A nice wrap-up

2022 is starting to wind down, and the general consensus around Maximum Z HQ is:

It’s been a pretty good year.

-First and foremost, I finally managed to publish my books. Took a while to put it all together, but thanks to a heaven-sent editor/advisor, they became a reality.

Also nice is that they’ve been very positively received. And they make a great gift for any screenwriter (plug, plug).

-A lot of the year was also spent writing. I completed a few drafts of the animated fantasy-comedy spec – huge shoutout to the readers who provided some excellent notes that helped improve each draft. Hoping the end result achieves what I set out to do.

I’m also wrapping up the script for the microbudget feature. The producer who brought me onto the project really likes what I’ve come up with so far, which is always nice to hear. They’re hoping to start production in the spring, so fingers remain firmly crossed that becomes a reality.

Bonus – the producer also asked me to write a short, which I did. It’s a completed project and is already being submitted to festivals. Keeping any other details under wraps for the time being.

-Wasn’t able to make my horror-comedy short film, but I did connect with a local director who’s open to helping out. This whole “make it yourself” thing is quite a learning experience.

-Speaking of connecting, I got to meet a whole new bunch of local writers. I always enjoy that.

-I once again took part in the screenwriting track for the San Francisco Writers Conference, which included being on panels and offering advice to writers one-on-one. Had a great time with that, and I’ll get to do it again in February.

-Being part of the conference also led to doing a lecture about screenwriting for the California Writers Club, which it looks like I might get to do again sometime soon.

-Didn’t do so well on the contest front, but as evidenced in everything else I just talked about, I think I’ve done okay.

Here’s hoping for more good news and positive vibes for all of us in 2023.

Keep pushing forward, chums. I’m rootin’ for ya.

Struck out in contests, but…

A lot of the major screenwriting contests have wrapped up, or are in the process of, and once again, yours truly did not achieve the desired results.

A big fat goose egg on all fronts.

Disappointing? Very much so.

Frustrating? You betcha.

Making me wonder if my writing must be ridiculously bad? Without a doubt.

I wasn’t just in a hole of depression. I’d felt like I’d fallen into the deepest hole ever dug on Earth.

Fortunately, I wouldn’t be there long.

Encouragement from K and more than a few members of the screenwriting community reminded me of several very important things:

First – CONTESTS ARE ENTIRELY SUBJECTIVE. Sometimes your script clicks with readers, sometimes it doesn’t.

Second – CONTEST SUCCESS IS NOT A GUARANTEE FOR INDUSTRY SUCCESS. You can claim the top prize, but that doesn’t mean you should quit your day job. The road to an ongoing career is long, twisty, and loaded with uncertainty.

Third – THEY ACTUALLY MAKE FILMS FROM SCRIPTS THAT HAVEN’T DONE WELL IN CONTESTS. If a producer likes your script and wants to get it made, they’re not going to be as worried about how it placed in a contest.

Fourth (and this one really hit home for me) – SCREENWRITERS SHOULD NOT LIVE BY CONTESTS ALONE. Doing well in a contest is a potential boost to help you establish a career, but that’s it – potential. It’s only one of numerous paths.

As was pointed out to me, I may not have done well in contests, but I should also consider:

-I’m currently writing the script for a microbudget feature. The producer really likes how it’s all coming along, and has been completely ego-free since we began.

-I self-published 3 books about screenwriting this year (a great gift for screenwriters, yourself, or both. I got a kid in college, so anything helps).

-I continue to be the co-host of a podcast that’s all about writing. Fortunately, both my co-host and I know A LOT of writers, so there’s always somebody interesting to interview.

-I got to be on the other end of the microphone by being interviewed on a few screenwriting podcasts.

-I took part in a few panels about screenwriting at a writing conference, which led to being invited to give a lecture about screenwriting next month. (more on that another time)

-I still get the occasional email asking me to give script notes. It might take me a little longer to get to it than expected, but I enjoy doing it, and the writers seem to really appreciate what I have to say.

-there’s been progress, albeit the really slow kind, in making my short film. I was hoping to film it before the year was over, but looks like early next year might be more realistic. It’ll happen yet.

So my losing streak in contests may continue, I’ve got a decent number of other irons in the proverbial fire. And a few other fires, for that matter.

I may get knocked down, but I get up again (and again, and again), and they’re never gonna keep me down.

Consider me in this for the long haul.

