The Maximum Z Winter ’22 Script Showcase

This blog has always been about trying to help out the screenwriting community and give others a boost whenever possible.

Letting the world know about your script seems like a pretty good boost.

This edition lists 33 feature and 15 TV spec scripts, all available for reading via the writer’s email. Something strikes your fancy and sounds like a fun read? Contact the writer and ask.

Is your script on this list and you want to let everybody know about it? Copy the url and post to your social media platforms. Go ahead and toot that horn.

Once again, a huge thanks to all the talented writers who sent in their script info. I hope you each get lots of eyes on your material, along with more than a few read requests, and all the good things those could potentially lead to…

Thanks for reading, and enjoy.

FILM

AMERICAN PRESIDENT: DEMON SLAYER

Paul Newton

Horror Comedy

Facing off against a horde of demons and the satanic cult who summoned them, a new President must find her voice in order to save the world and her soul.

Winner – Best Horror Comedy Screenplay – Oregon Horror Screams Film Festival – Fall 2022

kingawesomepaul@gmail.com

BAH, LOVEBUG! A VALENTINE CAROL

Rebekah “RX” Score & James “Doc” Mason

Holiday (Valentine’s Day) Comedy

On the eve of ruining her niece’s wedding, a love-challenged divorce attorney must rediscover the reason for the romantic season with the whimsical guidance of the Ghosts of Valentine’s Day Past, Present, and Future!

screenRIOTer@gmail.com

BEX URBEX

Ross Allaire

Horror

A paranoid lifestyle YouTuber and a ghost-hunter team up to investigate an abandoned factory with a dark past, but when they’re attacked by ghostly foes, they’ll need to trust each other and work together to escape with their lives.

BLAIR WITCH 2 meets FOUND FOOTAGE 3D

rossallaire@gmail.com

B.M.O.C.

J.E. Swainston

Horror

When a misunderstood university professor meets the woman of his dreams, his life takes a dark turn that ends in horrific tragedy.

janetswainston@gmail.com

BREAST IN SHOW

Andrea Berting

Dramedy

A young breast cancer patient helps her senior support group members learn to love their bodies again by teaching them the art of burlesque.

Top Ten Finalist – Comedy – Final Draft Big Break 2022

Top 50 – Launchpad

Best Original Comedy Screenplay – Richmond Intl Film Festival 2022

andreaberting@gmail.com

CALYPSO

Fiona Faith Ross

Fantasy, Thriller

Traveling to ‘the old country’ to find her only remaining family, a bereaved young American woman is forced to choose life or death when learning her aunt is a goddess needing a younger host to survive.

Winner – Best Script, Pinnacle Script Awards (LA) 2021

fionafaithross@gmail.com

CUSSING, FUSSING, FIGHTING AND KILLING

Anthony Moore

Drama

An ambitious software engineer tries to start a business only to have his life ruined when his scheming aunt turns his own wife against him.

Award Winner – Andromeda Film Festival 2022

Quarterfinalist – Wiki! The World’s Fastest Screenplay Contest 2022

techrat@live.com

DRAGON CREME BRULEE

Katie Haskins

Fantasy

When a failure of a fire mage discovers a lost journal, it sets him on a path at odds with history, his world, and the woman he loves.

Quarterfinalist – Finish Line Script Competition 2022

katie.haskins@gmail.com

DUEL REALITY

Gerasimos Rozis & Cypher Robinson

Sci-Fi/Action

When she discovers that her VR program to treat PTSD has been hijacked, an obsessed programmer enters the VR world to stop a ruthless military contractor from using it to build the perfect soldier.

cyphers.bridge@gmail.com

ELLA

Michael Dean

Crime/Thriller

To escape her unhappy life in Oakland, a teenager embarks on a dangerous odyssey that sees her confront drug dealers and human traffickers as she seeks a new place to call home.

Top 1% – Coverfly Thriller, All-Time Top 20

Semifinalist – Austin Film Festival 2022

Semifinalist – Vail Film Festival 2022

Finalist – Bigfoot Script Challenge 2022

Semifinalist – WeScreenplay Feature Screenwriting Lab 2022

dirtydovecreative@gmail.com

FALLING FROM THE SKY

Robert Rhyne

Thriller, Crime

After a troubled Texas teenager is convicted of lying to the police for claiming that he saw an astronaut fall from the Columbia Space Shuttle explosion, he witnesses a murder, but no one will believe him – except the killer.

