Just a little introspective self-reflecting

The past few days have been all about revising the outline of my sci-fi adventure spec. My editor’s pen has been getting quite a workout as I slash scenes and sequences out of the previous draft with wild abandon.

Sometimes inspiration will strike and I’ll come up with something entirely new that not only makes the point even better, as well as open up more possibilities further along in the story. That’s always nice.

But another side effect of all this work is more occurrences of thoughts along the lines of “Is this going to be any good? Will anybody like it? Is working on this even worth it?”

There are so many labels for this sort of thing. Self-doubt. The Impostor Syndrome. Second guessing yourself.

And writers do it to themselves ALL THE TIME. Yours truly included.

Why do we do this to ourselves? Fear of rejection? We put so much work into our material and are afraid people will think it’s trash?

Been there.

Every writer deals with it in different ways. But the important thing is that you’re dealing with it.

Accepting that somebody probably won’t like it is an important first step. You can’t please everybody, nor should you try to. That faction will always be there.

On the other hand, you might be surprised how many fans you end up getting. While the negative reactions tend to stand out more, they’re usually dwarfed by the number of positive ones. And those positive ones can make quite a difference in eliminating that self-doubt.

You send out your latest draft and hope for the best. Everybody wants glowing and ecstatic reviews, but you should take a more realistic approach and prepare for a variety of reactions. Anything from ‘I loved it!” to “it’s okay” to “just didn’t do much for me”.

And all of those are okay.

There will always be different reactions to your material. It’s how you deal with them that will shape how you choose to move forward.

One option – giving up, and nobody wants that

Another option – continue writing, but not showing it to anybody. Some might take this route, but a majority won’t.

Yet another option – continue writing, and accept whatever the outcome. Probably your best bet.

I recently had an online interaction with a newer writer. They were upset that a query they’d sent got a pass. I explained that it happened all the time, and that it was all part of the process.

Their response was “I just need someone to believe in me”. I told them that the first person who had to do that was themselves, and that if they did that, others would soon follow.

You need to be your biggest fan. If you don’t believe in yourself or your writing, why would somebody else?

So circling all the way back to my current project – I’m admittedly still a bit anxious about all the usual stuff, but I will admit to having a lot of fun writing it. This is the kind of story I love to write AND see, and I need to embrace that mindset. It’s easy to spot when a writer’s love of their story and the material is one the page, which is what I’m shooting for.

Hopefully future readers will pick up on that, thereby influencing them for the better.

So to all the writers out there – may your next writing session be as fun, enjoyable, productive, and inspiring as possible.

You’re stronger and more resilient than you think, even when you don’t think you are.

Boldly swinging into new territory

george jungle

As the shelter-in-place continues, I hope you and yours are staying safe and healthy.

I also hope you’re managing to be at least somewhat productive during these trying times. When all of this started, my initial thoughts were “Woo-hoo! I’m going to get SO MUCH writing done!”

Yeah, no.

I’m fortunate enough to be able to work from home, but there’s also all that standard around-the-house-type stuff that needs doing, so while Writing Time is a thing, it’s just not as abundant as originally hoped.

Not that I haven’t been making progress.

-Working on the rewrite of the horror-comedy has been a real eye-opener, especially on the comedy side. Looking back at some older scripts, my idea of comedy was mostly slapstick situations and characters making clever comments. With this one, I’m forcing myself to use those less and focus more on developing funny scenarios that work within the context of the story.

-After something like two, two and a half years of jotting down ideas for it, I finally decided to start mapping out the story for an animated concept. It’s still in the early stages, but I managed to nail down the plot points – including an out-of-the-blue idea for one of the main storylines that feels perfect AND really ramps up the conflict.

-Blew the proverbial dust off some notes for an older sci-fi project in need of a rewrite. Some of the comments made quite an impression, so I’ve been squeezing in some work on applying them to the story – along with some significant changes to give it a thorough overhaul. Still some work to go, but it’s a good starting point.

-Honestly, not much attention has been given to the sci-fi adventure, but it’s still on the latest version of the WIP list.

All in all, hoping to have at least two, maybe three of these as ready-to-go drafts by the end of the year.

Another bonus of working on all these newer projects is re-experiencing the joy and excitement of writing. It’s one thing to go back and do the umpteenth draft of the script you’ve been working for a long time, and definitely another to create new pages for an idea that for the most part is just seeing the light of day.

I tolerate the necessity of the former, but fully embrace the thrill and exhilaration of the latter.

Even better – when they’re ready to go, I can contact my stable of savvy readers and be able to start off with “New script. Whattya say?”

Exciting times, chums.

Hope your writing output-during-quarantine is also coming along nicely.

FROM THE MAXIMUM Z COMMUNITY BULLETIN BOARD

The fine folks at Roadmap Writers are offering up some of their master webinar series FOR FREE during the month of May. They include interviews and Q&A’s from TV writers/creators, Hollywood screenwriters, development executives, producers, literary managers, and more.

