A new chapter begins…

Since posting this, I have journeyed to an exotic faraway place in order to deliver the inimitable Ms V to the next phase of her education.

And she’s not the only one entering a realm rife with unexplored potential.

I’ve had a lot of time to think things over the past few weeks, especially in terms of my writing and pursuing a career at it.

I can’t help but look around and see my peers achieving the well-earned success I’ve also been working towards and feel more than just a pang of jealousy. Some days it feels like it’ll never happen. One can only take so many hits, knockdowns and setbacks before the motivation to keep going starts to strain against the pressure.

As much as I love my scripts, the feeling isn’t exactly mutual from the film industry. All of my attempts along traditional methods have yet to yield their desired results.

Contests are more or less a money drain, especially with the ones of significance receiving entries numbering in the high thousands.

Queries yield a miniscule fraction of responses, let alone read requests, with an even smaller number of those leading to anything. A constant hearing of “thanks, but no thanks” can really take its toll on one’s confidence.

I’ll also admit to being a bit heartbroken from the steady announcement of yet another reboot, reimagining, or recycling of stories that have come before, especially when there are so many new and original ones out there. And yes, I’ll include mine in that latter group.

Never fear. I’m not giving up writing. I could never do that.

Think of it more as readjusting my approach – just a bit.

Rather than focus all my energy and efforts on “breaking in”, it’s now all about keeping things simple and working on projects I enjoy.

I’ve got a queue of scripts all needing a rewrite. If one or three turn out to be of exceptional quality, maybe I’ll put it out there see to gauge if there’s any interest.

If not, that’s okay. I’ll at least have another script in my catalog.

And after much delay, I’m actively looking into filming a short I wrote. This has activated something in my creativeness that’s resulted in ideas for several new short scripts, as well as garnered some interest from filmmakers looking for something to shoot. Why beat myself up over lack of progress for a feature when I could make some headway with having an actual short film (or films) available?

I’ve talked to a few writing colleagues who’ve been in a similar situation. Just about each one agrees that it’s better to work on something you control, rather than beating yourself up and stressing over something you don’t. Not that making a short is easy, but you get the idea.

One of my favorite hashtags to use on social media is #notgivingup, and that remains my plan. I’ll still keep at this, just with a somewhat different approach. Everybody’s path to success is unique; mine just happens to be undergoing some minor modifications.

Whether or not it works out in my favor and gets me there remains to be seen, but at least I’ll be enjoying the journey a little bit more.

The path through is around here somewhere

The actual writing-of-pages for the current project may be underway, but wow did it take several attempts to get there.

A lot of it involved figuring out how to best set up the world in which the story takes place. I’d considered starting it one way, then thought “how about if…?”, which resulted in another way, naturally followed by “then again, I could try…”

At the time, I’d settled on the one I thought worked best. Feeling confident about the state of the outline, I started on pages.

Progress was slow, but steady. After a couple of days, I was already up to page 20.

Which of course was MUCH MORE than it should have been.

Not that I strictly adhere to the “THIS happens on Page ____”, but there was just too much going on, which was slowing things down a lot more than I’d intended.

What to do, what to do?

One option was to keep pushing forward and then go back and edit like crazy, but at the rate I was going, I’d end up with a script approximately 150 pages in length. Not an option.

Or I could go back to an earlier version of the outline that only includes part of what’s already there.

Yet another option was to go all the way back to how I initially envisioned the whole thing starting.

Quick side note – you know how they say the first page really sets the tone for the rest of the story? This is a guideline I’ve always tried to work with, especially in this case.

The first pass didn’t cut it, nor did the second one. Something needed to be done.

So I went through my extensive notes, hoping to find a solution.

And I found it. And it was the original idea. It had exactly what I needed, and I’ve seen variations of it in other scripts and films, so there was no reason I couldn’t make it work for my story.

I got to work reorganizing it and streamlining it to help things move along faster. This including having to jettison a majority of material I was very sorry to see go, but it was necessary. No reason some of those details couldn’t be implemented later on.

Oh, and another small detail I forgot to mention – my computer’s OS updated, which my screenwriting software hasn’t been adjusted for yet, so working with that became quite a pain. Luckily, some recent contest success resulted in me receiving another screenwriting program. After a quick installation and a few “how to” videos about using it, I was on my way yet again.

All of one page so far. But I like it better than the previous versions, and it’s significantly better than having no pages at all.

Let the pushing forward commence.

Arrivederci, contests! For now.

waving goodbye
Normally, one would say “Don’t forget to write!”, but that seems a bit off in this scenario

Starting a few weeks ago, and continuing into the coming months, the results of numerous screenwriting contests will be made public.

For the most part, my scripts won’t be part of them. I’ve opted to skip the 2020-2021 season to focus on creating some new scripts and fine-tune some pre-existing ones.

Contests and I have had a rocky relationship. The primary reason I enter is for industry access (or at least the potential for it). As nice as a cash prize is, I’d much rather my award be my scripts shown to a manager or production company.

Naturally, even that’s not a guarantee of success. Somebody could read a script that’s done exceptionally well in a contest – even win it – and decide “I like it/It’s good, but not what I’m looking for.” This has happened to me, and even a few writers I know who’ve claimed a finalist spot in some prestigious contests still couldn’t make anything happen with it.