Finalist – PAGE International Screenwriting Awards 2022

Finalist – StoryPros 2020

Second Rounder – Austin Film Festival 2020

Top 10% – Nicholl Fellowship in Screenwriting 2020

randprhyne@aol.com

FAMILY

Cythina Ros McClendon

Drama

When her husband puts their family farm up for sale, his wife must reunite their far-flung family in order to save it.

CRMcFL@aol.com

FUNERAL FOR A FRIEND

Brian Mulligan

Dramedy/Coming-of-Age

A strong-willed teen and her guilt-ridden brother battle grief and each other after the accidental death of their closest friend changes their lives forever.

‘Stand by Me’ meets ‘The Fault in Our Stars.’

Semifinalist – ScreenCraft Screenwriting Fellowship 

Quarterfinalist – Shore Scripts Feature Contest 

Finalist – Set in Philadelphia 

Second Rounder – Austin Film Festival 

bmull863@gmail.com

HOPE CALLING

Ina Williams

Holiday, Romance, Family

When a harsh anonymous blog goes viral about a small town in Georgia called Hope, a grieving journalist travels there and gets more than a story when he meets an artist who calls the town, home.

Quarterfinalist – Final Draft Big Break 2022

ina.onyx@gmail.com

LIVE-STREAM

Ramsey Patrick Anderson

Thriller

When a long-haul truck driver learns he’s driving a series of Fight-To-The-Death, live-streamed matches in his trailer, he must risk his life to stop it.

djgameshow@yahoo.com

MADRE OSO (MOTHER BEAR)

J.R. Blomberg

Action Crime Drama

A single Latina mother, desperate to afford the medication her son urgently needs, unknowingly traffics young women across the border for a Cartel funded trucking company… for her children’s sake, she better deliver.

jrblomberg75@gmail.com

ONE HIT WONDERLAND

Jack Caswell

Comedy, Action, Adventure

Sick of reading the same bedtime story to his son, a weary father wishes death upon the title character only to wake up in the story-book world and discover his only way home is to carry out the hit.

2nd Rounder – Austin Film Festival 2022

Runner-up/2nd overall – Byron Bay International Film Festival 

Semifinalist – Filmmatic Comedy Screenplay Awards – Season 7 (2022)

Quarterfinalist – Screencraft Comedy Competition 2022

Top 1% – WeScreenplay Recommend

jackcaswell84@gmail.com

ORSON & BUDDY

Bill Kelly, Jr.

Dramatic Comedy

Dying celebrity impersonator Orson Welles must make peace with best friend and fellow impersonator Buddy Holly before Buddy’s new girlfriend stops them from finishing their sequel to Citizen Kane.

kellyjrbill@gmail.com

REASONABLE SUSPICION

Joel McElvaney

Comedy/Thriller

Ready to leave her corporate-lawyer husband over suspicions of infidelity, a legal aid attorney must instead go on the run with him when his millionaire client sends a hitman to kill them both.

REAR WINDOW meets MIDNIGHT RUN

Quarterfinalist – StoryPros 2022

jdmcelvaney@gmail.com

RECIPE FOR HATE

Brent Rouleau

Mystery/Thriller

Facing police indifference and anti-punk hysteria after his two friends are brutally murdered, a punk rock zine writer becomes the next target when he enters the dark world of neo-Nazi extremism to find the killers and end the bloodshed.

leafswinin05@yahoo.ca

SKITCHING

Thomas R. Schrack

Coming of age adventure

When his ride to a skateboard competition bails on him, a penniless teen has 90 minutes to scratch together $300 for another ride or get stuck in the city he desperately wants to leave, forever.

MID 90s meets DOPE.

thomas.r.schrack@gmail.com

TEN TEXAN OUTLAWS

Ian Jeffrey Martin

Neo Western with a supernatural twist

Forced to repay a debt to a ruthless gangster, a heist crew seeks out an ancient treasure, but discovers the long-dead gang of outlaws it belonged to refuse to give it up without a fight.

Top 50 – Roadmap Writers Jumpstart Features 2022

Semifinalist – Screencraft Action & Adventure

Top 10% – Coverfly – All projects

Top 16% – Coverfly – Westerns

ian@ianmartinscreenwriter.com

THE BOCA SHUFFLE

Tod Klinger

Dramedy

A restless man stuck in assisted living convinces his millennial van driver to take him and his motley crew on a cross-country road trip to reunite with “the one who got away.” 

