contests

Circling back to the first go-round

Maximum Z comedy, contests, determination, draft, fantasy, notes, perseverance, persistence, rewrite, running, screenplay, screenwriting, script, subplots, Wallace & Gromit , , , , , , , , , , , , , , ,

My current project is rewriting/revising my fantasy-comedy (animation-optional). It has undergone numerous drafts, along with multiple revisions and variations on both the primary storyline and several subplots.

There have been a handful of the latter which have been particular tricky to figure out the best approach. Something just wasn’t clicking, so I took my usual approach to finding a solution and stepped away from my laptop, put on my running shoes, and hit the road.

While my feet pounded the pavement, the next hour and seven minutes heavily involved coming up with possible alternatives to how the story reads now. A few possibilities presented themselves, but nothing to make me stop short and proclaim “That’s it!”

So I took another usual approach, that of taking a step back for a more of a “big picture”.

Silly as it sounds, I’d forgotten that one of those earlier drafts had some decent contest success (not that that’s my goal), so I dug up that one to give it a read.

A large percentage of that script remains in the most recent one, but especially close attention was paid to “what drives your protagonist”. More than a few readers had similar things to say about that. My hope is that fleshing that out a bit more will have the desired effect and reinforce the whole story.

There are a few other subplots that also need work, but this was one of the big ones.

This kind of approach will be the strategy for this latest draft. The last thing I want to do is over-complicate things, and I’m fairly confident that doing this will help keep things simple.

Looking back…

Maximum Z ambition, career, community, contests, crowdfunding, determination, encouragement, feedback, manager, perseverance, persistence, reading, representation, screenplay, screenwriting, script, short films, writing , , , , , , , , , , , , , , , , ,

It’s my final post of 2025, so here’s a short breakdown of how it went in terms of screenwriting and the screenwriting-adjacent.

For the most part, there were two highlights:

-I got a manager. I’m especially proud of this because it was because of my writing, and not because of an arbitrary (and ridiculously costly) scoring system or contest results. He likes my stuff and is very enthusiastic about it and my potential for the coming year.

He’s also very supportive regarding the developing of new material, in that he’ll give feedback but not in a “I think you should do it my way” way. I’m looking forward to how he responds to the new spec.

-The other one is that after years of holding off and delays, my short film is that much closer to becoming a finished project.

There was crowdfunding to raise $ for production – 52%, which wasn’t bad.

A whirlwind 2-day shoot in my house (and a special thanks to my wife K for being incredibly patient and helpful during that time).

Lots and lots of back and forth with my extremely talented, capable, and also very patient director.

The editor worked her magic on it, and now it’s in the hands of the sound department. FYI – crowdfunding to cover post-production continues, so it would be very cool and highly appreciated if you’re able to chip in to help get it across the finish line.

-On the contest front, results were less than desired – a few whiffs and a handful of QFs and SFs. I’ll write more about this next week, but I think I’ll be skipping the 2026 season.

-I had the pleasure of reading a lot of phenomenal scripts from many of the fantastic writers in my network of associates. Exchanging scripts and the subsequent feedback among peers is invaluable.

-Speaking of which, The Maximum Z 2025 Script Showcase posted last week. 89 great works by 89 great writers. Feel free to give it the once-over and reach out to any writers whose work you’d like to read.

Overall, it was a good year. Hope it was for you too.

And here’s to the next one being even better.

Planning ahead

Maximum Z action, Austin Film Festival, comedy, contests, determination, feedback, notes, perseverance, persistence, rewrite, screenplay, screenwriting, script, spec, strategy , , , , , , , , , , , , , ,

The aftermath of last week’s post about my more-than-questionable notes from Austin, along with a few sets of quality notes from actual humans, AKA trusted colleagues, on that script and another one, has made me realize that both scripts are pretty good, but have a lot of potential to be much, much better.

A lot of my focus these days is regarding the new action-comedy spec (which has seen some good progress over this past week), but after much consideration, I’ve concluded that it would be in my best interest in 2026 to not only get that one into fighting shape, but to also do some major work on the other two.

These rewrites will be especially challenging because this is when “kill your darlings” and “embrace the change” will be at the forefront of this strategy. I’m going to get in the mindset of being totally willing to make whatever changes are needed – but nothing too drastic. I don’t want to lose what was appealing about them in the first place.

There are still some notes to come in, but come January 1st, each day will see some kind of work on one of those scripts. Until then, it’s all about the new spec with the hope that I have a semi-decent outline by the end of this year.

