groups, or public community forums. We’re in several of the same groups, so I’ve seen a lot of my friend’s posts.

Not that I consider myself to be especially ‘experienced’, but since becoming connected with this person, I’ve done what I can to be supportive and helpful when applicable.

Earlier this week, my friend came to me with a dilemma.

They’ve been frequenting a community forum where one of the members regularly belittles or downplays any form or announcement of good news posted by another writer. Sometimes it’s along the lines of “”Look, this is a tough industry. If you can’t take the criticism, you’re totally in the wrong field, which it looks like you are.”

I also marveled at how much time people tend to spend on these forums. Many comments tend to be of the “I know better than you, so bow before my obvious superiority” sort. This was a big part of why I stepped away from them. I’d rather spend my time, y’know, actually writing.

Quick side note – the person claims to have representation, and some optioned scripts as well as a news release from a few years ago about their latest script being shopped around. Both my friend and I scoured IMDB Pro for any mention of them at all, but…bupkis. Take from that what you will.

As much as I consider every other writer to be my competition, I don’t think I’d ever actively try to dissuade somebody from trying. Would I remind them this is an extremely tough field to break into, let alone thrive in, and that their overall chances of success are very small? Yes.

I’ve also dealt with “professionals” who’ve talked down to me and told me my story ideas were stupid and worthless, using the reasoning “I’m just treating you the way somebody in the industry would. If you can’t take it, maybe you shouldn’t be trying.”

Not having as much experience as some, the people I have encountered were actually polite, helpful and supportive. If something didn’t work for them, I’d at least get “thanks, but no thanks.”

This does compel me to ask:  is that really how the industry treats most people?

This most recently came to a head when my friend asked about suggestions for how to use the positive results they received from a reputable script analysis service as a marketing tool.

The same person was the first to respond, saying the concept wasn’t that original, so the script didn’t have much of a chance, and marketing it would be a very tough sell. When asked what they would recommend, they seemed to just repeat the same things.

My advice to my friend was to ignore 99 percent of what that other person said, but keep in mind that yes, the field for potential interest in their script is limited, but that doesn’t mean they shouldn’t at least try. There’s no guarantee, but you never know who might say yes.

I made some suggestions of possible strategies, and summed it up with the standard “if they say no, you move on to the next one.”

As many of you probably already know, I’m a big believer not just in networking, but also in supporting the writing community. I try to help when I can any way I can.

This other person seemed to run completely counter to that. I just don’t see the point in why they would. To make themselves seem important? To show off their accomplishments? Wouldn’t they rather be seen in a positive light, rather than a negative one? I know I would.

I also mentioned to my friend that treating people like that could eventually backfire. Just because you might be a nobody today doesn’t mean you couldn’t be somebody important tomorrow.

And writers have long memories. We tend to remember those who leave bad impressions.

The best I could offer my friend was that I was there to help them and offer encouragement and advice when needed, and I hope other writers feel the same about their friends as well.

-The fine folks at Shore Scripts have a couple of deadlines coming up fast.

For all you filmmakers, tomorrow – 29 August – is the early deadline for their Short Film Fund 2 competition. Here’s a link to an article about Lindiwe Makgalemele, the winner of Short Film Fund 1.

And for writers of film and TV, this Monday – 31 August – is the final deadline for the Shore Scripts 2020 Feature & TV Pilot contest.