8 – The Black List

Quarterfinalist – TSL Free Script Competition 2021

klingertod@gmail.com

THE CROOKED CROSS

Wendy Appelbaum and Alanna Lewis

Thriller

Tormented by the loss of her parents to the Nazis, a Jewish author expiates her resolved grief by tracking down surviving Nazis who have secretly emigrated to the west.

Quarterfinalist – Screencraft Action & Thriller 2014

Quarterfinalist – Script2Comic 2022

wappel_80@hotmail.com

THE DARK BELOW

Brian Fitzpatrick

Sci-FI/Horror

Ruthless mercenaries, fanatical cultists, and celestial horrors won’t stand in the way of an all-girl urban explorer team hell bent on rescuing a little girl from the grip of a shadowy monster in a secretive lab.

brianfitzauthor@gmail.com

THE DYBBUK OF WILLIAMSBURG

Max Kinchen

Horror

When her groom is possessed by a vengeful disembodied spirit on their wedding night, a young bride must challenge the notions of her own faith and her place in the Ultra-Orthodox Jewish community in a race to set him free.

Second Rounder – Austin Film Festival 2022

Official Selection – HorrOrigins Film Festival 2022

Recommended – The Script Lab (coverage)

max.kinchen@gmail.com

THE GRAND JURY

Suzanne Lutas

Sci-Fi/Thriller, Short Film

A small random group gets a chance at an interview for a sought-after position and must endure a long wait in a room where the test truly begins.

Winner – Best Short Screenplay – Arrow International Film Festival 2022

Semi-finalist – Wiki Screenplay Contest – January 2022

Semi-finalist – Reelheart International TV Pilot & Screenplay Competition 2018

suzannebl@mail.pf

THE HALF LIFE OF HARRY FIGG

Mark Wesley

Sci-Fi/Comedy/Drama

A troubled street kid’s life is turned around when he comes to the aid of a reclusive scientist whose fusion experiment is targeted by industrial spies.

Semifinalist – Los Angeles International Screenplay Awards

Quarterfinalist – Stage 32 Sci-Fi and Fantasy

Quarterfinalist – New York City International Screenplay Awards

Quarterfinalist – Chicago International Screenplay Awards

markwesley13@gmail.com

THE LAST EARTH STATION

Kathryn Radmall

Sci-Fi

When a long forgotten colony ship reappears on the far side of the galaxy, explorers are sent to discover what happened to it, and why the vessel’s enigmatic commander insists it can never return to Earth.

Winner – Bridge Fest, Vancouver

Nominee – Hybrid Genre, ‘The Red List’, Toronto

Winner – Los Angeles Motion Picture Festival

Winner – H.G. Wells Award, LA Sci-Fi Film Festival

Nominee – Hamilton Film Festival, Canadian Film Market

kathryn.radmall@icloud.com

THE MERC

Scott Sawitz

Action thriller

After reinventing himself as a badass security specialist, an everyday schlub must become the badass he’s pretended to be in order to prevent his secret double life from being exposed.

Formerly under option – Pause ‘n’ Rewind Studio

SJSawitz@yahoo.com

THE VACATION CLAUSE

Mere Walton

Holiday/Comedy/Drama

When Santa Claus disappears at the most important time of the year, a recently deceased grandfather and new elf-in-training, must recruit his grieving granddaughter to help him save Christmas in order to convince her there’s joy in her life that’s yet to be discovered.

mwaltonwrites@gmail.com

WE GOT THE BEAT

Eric Vardeman

Coming Of Age

It’s the summer of ’83 and five fun loving best friends are out to have the time of their lives after a stroke of luck comes their way but discover that luck brings them more than they bargained for.

evardeman@gmail.com

WELCOME TO GARYTOWN

Seth Nelson

Comedy

When a popular podcaster discovers a small-town taxidermist is his job-hopping childhood friend in disguise, he must decide whether to go along with the prank or reveal his identity in an effort to boost his own career.

Best of the Fest – Die Laughing Film Festival 2022

Best Comedy Screenplay – 4Theatre Film Fest 2022

Semifinalist – Mad Wife Productions Fellowship 2022

Semifinalist – Krimson Horizon International Film Festival 2022

Best Comedy Screenplay – New Age Cinemas & Scripts 2022

snelson1076@me.com

TV

A FAMILY

Cid Weinberg

Drama/Family

An LGBTQ+ California family must navigate everyday life, teen angst, and overcome heartache after the sudden death of their patriarch.