Them’s the breaks, and usually means it’s back to square one. But not this time.

I don’t have anything against contests. They can help motivate you to work towards beating a deadline. Some of them might lead to something, but many just mean you get a nice set of laurels. And no slight to smaller contests, but I’ve seen lots of comments from reps and prodcos that contests don’t really matter that much to them. What’s important is if they like the script and want to do something with it.

Additionally, those contests fees can get pretty steep. I try to keep things on the lower end (early bird deadlines, discount codes, etc) because the fees can really add up. And this isn’t even taking into account paying an additional cost for “notes” – something I don’t usually do anyway.

Added bonus for me – I also shell out some shekels for 6-8 half-marathons each year. You think screenwriting contests are expensive? Ha! Many of the races I’d signed up for for later this year have been cancelled or postponed until next year. So not having to pay for races or contests definitely works in my favor.

So that’s it for me and a temporary “so long”. At least until around this time next year. Until then, it’s all about the writing. My scripts are good, but I know they can be better.

Since deciding to step back, it’s kind of nice to be able to consistently delete the barrage of emails announcing “LAST CHANCE TO ENTER!” or “CLICK HERE FOR SPECIAL DISCOUNT CODE!”, and then get right back to work. I won’t say it’s still tempting to want to enter, but it is getting easier to read an email from a contest, and then kill it without hesitating.

Interesting side note – it would seem I entered 2 of my scripts in a pair of contests several months ago. In fact, one was in October of 2019. Turns out each advanced through the contests’ respective first rounds.

Since I adhere to the “send it & forget it” rule with my scripts, guess my putting more emphasis on the latter half of that phrase really came into play. As one friend put it – “you seem to do better in contests you forgot you entered.” Can’t argue that.

So now that I don’t have contest deadlines or announcements to deal with, I can focus on these two new scripts. Both have been percolating for quite some time, and I figured lockdown and shelter-in-place were the ideal times to jump into both.

Would I have been able to dedicate so much time and effort if the world hadn’t changed? Possibly, but having the opportunity to do so has definitely worked in my favor.

The latest draft of one script is out with a batch of savvy readers, and the other is still in the outline phase. Feeling pretty confident about both.

I’m more than content to let the 2020-2021 contest season pass me by as I write and write, then rewrite, and then write some more.

For all you writers looking to enter contests in the coming year, you now have one less competitor to worry about.

Catch you on the flip side.

From out of the archives

speedreading

The latest draft of the horror-comedy is complete – clocking in at a respectable 102 pages. It’s out to my savvy readers, so now the focus shifts to some semi-overdue reads for a couple of colleagues.

So while I dive into those, here are a few classic posts from days gone by…

Enjoy.

May I be of some assistance?

More work now, better results later

I know the rules, and do not hesitate to break them

Same destination, different route

Send it. Forget it.

Dorothy Parker was half-right

d parker

“I hate writing, I love having written.”

For a writer, truer words were never spoken.

Well, almost. For this one, anyway.

It took a bit longer than I’d hoped, what with sheltering-in-place and all, but I finally managed to complete the rewrite of the horror-comedy. It’s now in the hands of some of my trusted readers.

Despite how long it took, I actually enjoyed putting the whole thing together. Granted, working on a rewrite is always a bit easier than cranking out a first draft.

Do I love that the script’s done? Without a doubt.

Did I not like writing it? Not really. (that might sound a little confusing. In other words, I did like it.)

Maybe it was because coming up with all the ideas and putting them onto the page was just a lot of fun.

Or maybe it was from developing my take on a traditional story in a genre I enjoy.

Or maybe I simply allowed myself to control the process, rather than vice versa.

It’s totally understandable why a writer would gripe about having to sit down and write. This is hard work. It takes a long time to learn how to not just do it right, but to do it well.

Hopefully once you get the hang of it, you start to see it less like work and more like an opportunity. One where you can really let yourself enjoy doing it.

Sometimes a writer will operate under the mindset of “I HAVE TO GET THIS DONE!”. While that can definitely be the case when working with a deadline, if you’re free to work at your own pace, the lack of stress and self-imposed pressure is practically liberating.

When I’m working on pages, I set a goal of completing at least three pages a day. If that’s all I get done, so be it. If I manage more, that’s great. I get done as much as I allow myself to. Removing the pressure part of the equation helps me feel more relaxed, which in turn helps me with the writing.

More than a few times during this rewrite I’d think “what’s something different that could happen here, AND that would also be funny?” and be able to come up with something. Hard to say if I would have able to do so if I was stressing myself out over the writing. And regarding the jokes, whether or not they pay off – well, that’s another issue.

This was something else that came from enjoying the writing: I think the jokes are a little stronger than in previous efforts. A lot of those were more just snarky comments, but this feels different – in a positive way.

A few sets of reader notes for this script have already come in, and once the rest of them do, it’s a foregone conclusion that I’ll embark on another draft.

And I suspect that one will be just as enjoyable to write, which means I’ll probably be practically euphoric once it’s done.