Super-busy times around Maximum Z HQ these days, so rather than bore you with tedious details about my current slate of projects, I thought it would be better to offer up a few classic posts dealing with the idea of writers connecting and interacting with other writers.
Potentially entertaining side note – Feb 9th marks 10 years since I started this blog. Like with my scripts, it’s been a labor of love, and I appreciate every single one of you taking the time to give it a look. I hope you’ve enjoyed reading it and have found it helpful in one form or another.
Ten years. Gosh. That’s a lot of posts about screenwriting, and the occasional mention of pie. Hope you’ll join me in celebrating by indulging in a little bit of both.
Maybe you established some goals for yourself, and were hopefully able to accomplish at least some of them. If you managed to check off all of them, then all hats off to you.
Among the events of note from my little corner of the universe…
-Completed a major rewrite of one script, the first draft of another, a thorough polish of yet another, and a much-needed updating of an older one.
-My scripts did okay in some contests. Nothing major, but still encouraging.
-A few “almosts” regarding representation.
Would I have liked more from all categories? Without a doubt. Especially the ones regarding getting a career going. While I’m happy with the results, all of this does make me want to really step up my efforts for next year.
Along with more writing, a big part also involves simply planning and strategizing. I already have an idea of which scripts could use more attention; a mix of rewrites and first drafts (with outlining involved all around).
It’s taken time to develop and hone my writing skills to where they are now, and I sincerely believe that working my way through all of these projects will contribute to further improvement for both my writing and my material.
In other words, I’m good, or so I’ve been told, but I’m going to work even harder to get better.
On the contest front, that’ll involve a lot of cutting back. Apart from the big three, I’ll be limiting myself to a handful of smaller ones – most likely those involving a specific genre – mostly to see how my scripts fare. That and those registration fees really add up.
And regarding the ongoing quest for representation, the researching and updating of contact info for reps and prodcos continues. Over the course of this year, I’ve accumulated a somewhat sizable collection of names and email addresses, and am doing what I can to compile and organize a list of potential recipients.
The word that most accurately sums up my approach to 2019 would be “relentless”. I’ve no plan to stop trying. One might even go so far as to say my efforts will see a dramatic increase. Without a doubt, there will be a lot of days where I feel down and defeated, but even then, the fire deep inside me will continue to burn bright and strong.
I know success is not guaranteed, but I’ve made some good progress over the past few years in terms of career and skills, and sincerely believe that my current efforts regarding both could make quite the positive impact on my chances of good things happening in 2019.
Here’s hoping, anyway.
And I’d be totally remiss if I didn’t wish you all the best with every single one of your projects, current and future, in the coming year.
p.s. Over the past twelve months, I’ve also had the good fortune to engage in face-to-face meetings with many writers here in the Bay Area. Some were new, and some were reconnections. No matter what, it’s always a great thing to meet up and chat about our respective writer stuff.
Which is why I’ll once again highly recommend you add networking and connecting with writers, filmmakers, and all sorts of creative peeople to your “to-do” list for 2019.
Busy times around Maximum Z HQ (including some details listed below), so another shorty today, but first:
Big announcement time!
Two weeks from today, the 2018 Maximum Z Screenwriter’s Gift Guide will go up. It’ll feature holiday deals on script consulting services (from many of the consultants profiled on these very pages), books about screenwriting written by screenwriters, along with books written by screenwriters, but aren’t about screenwriting, as well as all kinds of other fun stuff that any screenwriter would enjoy receiving.
If you have a product or service like these that you’d like to be included, or if you’re a filmmaker with a crowdfunding effort for your latest project, and you’d like more people to know about it, don’t hesitate to drop me a line. (Email’s on the About Me page)
Cutoff date is Tuesday 20 November, so don’t wait until the last minute!
Now about those aforementioned busy times…
-Slow but steady progress on the horror-comedy spec. So far, my outline-to-page ratio is a bit off – page count exceeding outline expectations – which means I’ll some major editing (i.e. cutting) to do once it’s complete. But I’m having fun writing it, which is really what it comes down to anyway.
-Also have a little touch-up work to do on the sci-fi spec, with the help of some recently-received great notes.
-Been busy with the occasional reading and giving-of-notes. Have I mentioned how great it is to know so many talented writers? Yes indeed.
-Speaking of crowdfunding, filmmaker Ben Eckstein is looking for more backers for his current project WINNING. They’re a portion of the way there, but every little bit helps. Donate if you can!
Apologies for the lack of a post last week. We had to travel to a different time zone for a family function, and the jet lag really took its toll on me. It’s tough to compose something when you can barely stay awake.
But I’m back, rested, and ready to get back to work.
Among the items on the “list of stuff that needs attention”:
-continue working on the horror-comedy outline
-work with latest batch of notes on the comedy spec. Hoping to have that latest draft done sooner than expected.
-research potential representation firms to query
-look into setting up at least one networking event for SF/Bay Area writers. Previous ones were pretty successful, and are great for establishing connections.
-Among the comments that came in for the comedy spec was how it might benefit from a table read. Never did one before, so investigating setting one up. Anybody out there who’s done it?
There are a few other items going on, but those are the dominant ones for now. At first glance, it might seem like a lot, but it doesn’t feel that way to me. They’re all just parts of the machine that is me working on making a career out of this.
I think the biggest factor here is time management. I do what I can to allot a certain amount of time per task. Work on my own stuff for an hour or two. Spend some downtime at work researching reps and prodcos, then send out some queries. If an idea hits when I’m not actually writing, I jot it down immediately – mostly because I don’t trust myself to remember it a few hours later.
One caveat – If I have to do notes on a friend’s script, all attention is diverted to that. If they were reading mine, I’d want them to be just as focused on my script, so the least I can do is return the favor.
Now, I totally get that no two writers have the same schedule, so everybody will tackle things their own way and at their own pace. Maybe you can only spare an hour a day for anything writing-related, or you get up earlier than you need to because that’s your designated writing time. Any and all of it’s fine. You do what works for you.
The important thing is to be doing something. Anything that helps you along.
Also remember, and I can’t stress this enough – everybody’s path is different. What works for that other person might not work for you, and vice versa. Don’t stress out over feeling like you’re running behind. The only person you’re competing against is you.
Not sure where to start? Easy. Be a writer and write down what you’d like to accomplish. I suggest starting small – list three things you could do today to help yourself out. Write three scenes (or three pages). Send out five query emails. Contact the writer of that logline you liked in that online forum.
Get into the habit of giving yourself stuff to do, and there’s a good chance you’ll be pleasantly surprised at how much stuff is actually getting done.