Quarterfinalist – Screencraft Family 2022

Quarterfinalist – Screenwriter’s Network Competition Goldman Award 2021

Finalist – Dallas International Film Festival 2021

Top 10 (2x) – Coverfly 2022

cidbanayatweinberg@gmail.com

ALIVE: A FRANKENSTEIN REIMAGINING

Aimee Dansereau

Sci-Fi/Horror

In this modern day reimagining of Frankenstein, the unhinged Dr. Victoria Frankenstein brings Mary to life, and forces her to kill people for scientific experimentation, but as Mary evolves into an ethical person, it’s up to her to stop her evil creator.

Semifinalist – Screencraft Screenwriting Fellowship 2021

Finalist – Big Apple Film Festival Screenwriting Competition – Fall 2021

Quarterfinalist – Screencraft Horror 2022

Semifinalist – Filmmatic Drama Screenplay Awards – Season 7

Quarterfinalist – Filmatic Horror Screenplay Awards – Season 6

adansereau8@gmail.com

ALTER/EGO

Tyler Clair Smith

Sci-Fi

When the world’s most despised billionaire is revealed to be a beloved hero, he must scramble to save his company while preserving his legacy as a hero.

tclairsmith@gmail.com

CANDY IS AWESOME

Steve Kimura

Action/Comedy

A group of CIA operatives use their cover as a pop band to save the world and discover that the music biz can be as treacherous as the bad guys they encounter.

stevekimura@me.com

CRACKED

Zac Lucas

Native American detective, mystery series

Still guilty over his three-year-old daughter’s untimely death, a Lakota Aspie detective fights skeptical and hostile colleagues, to prove his visionary skills matter when (re)solving mysterious cases.

kiwee@y7mail.com

HAWKWOOD

Karen E. Simmons

Light comedy/murder-mystery

Former Scotland Yard Inspector John Hawkwood is trying to redeem himself from his dark past by working as a private detective in an idyllic Cotswolds village in 1956 England, surrounded by a cast of equally quirky & unconventional characters.

Semi-finalist – Santa Barbara International Screenplay Awards, 2022

ksimmons511@yahoo.com

IN THE SHADOWS

A.J. Retelle

Drama, Mystery, Horror

Van Helsing Institute agents investigate a vampire murder that could set off a war between rival clans.

ajretelle85@gmail.com

JENKINS AND WATTS: PARANORMAL ATTORNEYS AT LAW

Michael P. Brennan

Comedy/Horror

In a world where ghosts exist and have rights, Jenkins and Watts defend them against overzealous law enforcement, organized crime, and literal demons from hell…for fair market price.

Semifinalist – Screencraft Comedy 2022

Semifinalist – The Golden Script Competition 2022

Recommended – Shore Scripts coverage

Top 4% overall, top 3% genre – Coverfly

mbrenn3@gmail.com

KNEAD THE DOUGH

Brett Joyce

Half-hour comedy

A corporate salesman attempts to understand why he left his pizza chef job for the woman that just rejected his proposal in Hawaii as he finds solace in a pizza truck, The Dough Mobile. While he thought he needed dough to solve his life problems, what really needs to solve them is that he has to knead the dough.

2nd Rounder – Austin Film Festival 2022

realbrettjoyce@gmail.com

LIFER GUARDS

Lisa Lutes

Half-hour comedy

Unable to find anything better, a group of millennial lifeguards remain stuck in their high school jobs at a community pool.

lmluey@gmail.com

RESTLESS SOULS

Victoria Thomas

Dark Comedy with Horror/Fantasy elements

Two brothers’ loyalties are put to the test as they run from their guilt, but not all blood can be washed away.

8.9/10 – Coverfly (project in top 4% for analyst)

vikkisumner1@gmail.com

SMALL TOWN COUNTRY (GIVE ME LIBERTY OR GIVE ME SETH)

David Crosman

Half-hour sitcom

The leader of a new and small nation must figure out healthcare or lose citizens. Two low-level officials woo a dignitary in the hopes of getting a cushy job.