Click here for all the details.

New direction? Yes, please.

baby driver 2

Despite some unexpected delays in working my way through the revision/rewrite of the outline for the sci-fi adventure spec, progress is still…progressing.

Took a lot longer, along with a significant number of “how about…?”, than I wanted to fine-tune the first act, but I did manage to do it.

Which means I’m working my way through the second act, and thanks to several previous drafts, I’m able to cherry-pick from all of it and forging ahead, and the midpoint is comin’ up fast.

I thought all I’d need was to do a little more cutting-and-pasting and keep pushing forward.

But all the new developments in the story I’ve come up with to this point have now created the need to really shake things up.

Which means more changes.

Initially, a bit of a daunting challenge. I’m always resistant to this sort of thing.

But as has happened many times in the past, the more I weighed the options, the more it seemed necessary to implement those changes. Plus, if I tweaked a few things here and there, not only would it significantly add to the hero’s story, but it also created a whole bunch of new potential conflicts.

How could I resist such a temptation? Besides, I’m already behind where I was hoping to be by now, so what was a little more time spent on it?

Since then, I’ve been busy jotting ideas down, filling in a few blanks here and there, and changing this around to that. All the fun stuff.

What’s great is that the story is still for the most part the same as I originally planned, but, as is usually my experience, slightly different from the initial idea.

Can’t wait to see where it goes and how it all works out. Watch this space.

Footing finally found

keaton wind

Well, that was fun.

After what seemed like endless attempts, I finally came up with what is hopefully a solid beginning for the sci-fi adventure spec. Or at least the first ten to twelve pages or so. If I haven’t grasped you in my yarn-spinning clutches by then and have you begging to turn the page, I’m in trouble.

But with all those previous drafts at hand, along with heeding the guideline that the events of the story need to KEEP PUSHING FORWARD, it all (slowly) came together.

And to make sure I wasn’t deceiving myself, or working with a “Eh. Good enough” mindset, I took a short break (to work on another script, of course). A quick perusal upon my return showed that, yep, it still works.

Finding the right beginning was truly the biggest obstacle. I wanted to really put this world on display, along with better establishing the main characters – primarily the hero and the villain, along with the supporting characters. Numerous options were explored, but none seemed to fully fulfill my requirements. The journey to find that solution was a long and frustrating one, and it was tough to not get annoyed.

But I held on and kept trying, over and over, finally hitting on a solution. Even though the rest of the story looms, I couldn’t have moved forward without reaching this point. Fortunately, most of it is pretty set in place, so hopefully it won’t take too long to work through it.

Quick addendum – during one of my moments of downtime working on this script, I saw several “scripts wanted” listings that were asking for low-budget horror. Last year I cranked out a first draft of a horror-comedy that wouldn’t be too tough to trim down the number of locations and characters so as to make it cheaper to produce. Figure it’s worth a try.

-Writer/filmmaker/friend-of-the-blog Venita Ozols-Graham has put together a crowdfunding campaign to produce a filme version of her award-winning psychological thriller short script WHO WANTS DESSERT? Donate if you can!

Dismantle, reassemble

home crew.gif

Sometimes when you’re working on a story, you just have this feeling that the way it’s being told is the way it should be told. It just feels right.

Even though I’d made some good progress with the ongoing revision of the sci-fi adventure outline, something still seemed…off. What I had was good, including several scenes that now felt necessary, but as a whole, not quite there yet.

As I’ve mentioned before, I keep all the previous drafts of the outline and script on file –  you never know when some of that text will come in handy. The recent work on the current revision was accompanied by another tab on the screen containing the previous draft, serving primarily as a sort of roadmap to help guide me through this latest effort.

Despite telling myself that this new draft was supposed to be different from its predecessor, its siren call was a bit stronger than expected. There was just something about it that couldn’t be denied. Not to say that the newer version was no slouch either.

Parts of this one work, and parts of that one work. Why not combine the two?

Sure, this even-newer draft might occasionally take a somewhat unorthdox approach in how the story’s presented, but by gosh, I still like it. “Rules of screenwriting” be damned.

There’s nothing wrong with cherry-picking parts of the new draft and incorporating them into the previous one where applicable. Of course, it would have been nice to have come to this conclustion a few weeks ago, but sometimes that’s just how it works.

What’s really nice is that for the most part, save for a few problem spots, the previous draft is still pretty solid on its own. Nothing serious, and some of these new elements look like they’ll really rectify that.

Based on some extremely helpful notes, another factor that’ll help this time around is putting more of a spotlight on the characters’ emotions. Even in this kind of story, with all of its fantastical and extraordinary elements, it’s important to show how the characters are still people.

Lastly, all the time I’ve been working on this story, I’d forgotten how the initial concept and earliest versions were all written with a certain kind of tone in mind; something to really convey the vibe of what story of story this was supposed to be and how I wanted it to read. Somehow that aspect’s diminished over time, and I plan on re-introducing it for the next draft.

This is gonna be fun.