A few hopes

Holiday shorty today, because who wants to spend part of their Christmas reading a lengthy post on a screenwriting blog?

Seeing as how this is the season of giving, here are some hopes I give to you:

That you and yours are all holding up in these very trying times.

That you appreciate all the supportive people in your life, and let them know that.

That even with our lives a bit discombobulated you still found the time to write (and/or film) something this year. Maybe even a few somethings.

That despite sheltering-in-place and social distancing that you were able to keep and maintain your connections within the writing community.

That you strove/strived to establish new connections. It’s easier than you think!

That you’re just as enthusiastic for other writers’ successes as they are for yours.

That even though you might feel frustrated or disheartened when things don’t work out for you, that you find the strength to keep going.

That you know every other writer has gone through the exact same things, and are more than willing to offer up words of encouragement.

That you keep pushing yourself to improve your writing, and enjoy yourself in the process.

That you continue to be the amazingly talented and productive creative person you already are.

And with the sentimental portion of the program out of the way, it’s time for pie.

Enjoy, and happy holidays.

Don’t be that person

yelling

The story you are about to read is true. Only the names have been omitted to protect the innocent.

The script of a friend of mine has had some positive results in the contest world, and the most recent venture was getting professional analysis on it, resulting in somewhat decent scores.

I’ve read this script, and it’s very, very good. It takes a classic story everybody knows, and then examines what happens AFTER the events of that story. There’s a lot to like about it, and my friend is doing what they can to get it out there.

Part of their effort is seeking advice from those with more experience. Sometimes it’s via social media, private online groups, or public community forums. We’re in several of the same groups, so I’ve seen a lot of my friend’s posts.

Not that I consider myself to be especially ‘experienced’, but since becoming connected with this person, I’ve done what I can to be supportive and helpful when applicable.

Earlier this week, my friend came to me with a dilemma.

They’ve been frequenting a community forum where one of the members regularly belittles or downplays any form or announcement of good news posted by another writer. Sometimes it’s along the lines of “”Look, this is a tough industry. If you can’t take the criticism, you’re totally in the wrong field, which it looks like you are.”

I also marveled at how much time people tend to spend on these forums. Many comments tend to be of the “I know better than you, so bow before my obvious superiority” sort. This was a big part of why I stepped away from them. I’d rather spend my time, y’know, actually writing.

Quick side note – the person claims to have representation, and some optioned scripts as well as a news release from a few years ago about their latest script being shopped around. Both my friend and I scoured IMDB Pro for any mention of them at all, but…bupkis. Take from that what you will.

As much as I consider every other writer to be my competition, I don’t think I’d ever actively try to dissuade somebody from trying. Would I remind them this is an extremely tough field to break into, let alone thrive in, and that their overall chances of success are very small? Yes.

I’ve also dealt with “professionals” who’ve talked down to me and told me my story ideas were stupid and worthless, using the reasoning “I’m just treating you the way somebody in the industry would. If you can’t take it, maybe you shouldn’t be trying.”

Not having as much experience as some, the people I have encountered were actually polite, helpful and supportive. If something didn’t work for them, I’d at least get “thanks, but no thanks.”

This does compel me to ask:  is that really how the industry treats most people?

This most recently came to a head when my friend asked about suggestions for how to use the positive results they received from a reputable script analysis service as a marketing tool.

The same person was the first to respond, saying the concept wasn’t that original, so the script didn’t have much of a chance, and marketing it would be a very tough sell. When asked what they would recommend, they seemed to just repeat the same things.

My advice to my friend was to ignore 99 percent of what that other person said, but keep in mind that yes, the field for potential interest in their script is limited, but that doesn’t mean they shouldn’t at least try. There’s no guarantee, but you never know who might say yes.

I made some suggestions of possible strategies, and summed it up with the standard “if they say no, you move on to the next one.”

As many of you probably already know, I’m a big believer not just in networking, but also in supporting the writing community. I try to help when I can any way I can.

This other person seemed to run completely counter to that. I just don’t see the point in why they would. To make themselves seem important? To show off their accomplishments? Wouldn’t they rather be seen in a positive light, rather than a negative one? I know I would.

I also mentioned to my friend that treating people like that could eventually backfire. Just because you might be a nobody today doesn’t mean you couldn’t be somebody important tomorrow.

And writers have long memories. We tend to remember those who leave bad impressions.

The best I could offer my friend was that I was there to help them and offer encouragement and advice when needed, and I hope other writers feel the same about their friends as well.

-The fine folks at Shore Scripts have a couple of deadlines coming up fast.

For all you filmmakers, tomorrow – 29 August – is the early deadline for their Short Film Fund 2 competition. Here’s a link to an article about Lindiwe Makgalemele, the winner of Short Film Fund 1.

And for writers of film and TV, this Monday – 31 August – is the final deadline for the Shore Scripts 2020 Feature & TV Pilot contest.

Love ‘em or hate ‘em, they’re here to help

daffy typing

Currently working my way through the latest draft of the horror-comedy. It’s coming along nicely, primarily due to the incredibly helpful notes I’ve received from my readers.

It’s been a mixed bag of comments – loved this, this kind of fell flat for me, didn’t understand this, maybe try a different approach on this. While I may not agree with all of them, each one has merit and is worth taking into consideration. A lot of them involve ideas and suggestions I hadn’t considered, let alone thought of.