2nd Rounder – Austin Film Festival 2022

Consider – Coverage Ink 2022

davidcrosmanwa@gmail.com

SOUTHSIDE SHUFFLE

Dave Goossen

Drama

A disgraced musician returns home with hopes of reopening a club but gets caught up in deceit and the dangerous criminal underbelly of a picture-perfect tourist town.

davegoossen@gmail.com

THE PENITENT

Sheila Cavanaugh Dionne

Drama

A recently deceased girl and her accidental killer team up with an angel to save their respective families from looming disasters.

sheila@fortunamajor.tv

TOUCH OF DARKNESS

James Welday

Film noir, sci-fi, mystery

When re-emerging memories of a life he never lived begin plaguing an unassuming salesman, his reality takes a nightmarish turn.

jameswelday1@yahoo.com

Seeing some shine on that diamond in the rough

Even as I was getting the latest book ready over the past few weeks, I still made an effort to split time among a few other ongoing projects.

On that list: a severe edit of the animated fantasy-comedy spec.

The previous draft had clocked in at 120 pages, which admittedly is kind of long, especially for an animated story.

So it had to not only be tightened up in regards to what’s on the page, but also the actual number of pages. Fifteen to twenty, while seemingly excessive, felt appropriate.

Armed with some exceptional notes and a strong idea of all the issues that needed addressing, I set to it.

The phrase “kill your darlings” played a significant role during this process. Several scenes I loved were, as pointed out by an extremely savvy reader, more of a distraction from the main storyline and were actually slowing down the read.

Highlight, delete, mourn their demise, move on.

A good number of scenes underwent a major overhaul, including severe tightening up, rephrasing of dialogue, and a whole lot of moving stuff around. Sometimes a change would be made that I didn’t realize needed to be made. That’s always a surprise.

All of this combined ended up cutting 14 pages, bringing the grand total down to 106. Not too bad.

From my perspective, what ended up being the biggest accomplishment was that the whole thing seemed stronger than before; more put-together. It’s been a while since I’ve felt this positive about a draft.

It’s been sent to the latest batch of readers, and I’ve no doubt they’ll do a bang-up job in finding faults and spotlighting what needs work. As they should, and that’s fine with me.

It’ll help the next draft be even better.

A book (or three) for you

Some exciting news today out of the literary department at Maximum Z HQ:

My new book GO AHEAD AND ASK! INTERVIEWS ABOUT SCREENWRITING (AND PIE) VOLUME 3 is officially released – in both paperback and e-book.

Putting all three volumes together has been quite an effort, and definitely a long time in coming, but they’re all set and ready for purchase here or here.

It was always my intent to have these books be about more than just writing a script; it’s about providing the writer with the tools to help them improve. This is why each volume is chock-full of helpful information, tips, and guidance from a wide variety of writing professionals to not only guide you in developing your craft, but how to potentially make your script better. Definitely a win-win scenario.

Not only that, but if you like what somebody has to say and are interested in asking them about helping you with your material, their contact information (email and/or website, and the occasional social media handle) is right there on the page for you.

Plus, numerous types of pie, along with a few other assorted desserts, being mentioned, which is always a good thing.

For those who’ve already purchased volumes 1 and 2, I offer a heartfelt thank you, while also hoping you feel the need to complete the set and get volume 3. Or if there’s a special screenwriter in your life who you think might benefit from, or at least enjoy these books, I’ll just casually mention that the holidays will be here before you know it, and that books always make for an excellent gift.

Thanks for reading, and hope you enjoy them.

What’s new, missing, or different?

It happens to every writer. You start the rewrite of your latest draft, and you need to figure out what needs to be cut or changed. Sometimes it ain’t that easy, and sometimes you hack and slash with wild abandon.

Part of my recent focus has been rewriting the fantasy-comedy spec, which has involved a little bit of both.

It already needed some trimming – at least 5-10 pages’ worth, so that’s just one of the many things taken into consideration as I work my way through it.

I’ve been told my writing is pretty sparse to begin with, so finding material to tighten, let alone cut, has been somewhat tough.

Tough, but not impossible.

There’s the small stuff. A widow/orphan word here, a snippet of dialogue there. Finding some way to get those three action lines down to two, or one if you can swing it.

Then there’s the big stuff. One noteworthy item was a particular story detail that had been around almost since the story’s inception that wasn’t syncing as well with the story as it was now, so that had to be changed. This caused a domino effect on all the things it impacted, which meant making sure all those connections had to be adjusted so everything still meshed in a smooth and organized manner. It was a bit of a pain to deal with, but it had to be done.

