A little help from your friends

We’re all in this together

Bit of a shorty today – lots going on around Maximum Z HQ, but I wanted to post some items to show writers trying to break in that you’re not alone, and there actually are people out there willing to help you out.

-There’s been a lot of activity on Twitter to help non-WGA writers work on dropping the “non” from their status (as well as connect and network with other writers), and some positive results are starting to develop. Seek out hashtags like #ForYourWGAConsideration, #PreWGA, #WGAFeatureBoost, #WGAStaffingBoost, and #WGAmegamix.

-Read a phenomenal script by another writer? You can help give both it and them a boost by listing it on the Spec Script Shout Out site. It officially launches on May 31st, but you can sign up and register now. You’re also more than welcome to register yourself and your own projects. Bonus – it’s free.

The WRAC Group is a great way to help yourself out when it comes to personal accountability. It’s good, solid, and effective. Also free.

A few simple rules to keep in mind while you’re doing all of this:

-Be nice. Treat people the way you’d want to be treated.

-Be willing to help others out (leads, referrals, etc.). It makes more of an impression than you realize.

-Don’t whine. It’s tough for everybody. We all get frustrated.

-Don’t lie. The truth will always come out, and your name and reputation may not recover.

-Somebody else has something good happen? Offer some congratulations.

-Don’t be afraid to tout your own accompishments. You’ve worked hard to get there.

-Everybody has their own path to success. Some take longer. Don’t compare your progress to theirs.

The biggest takeaway from all of this is, as it is with screenwriting – YOU HAVE TO DO THE WORK! Dedicate whatever time you can spare each day. Make it part of your routine. Productivity yields results.

Good luck, chums. Now go write something.

One goal, lots of strategies

to do list
Step 1 – plan. Step 2 – execute. Step 3 – repeat Step 1.

Last time the subject was how we did, writing-wise, during 2017. Today, it goes beyond simply what you’re hoping to accomplish to “So what are you doing about it?”

Just a few days into the new year, and how much writing have you done? Are you adhering to the guidelines you set up for yourself? Making the most out of the time you have available? Are you saying to yourself “No more Youtube! No more (insert preferred form of social media here)! I got me some writing to do!”, followed by actually turning off that unwanted source of input and applying proverbial pen to digital paper?

Jeez, I sure hope so.

Repeat the process on as close to a daily basis as you can get, and you might be pleasantly surprised at the results. You might have more time to work with during the day than you realize, so why not make the most of it?

Long-term goals are all fine and dandy, but continuously crossing the finish line for smaller (and some might say more realistic) ones can also yield some solid results. It’s one thing to say “I’m going to write four scripts this year!” and another to say “I’m going to write three pages today!”, and you’d have to admit the second one is just a little bit more achievable.

Additionally, if you stick to that schedule and maintain the same kind of daily output, you could potentially hit at least some of your long-term goals a little sooner. Write three to four pages a day every day, and within a matter of weeks (or maybe a little more than a month), you’re the proud parent of a completed draft. Sure, it might need a lot of work, but the important thing to remember here is : YOU DID IT.

As 2017 wound down, I knew what I wanted to happen for me, writing and career-wise, in 2018. Now that we’re almost a whole week in, I’ve been making an effort to try and get something done on both fronts every day.

For the writing, it’s anything and everything, running the gamut between outlining, rewriting, editing, proofreading, or even just jotting down an idea for a scene in the under-construction outline for a story I haven’t looked at since April. Working with some very quality notes for two scripts, I’m actually ahead of schedule with rewriting one, and gearing up to dive into the second when that’s done.

For the career, it’s about finding more avenues to get myself and my scripts out there. I’m not just pitching stories; I’m pitching a storyteller as a potentially invaluable resource. There will be plenty of “no”s along the way, but all it takes is that one “yes”, right?

And once again, let’s tout the benefits of networking; making and maintaining your connections. You never know which one could lead to something.

While I’m still doing some of the things I’ve always done, there was also that feeling that new and different approaches were necessary. So as I work my way through all the assorted processes involved with writing scripts, I’m also navigating the awkward transitional phase of a few readjustments.

No matter what, the end goal remains the same. As always, fingers remain firmly crossed that this is the year it happens.

Getting to know you

Formal wear and hors d’oeuvres are optional

I can’t stress it enough. A big part of making it as a screenwriter, from both professional and craft points of view, involves networking. I honestly believe that the more writers you get to know, the bigger an impact it will have on your writing (along with your networking skills).

While I’ve always been a big proponent of inviting my fellow creatives for a get-to-know-you coffee or lunch chat, I decided I’d take it one step further and actually host a networking event, primarily geared towards screenwriters in the San Francisco Bay Area and throughout northern California.

I live relatively close to the ocean, and there’s a small-but-charming deli a block from the beach. The owner is a big supporter of the arts, and always seems to be having some kind of event there (live music, poetry readings, stand-up comedy, etc), so I asked about having my event there. He was quite receptive to the idea.

I posted an announcement about it on Facebook, sent out some invites, and hoped people would be interested.

They were.

As you’d expect, several people were very interested in attending, but had previous engagements. A few had last-minute cancellations. Some just couldn’t make it. In the end, 15 of us enjoyed an afternoon of meeting and connecting with other screenwriters. A good time was indeed had by all.

More than a few attendees, especially those I was meeting in person for the first time, asked why I’d decided to do this.

A few reasons:

-I really enjoy networking and getting to know other writers. It’s always great to meet a kindred spirit, and is a pleasant reminder you’re not the only one trying to do this.

-Not being in Los Angeles, there aren’t as many screenwriters around here. For those that are, this seemed like a good way to try and bring a part of the community together.

-Networking and social skills are two of those underrated tools for helping you develop your career, and you should take advantage of being able to work on both whenever you can. From swapping script notes to industry connections, the more people you know, the better your chances of helping yourself out.

-An event like this gives you and others that you meet the opportunity to talk about your work and everything going on with it. One of the writers was just starting out, and I got to hear another writer (with a lot more experience) help them figure out the story they were working on and the most effective way to pitch it.

I was also asked if I’d be doing this sort of thing again. Based on the positive responses, I believe I will. Probably sometime in the spring.

In case you’re wondering, it wasn’t too big an undertaking. If you’re interested in expanding your local network of writers, I heartily recommend looking into it. Pick a date. Find a venue. Get the word out. Be social. Wins all around. Both you and the writers in your neck of the woods will benefit and appreciate it.

Meeting again for the first time

Hi there

A day short of one year ago, I wrote this.

Since then, through social media and community forums, I’ve connected with writers from all over the world as well as several from right here in my neck of the woods.

Whether it’s exchanging feedback on a script or offering up a solution to a story problem, or even just meeting for a get-to-know-you chat over lunch or coffee, networking and communicating with other writers can provide a kind of support system that benefits everybody involved.

The other day I met with a guy very busy with several projects, each one offering up a special brand of stress, but he wouldn’t have it any other way. He’s getting to write as well as be involved with the actual production of projects he’s written. Who doesn’t want that?

(An interesting side note – he has severely cut back on his involvement with Done Deal Pro because the negative comments and constant in-fighting became too overwhelming. I don’t blame him and have pretty much done the same thing.)

Try this little experiment to get you started: connect with up to 5 writers a day for one week. Do it through whatever format you want – a blogger you enjoy, Twitter or a respectable forum (Despite the aforementioned issues, DDP is still pretty good). Don’t forget to be polite. Give it a go and see what happens.