comedy

Full speed ahead!

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Apart from a few tweaks on the animated fantasy-comedy, the past few weeks have been all about cranking out the new draft of the sci-fi adventure.

And “cranking out” seems to be the appropriate term.

My usual process is to write a few pages, go back and do some work on them, then move on to the next set.

Not this time.

I write ’em and move on. No looking back.

No editing. No tweaking. Nothing.

There is absolutely no doubt there’ll be a ton of editing and rewriting when it’s done, but for now it’s “just get the damned thing written”.

Current output is about 2-3 pages a day, so if I can maintain that pace, there’s no reason to believe it couldn’t be wrapped up by the end of June or thereabouts.

Also nice – I’m having a great time telling this story, and I hope that enjoyment comes across to future readers.

I don’t know if I’ll continue to use this method for future scripts, or even for future drafts, but for now it seems to be working. It’s definitely different and takes some getting used to, but I don’t mind.

-last-minute addition! as of this writing, the aforementioned fantasy-comedy was announced as a quarterfinalist in the animation category for StoryPros. Not too shabby, especially since it’s been rewritten/polished a few times since then to what I believe is a more put-together version.

While it would be great for it to continue moving forward, I’m quite happy with this.

-The writers strike continues, with no end in sight. Here’s hoping that that changes soon. #WGAStrong

It is what it is

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They say failure is the best teacher, and boy did I learn my lesson these past few weeks.

As you might be aware, a lot of the past few months were all about the animated fantasy-comedy spec. Many drafts, revisions, and polishes have taken place. My primary objective was to have what I hoped was a quality script that might have a chance with some of the big contests.

I felt it was ready, so I sent it in, along with to a few smaller contests – just to see how it might fare.

Its track record now stands at 0-2 for those smaller ones, one of which focused on fantasy (and sci-fi). If the script couldn’t even make the quarterfinals in that, it definitely doesn’t bode well for the more high-profile contests that get thousands upon thousands of entries.

Also adding to this sad-but-likely conclusion was getting some notes back after the script had been entered in said contests. The notes were brutally honest about what worked and what didn’t.

Simply put – there were problems that I hadn’t addressed, and it just wasn’t ready.

Thus another rewrite took place, with this year’s contests already being written off. It’ll be quite surprising if anything positive happens with any of those.

I don’t think I was jumping the gun in entering it in the contests. Was I more confident than I should have been? Maybe, but I still think it’s a solid piece of work – especially after this latest rewrite.

There’s still one more set of notes on the way, so there will most likely be another draft, and I’m seriously considering getting some professional feedback for that one a few months down the road.

It bothers me that this year’s contests already seem to be wasted, but I accept that this is how it worked out and I’m pretty good about getting back up on the proverbial horse. The positive spin/silver lining is that this gives me more time to prepare for next year.

Once all the work on this script is finished – which hopefully won’t take too long, I’ll return to the rewrite of the sci-fi adventure – and based on this experience, will dedicate more time to making sure it’s REALLY ready to send out.

Heeding my own advice and encouragement to other writers, I will keep pushing forward.

-As of this writing, the WGA strike is still going on.

To quote Harlan Ellison: pay the writer

#WGAStrong

Implementing course correction

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Got a hard lesson in humility and a hearty dose of reality these past few weeks.

I’d thought my animated fantasy-comedy spec was ready to set loose on the world, so had submitted it to contests of note, plus a few other genre-centric ones.

Initial results have been trickling in, and those results have been drastically less than desired.

Naturally, it raises doubts about ability and lots of second-guessing on several fronts.

I’d sent it out to some trusted colleagues for feedback, and almost all of them were very enthusiastic and encouraging about it. There were even words of praise from writers of exceptional quality, which added to my growing feelings of confidence.

Note I’d said “almost all”. There were a few that didn’t care for it. They weren’t fans of animation, fantasy, or comedy, or the script was too light-hearted for them. No matter what, it just wasn’t for them.

I get that. Not everybody’s going to like everything.

But it was the comments about why it wasn’t working that really struck a nerve – at first in a negative way, but like with many notes, the hidden positives and takeaways soon came to light.

Questions were asked and about story details, characters, the world it’s set in, and so forth.

When several people ask the same question or have the same concern, then that’s something that needs to be addressed.

So after a brief period of “sheesh, I must be a really shitty writer”, I took those notes and started figuring out how to make the appropriate fixes.

As you’d expect with a rewrite/revision, darlings had to be killed. Painful, but necessary. On the upside, the replacement material seems to be working; some beyond expectations.

I’ve already written off this year’s contest season. If anything positive happens, that’ll be great, but just seems highly unlikely at this point.

It’s frustrating that this is how things worked out, but it’s just the way it is. Putting in this new round of work is helping restore confidence levels for myself and the material.

Everything from this point forward is all about getting the script into better shape – and to be ready for next year.

Chances of winning – slim

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A few contests have been releasing the latest results. Sadly, my fantasy-comedy didn’t advance in some of them.

Disappointing, but just the way it is. Subjectivity and all that.

I know more than a few writers who are still in the running, and I wish them all the best. It’s important to be supportive and encouraging for others’ success. They earned it, and it’s how I’d want to be treated if the situation were reversed.

As I indulge in some introspection (and another round of script analysis), this is a great reminder that success on one front does not guarantee it in another.

Lots of writers do well in contests, but only a small fraction see it lead to bigger and better things.

I know writers who’ve won or placed highly in some major contests, gotten representation and meetings with producers as a result, but even years later are still struggling to move things forward. It happens.

There are also those who have had nothing happen, which also happens.

It’s natural to feel jealous and frustrated when you see other writers making progress, and you’re not – for contests or otherwise. So you hunker down and try to get better.

And even though that other writer made it a little farther than you did, there’s a chance the next stage could be where things stop for them.

If they keep advancing, good for them.

The odds are already against us from the get-go; even just finishing a script is more than some writers accomplish.

When this sort of thing happens, I gripe/stew/lament about it for a short period of time, accept it, and move on with the mindset of “how can I make this better so as to increase my chances the next time around?”

It helps. Both myself and the script.

With more and more contests announcing the latest results in the coming months, no matter what happens, do your best to be ready.

Took a while, but oh so worth it

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The last batches of notes are coming in for the animated fantasy-comedy spec, and believe you me it is SO MUCH better for all of them.

I had faith and confidence in the story and the writing when the initial drafts were done, but it was the as-always-invaluable feedback I got that really helped fine-tune and polish to what it is now.

Bonus – everybody really liked the story and had fun reading it

Bigger bonus – the jokes worked, including more than a few “I actually laughed out at this”. This was a very important issue for me, and I’m elated that this was the result.

I’ve completed a quick tweak/polish and will probably do one more read-through just to be sure before I start sending it out to the big contests next week.

(Reminder for those who enjoy working under pressure – Nicholl early bird deadline is Mar 1 – next Wednesday)

In years past, I’d seek out notes from just about anybody and everybody. When you get numerous sets of notes, and many have conflicting opinions, it does no favors for you or your script.

Lesson learned. Now after each draft, I reach out to 2-3 readers with the same level of experience as me, or more, when possible. It might take a few rounds of doing this, but each draft gets the script to where it needs to be.

With my western, I thought my writing was as good as it was going to get. But working on this script has shown me that I wasn’t done yet. I’m the last one to toot my own horn, but this one seems more solid and put-together on several fronts.

They say you should be able to hear the writer’s “voice” when you read their script; that it sounds like something they would have written. I think that’s always been the case with each of mine, but for this one, you can hear me loud and clear.