The big stuff also has its fair share of little stuff. A scene or sequence that needs a major overhaul – already dealt with a few of those, as well as a few half-page scenes that I hated to cut. Then there was a character I initially loved that proved to be ultimately unnecessary, so out they went.

If I maintain this amount of cutting, there’s no reason the finished draft couldn’t fall within the target range of the aforementioned 5-10 pages. If it ends being more than that, great (but at this point seems highly unlikely). If it’s just a few pages shorter, that’s still okay, and I’ve no doubt my beta readers will have plenty of suggestions that I probably never even considered.

No matter what gets cut or changed, it’s all for the benefit of the story. As long as the script is a tight, succinct and solid read, that’s a win.

(Turns out I’ve written about this before, waaaay back in 2013. A lot of it is still applicable, except for the part about my time in the half-marathon. Those days are long past.)

Friendly reminder: my book Go Ahead And Ask! Interviews About Screenwriting (And Pie) Volume 3 officially comes out on October 7th (two weeks from today), and the final setup of the links on Amazon and Smashwords is just about done, in case you’d like to purchase it slightly ahead of schedule. Signed copies will be available. Just let me know.

From the archives: My brain’s helping hands are ready to go

No job too small! (schedule permitting)

There’s been a slight uptick in my recent coffee chats with connections new and not-so-new. A majority of them have been of a more “just catching up”-type nature, but a few have included the exchanging of script notes and related items. That prompted the re-posting of this gem from July 2018. Enjoy.

Thanks to my ever-expanding network of savvy creative types, I get lots of chances to be on both the giving and receiving ends when it comes to reading scripts.

I consider myself extremely fortunate to be able to get exceptionally helpful notes from a lot of really talented folks. All this feedback has somehow managed to influence my writing for the better, and for that I am overflowing with gratitude.

So the least I can do when somebody asks me “Will you read my script?” or “Can I pick your brain about this idea?” is to say “Of course.”* Maybe I can offer up a few scraps of advice that might somehow work to their advantage. If anything, I can at least point out where a fix in spelling or punctuation is needed. For a script, anyway. That counts, right?

*caveat – it’s taken a lot of work spread over a long time for me to build up my network and establish connections, so I don’t mind if somebody I actually know drops me a note with such a request. If our only connection is being connected on social media and we’ve never interacted – at all, you’re little more than a total stranger to me. So heed that one word and be social. It makes a difference.

I had the pleasure of such an experience this week. I’d connected with another Bay Area creative, and we’d been trying for a while to arrange a face-to-face meeting. After much scheduling, cancelling and rescheduling, we finally made it happen.

This person had an idea for a project, wanted to talk about it, and see if I was interested in being involved. I stated at the outset that I had enough work on my own for now, but would be open to giving notes – time permitting.

After the initial introductions and our thumbnail backstories, we focused on their project. I won’t go into specifics or details about it, because those aren’t the important parts.

What was important was:

-this was a story they’d had inside them for a while, and even though they knew it needed A LOT of work, they were still happy with simply having written it all out

-they were totally open and willing to listen to my suggestions. Some they liked, some they didn’t. Totally fine.

But the more we talked, the more the seeds of ideas were planted in their head. Even though a lot of the details we came up with, including possible paths the story could take, ended up being totally different from their original incarnation, it was easy to see that spark of excitement reignite inside them.

Seeing that happen with somebody you’re trying to help is more satisfying than you can possibly imagine.

We parted ways, with them really rarin’ to go and start developing the latest draft. They added that they really appreciated me being so willing to help out.

I just like doing that sort of thing. I never had that kind of person-to-person help when I was starting out, so why not do what I can for others? Granted, the internet and social media didn’t even exist then, so it’s a lot easier now.

I got a few emails from them the next day showing me what they’d come up with since our meeting. Same concept, but a totally new approach (and, in my opinion, provided the opportunity for a lot of new possibilities). This also included a more thorough write-up of “what happened before the story starts”.

Even though it can be tough to read emotion in text, it was easy to see the spark was still burning strong within them. The way they talked about their plans for what comes next, I could tell they were actually looking forward to working on this.

It was nice knowing I had a little something to do with it.

We exchanged a few more emails (mostly me asking questions about story and characters and them providing sufficient answers), and I wrapped up with “Keep me posted.”

Their response: “Definitely. Thanks again. You’re a good dude.”

That was nice too.