Footing finally found

keaton wind

Well, that was fun.

After what seemed like endless attempts, I finally came up with what is hopefully a solid beginning for the sci-fi adventure spec. Or at least the first ten to twelve pages or so. If I haven’t grasped you in my yarn-spinning clutches by then and have you begging to turn the page, I’m in trouble.

But with all those previous drafts at hand, along with heeding the guideline that the events of the story need to KEEP PUSHING FORWARD, it all (slowly) came together.

And to make sure I wasn’t deceiving myself, or working with a “Eh. Good enough” mindset, I took a short break (to work on another script, of course). A quick perusal upon my return showed that, yep, it still works.

Finding the right beginning was truly the biggest obstacle. I wanted to really put this world on display, along with better establishing the main characters – primarily the hero and the villain, along with the supporting characters. Numerous options were explored, but none seemed to fully fulfill my requirements. The journey to find that solution was a long and frustrating one, and it was tough to not get annoyed.

But I held on and kept trying, over and over, finally hitting on a solution. Even though the rest of the story looms, I couldn’t have moved forward without reaching this point. Fortunately, most of it is pretty set in place, so hopefully it won’t take too long to work through it.

Quick addendum – during one of my moments of downtime working on this script, I saw several “scripts wanted” listings that were asking for low-budget horror. Last year I cranked out a first draft of a horror-comedy that wouldn’t be too tough to trim down the number of locations and characters so as to make it cheaper to produce. Figure it’s worth a try.

-Writer/filmmaker/friend-of-the-blog Venita Ozols-Graham has put together a crowdfunding campaign to produce a filme version of her award-winning psychological thriller short script WHO WANTS DESSERT? Donate if you can!

Bit of a mishmash, but it works

goulash
Try it. You’ll like it.

The overhaul/revision of the sci-fi adventure outline continues, with some significant progress being made – especially over the past few days.

There’ve actually been a few rough spots just to get here.

One being letting go of how the previous drafts started out, story-wise, and not letting those details affect the new one.

Another has been being able to present important and relevant details and backstory without things being way too expository.

Still another has been figuring out how some, but definitely not all, of the story details could be reorganized, restructured, pretty much rebuilt from the ground up but still have it all work within the context of the story.

It’s been quite the challenge, but the gears have been constantly and consistently turning during the search for a solution.

Took a while to get there, but looks like it’s yielding some results.

But first – a little background info.

I make a point of holding onto previous drafts of outlines and scripts, because you never know if part of it will come in handy for a future draft.

Thus was the case here.

There were sections of the story that were going to stay, but some others simply weren’t a solid fit for the new draft – but there was something about them that still worked and that I wanted to keep.

Getting them to that point took several attempts, approaches and revisions. Took a while, but I got there.

Despite being a slow and somewhat drawn-out process, the new story is gradually coming together. I’m not one to impose deadlines on myself, but once I get all of this a little more organized, the outline should come together relatively quickly.

I like the idea of having a completed first draft, possibly even a revised second draft, by years’ end.

No pressure, but we’ll see how it goes. Probably helps that I’m really enjoying putting this one together.

A few words from the gentleman from Salinas…

Steinbeck
Didja know he wrote the story for Hitchcock’s LIFEBOAT? But he also didn’t like some of the changes Hitch made to it.

Big thanks to author/blogger Chad Schimke for inspiring today’s post.

John Steinbeck is one of, if not my absolute, favorite authors. I just love the way he writes, and many of his works occupy space on my bookshelf. If you haven’t read him lately – or at all, I highly recommend it.

I’m also very fortunate to live relatively close to his hometown of Salinas, California, where the National Steinbeck Center is worth a visit.

Here are his six writing tips, as originally published in an interview with The Paris Review from 1975.

-Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.

-Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.

-Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.

-If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.

-Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.

-If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.

Now these are all great, but the really interesting part is that in 1963, a full 12 years prior, after being awarded the Nobel Prize in Literature, he wrote this letter of “Advice for Beginning Writers”, which includes the following:

“If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story.”

True, screenwriters should read a lot of scripts, but that’s not all you should read. Books. Plays. Comics. So many choices. Whatever floats your boat.

Take it all in. Read. Enjoy.

Biannual self-evaluation begins…now

work-in-progress-wip

Here it is, a few days into July, which means it’s time to ask that all-important question:

How was the first half of 2019 for you as a screenwriter?

Completed a latest draft? Started a new script? Revised an old one?

Hit a wall? Had a breakthrough?

Entered, and potentially placed, in a contest or three?

Got representation? Lost representation?

Made a short? For the lucky select few – made a feature?

Working with a producer? A director? Taken on both roles yourself? Had a script optioned?

Something important to keep in mind – don’t compare your success or progress to that of others. We all have our own individual path. Find the route and pace that work best for you.

No matter how your year’s been, I sincerely hope you’ve continued to derive a little bit of joy out of this topsy-turvy creative process.

FYI – mine’s been pretty good. Some nice developments here and there. Nothing earth-shattering, but pleasantly encouraging on several fronts. Plus, as is usually the case, lots and lots of writing, editing and rewriting.

A challenge on multiple fronts

 

Capaldi daleks
Two possible outcomes in this scenario…

Quite the productive week around Maximum Z HQ, with the most significant being the wrap-up of the latest draft of the sci-fi adventure spec. It’s an improvement from the previous one, but could still use some more work. Rather than jump right in, I’m letting it simmer for a bit.

The original plan was to return to the horror-comedy spec, which is actually still part of the plan. Setting up the new draft’s notes page required me to dig through all of my script files, which involved seeing titles for older scripts that could also use at least one more draft. Four in total.

Thus a plan developed.

Work on all of them. A little at a time.

Jot down some ideas for one. Fine-tune a few scenes for another. Revise the outline for this one. Totally overhaul that one. Go through notes for all of them.

Or choose one to work on per day. A few steps forward, spread out over time.

Or I might strike creative gold and steamroll my way through one, temporarily foregoing the others.

Who knows how this’ll play out?

It could be a stroke of genius. It could also go horribly, horribly wrong.

But the important thing is I try. I’ve got lots of new ideas for each of these scripts, and will do what I can to make them better.

Having completed two drafts in as many months demonstrates to me that I have the ability to get the job done in a relatively timely manner. So no reason to think I couldn’t continue to make that kind of progress, or at least come mighty close to it.

Updates will be posted accordingly. Especially if the results are encouraging. Depends on my mood at the time.

Some exciting times are on the horizon and closing in fast. Sounds like it’ll be quite the thrilling journey. Hope you’ll come along for the ride.