Another aspect of this undertaking is totally skipping contests. I’d already drastically cut back, so this isn’t too much of a change. Better to have some really solid scripts ready for the following year, or at least as better samples for my manager to put out there.

I was initially hesitant to give this a try, but a very talented writer I know gave this a try and had some pretty amazing results. Not that I expect the same, but there’s no reason this will not only help my scripts improve, but also my overall writing skills. And it’s significantly better than not doing anything.

Fingers, as always, will be firmly crossed.

Easiest screenwriting contest ever! No, really. And it’s free

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After seeing several recent big screenwriting contest announcements, I couldn’t help but notice that the number of entries they get usually average in the thousands. Those numbers are then drastically reduced to the respective finalist tiers, continuously being whittled down to single digits and the final GRAND PRIZE WINNER.

(Said winner most likely goes on to fame, fortune, glory, and sudden anonymity.)

But I digress.

All the scripts entered means there are a shit-ton of writers who got the email that began with phrasing along the lines of “Thanks for entering (CONTEST)! We got X entries, and unfortunately, (YOUR SCRIPT) was not selected to advance.”

It’s heartbreaking. And I’ve gotten my fair share of them.

So in a valiant but most likely ultimately futile effort, I humbly present

The Maximum Z Screenwriting Contest.

It’s the only contest of which I’m aware that requires the barest, leastest, most minimal effort one can possibly make to claim victory in a contest.

What makes it so easy? Here’s how it works:

-You wrote a script? Fantastic! You get a set of laurels to shamelessly promote yourself as A GENUINE WINNER.

That’s it.

And as you may have noticed in the title of this post – IT’S FREE

Why am I doing this? Because the fact that anybody who wrote a script should be properly acknowledged for such an important accomplishment. You know it ain’t easy, so why should only a select few get all the glory?

Hence: laurels.

And who’d say no to being offered what amounts to a totally worthless but still-validating award?

So if you’d like to claim this meaningless yet quite meaningful symbol of recognition for yourself and all your hard work, then just click/right-click on the image below and save it to the appropriate page on your computer or wherever you keep that sort of thing. You can even print it out to proudly display above your designated writing area or hold up in the coffee shop where you’ve spent so much time working on said script.

A very hearty congratulations on your well-earned and well-deserved victory!

And it would be awesome if you could so a shoutout on social media – @maximum_z on X/Twitter, @pezscreenwriting on Instagram and Blue Sky, along with photos of you and/or your laurels.

Just not their thing?

Maximum Z community, contests, crowdfunding, determination, frustration, perseverance, persistence, screenplay, screenwriting, script, short films, subjectivity , , , , , , , , , , ,

(Apologies for no post last week. Had some important family stuff going on.)

Although my current focus is all about the crowdfunding for my short film, I got a bit of news earlier this week that really made me stop and think.

I subscribe to International Screenwriters’ Association (ISA), and one of the benefits of that is free entry to some of their contests.

I took advantage of that and entered my fantasy-comedy into the Emerging Screenwriters Sci-Fi/Fantasy contest.

It made quarterfinals, which was nice, but did not make the semifinals, which was not as nice.

My first reactions were naturally “Man, this script must really suck,” and “This does not bode well for the other contests I sent it to.”

After the requisite wallowing in remorse and self-pity, I’d remembered something else about this contest. When the list of quarterfinalists was released, I recognized a couple of names and titles I’d seen before.

I checked which of those scripts had advanced and which had not. One in particular that had not was a script I knew had placed in one of last year’s major competitions.

That gave me some pause. A script like this, one of exceptional quality, had NOT advanced in this contest? That just didn’t seem right. How could that happen?

This once again reminded me that IT’S ALL SUBJECTIVE. Your script isn’t going to click with everybody. I don’t know what the criteria for the readers or the contest are. Maybe the script wasn’t “genre” enough for them? Who knows?

I’ve gotten a lot of great & positive feedback on my script, and it’s done moderately well in a few other contests. Not that I’m comparing mine to this other writer’s, but neither script advancing doesn’t mean they’re bad. Just “not what they’re looking for”, and there’s nothing to do about it.

While it would have been nice for the script to advance, it’s not the end of the world that it didn’t. And it was still free.

I’ve been slowly pulling back from contests overall, and this kind of result is a contributing factor.

And almost as a counterpoint to this experience, I recently got a very nice pass on the same script from a reputable management firm that invited writers to submit. I had a strong suspicion it wasn’t the type of material they usually worked with, but figured I’d take a chance. Even though they passed, they liked it, and had some very nice things to say.

Now it’s back to the short film crowdfunding (currently at 34% with just over 3 weeks to go, so hope you can chip in. Thanks!)