It’s tough to evaluate your own script. You know the story you’re trying to tell, so how you interpret what’s on the page is going to be completely different from how everybody else does. You “hear” a line of dialogue being spoken in that character’s voice in the way you imagined them saying it, whereas a reader will see…words on a page.

This is really what it comes down to: NOTES HELP YOU SEE WHAT YOU MIGHT NOT BE SEEING.

Remember – You might not like what the reader has to say, but the whole point is to help you make your script as solid a piece of work as you can. It’s tough, but don’t take it personally. They’re critiquing the work, not you.

A few years back, I gave a writer some extensive notes on a script that had a great premise but the execution of the story needed a lot of work – especially in terms of really showcasing what the premise was all about.

About a week after I’d sent my notes, they responded by telling me they were initially angry and upset about what I had to say, but then they went back and read my notes again. Upon that second review, they couldn’t argue with what I said, and were grateful that my notes helped them realize that.

Notes should be about helping you shape your script into what you want it to be. Be wary of readers whose notes are about changing your script so it matches the story they think it should be.

There are also going to be notes that completely miss the point. Maybe the reader was having an off day. Maybe they’re not a fan of this genre. Maybe they lost interest and just skimmed. All of these are possibilities, and have been known to happen.  There’s not much you can do besides say “thanks” and move on.

Which brings up another point – no matter how you feel about the notes, especially if they don’t seem to be very helpful – is to BE POLITE AND THANK THE READER FOR DOING THIS. They took time out of their schedule to help you out, so the least you can do is thank them.

DO NOT berate them with a rant of “How dare you doubt my genius?!” It’s not a good look.

And if a swap is involved, make sure to hold up your end of the bargain. I speak from experience as one who’s been burned.

In the end, this is your script to do with what you will. Find a reader whose opinion you trust and let them know what it is you’re looking for. Help with the story? Characters? Dialogue? Grammar and punctuation? They and their notes are here to help you.

Let them do that so you can reap the benefits.

(please note that paying for notes was not discussed because it’s an entirely different topic for another time)

My, what a pleasant scent

jimmy stewart flower

It’s a been good week around Maximum Z HQ. A very good week, you might even say.

Got a couple of read requests, including one several months after the initial pitch, and my western advanced in the first round of a reputable contest.

On the actual writing front, made some good progress in the latest overhaul of the sci-fi adventure outline, plus got a last-minute invite to come up with a story idea for a friend meeting with a filmmaker looking for potential projects.

All in all, not too shabby.

Do I wish every week could be this fulfilling and rewarding? Most definitely.

Will they? Heavens no. But that’s expected. It’s the just way it is, and I accept that.

Everything that happened was the result of me putting in the time and effort. Writing, rewriting, researching who’d be most receptive to queries, figuring out which contest was most worth entering, and so forth.

I just happened to be fortunate that a lot of them are paying off very close to one another.

I also realize that each read request could results in “thanks, but no thanks”, my script doesn’t advance any further in the contest, and the filmmaker doesn’t like my idea.

Disappointing, sure, but it won’t slow me down, let alone stop me. I’ve got too much else going on to worry about it.

While the road to screenwriting success may be dotted with potholes, sharp objects and people who shouldn’t be allowed behind the wheel to begin with, every once in a while you get a long empty stretch of green lights and smooth pavement. It may not last long, but it’ll might make you appreciate it even more.

So when you have a brief window of time where it seems like everything is actually going your way, savor it knowing that YOU EARNED IT. And definitely spread the word to your support network – they’ll be thrilled (just like you’d be if it were them).

Use the emotions and sensations you’re experiencing during this happiest of times to keep you going when every response you get is “NO” and the dark clouds return.

But also keep in mind that it won’t always be like that. This path is full of highs and lows, mountains and valleys. The important thing is to enjoy the journey and keep pushing forward.

As we head into the weekend, I’ll take a moment to review the past few days and think “This was nice.”

And then get right back to the grind, once again hoping for the best.

Plan. Follow through. Repeat.

champagne

Well, here it is. The last post of 2019.

How’d your year go? Of all the things you were hoping to accomplish, how many were you able to check off?

All of them? Great!

Some of them? Still good.

I won’t even entertain the notion that you achieved nothing, because there’s always something. Even the slowest runner crosses the finish line.

No matter what your results were over the past 12 months, you can use all of it as the building blocks for what you want in 2020.

Set goals for yourself, and do what you can to reach them. Be the writer with a plan who sticks to it. Try to accomplish something writing-based every day, even if it’s just jotting down an idea and filing it away, editing a page or three, or even reading a friend’s script.

Better to end a day thinking “this is what I did” rather than “why didn’t I do that?”

Remember that everybody’s path is specific to them. What happens, good or bad, for one writer is no reflection on another. The important thing to remember is to focus on you and what you’re trying to do.

But also take the time to offer words of support, encouragement congratulations and sympathy to others when necessary. Your connections to other writers are a vital resources, so treat them accordingly.

This may be your journey, but you’re definitely not alone. There are a lot of other writers out there, all with their own goals and objectives. Don’t be afraid to reach out if you need help, or offer it if they do (if you can).

There will also be things over which you have absolutely no control. Do the best you can with them and move on.

I’m not the first nor will I be the last to say that trying to make it as a screenwriter is an almost insurmountable task. But it can be done. So, if like me, this is what you really, really want, you need to do the work for as long as it takes.

Regard the start of a new year as a great opportunity to set up what you want to happen, then go about making it happen.

So good luck and I wish you all the best in making things happen in 2020.