The journey continues…

Hope you have an excellent pre-Halloween weekend. I will happily lay claim to any leftover plain M&Ms and Reese’s Peanut Butter Cups that manage to stay out of the grubby little hands of trick-or-treaters.

The writer’s GPS: always recalculating

The road to screenwriting success is a long and hazardous one, filled with constant obstacles that make you constantly second-guess yourself, doubt your judgment, and even make you wonder if you’re even headed in the right direction.

Trust me, we’ve all been there.

And the longer the journey takes, the longer it seems like anything good is going to happen – if it happens at all.

Who doesn’t know a writer who’s made some progress, only to have things stall out, making them question if it’s worth continuing on, or are just so fed up that they throw up their hands up and say “That’s it. I’m done.”?

As someone who’s been at this for a good number of years, again – totally been there.

There’s a part of me that always feels bad when I hear somebody say this sort of thing. Thanks to social media, I’ve been able to follow many a journey, offering congratulations on successes, and encouragement for the bad times.

So when I’m engaged in an online conversation with someone, and they talk about being so frustrated that they’re ready to chuck it all, I go into pep talk mode with the hope it helps replenish their reserve of strength to keep going.

No idea how effective these are, but I keep trying.

And just like these writers, I feel that way sometimes too. I accept there’s a chance it might not happen, but the optimistic cheerleader in me is quite stubborn and keeps pushing me to stay at it. That, and I like writing too much to stop anyway.

There’s also the realization that my road to success may not be what I initially set out on, and is totally what I make it.

If things don’t seem to be going my way, and often times they’re not, I’ll take a step back and explore what my other options are.

Queries not getting any responses? Read requests fizzling out? Contest results not attracting any attention? The industry constantly saying “Thanks, but no thanks”?

Frustrating, so I’ll try something else.

I’ve got a phone with a movie camera in it, and my computer has basic film editing software, so I can take a stab at making a short film. It might not look great, but it’s something.

Bonus – the $ I’d normally spend on contests can now be put towards a film budget.

I’m fortunate to be connected to some local filmmakers. I can ask if they need any help with their projects. No qualms about being part of the crew, and it’s a great education in filmmaking.

(If the filmmaking opportunities are somewhat limited where you are, maybe see this an opportunity to start laying the foundation to create them.)

I’m extremely fortunate to be connected to writers literally from all over the world. I can ask for feedback on my scripts, and offer to reciprocate.

Since a lot of my scripts are of a visual nature, there’s the possibility of turning some of them into graphic novels. I know a few writers who’ve done this, so I could talk to them about their experience and get their advice and suggestions.

The dream to see the stories we create on the big screen is powerful, and what drives a lot of us to do this. The sad truth is it most likely won’t happen for a large percentage of us.

But that doesn’t mean we should stop trying, or that it’s the only way it can happen.

You’re going to keep getting knocked down. It’s up to you how many times you’re willing to get back up and try again.

(you + ideas) x plan = 2022

As we stand on the cusp of a brand spanking new year, do you know what you want to accomplish, writing-wise?

More importantly, do you have a plan on how that’s going to happen?

I’m finding that it really helps to take a realistic approach, focusing more on the things we can actually control, rather than the things we would like to happen.

Knowing your own productivity and output, how many scripts do you think you could write/rewrite?

For me, I’m looking at 1-2 new ones, and 2-3 rewrites. Might be a bit of a challenge, but still doable.

I’ve also noticed an increase across social media of writers offering to give notes to other writers, so that’s something also easily achievable. Doing that once or twice a month benefits both you and the other writer, and a lot of the time the other writer will reciprocate, so…win-win.

Lots of writers are also directors or filmmakers, so maybe making a film or a short is part of your 2022 to-do list. Count me among that number. Got a horror-comedy short I’m just itching to make, and have started the ball rolling to see that happen.

No matter what you’re hoping to accomplish this year, I hope you not only do that, but also manage to enjoy yourself along the way. You should be getting as much out of the journey as you do finishing it.

And keep in mind that while you might be flying solo on a project, you’re definitely not alone. Just about every other writer out there is going through the exact same thing. Don’t hesitate to ask for help, advice, or feedback, or to offer it.

Win-win, remember?

Here’s to a phenomenally productive 2022.

Create (and follow) your own route

As the year starts to wind down, I’ve taken part in a few writer Zoom get-togethers where the participants all discuss how their 2021 went, and what they’re hoping to accomplish next year.

(I’ll go into a little more detail regarding my own plans for 2022 in the next few weeks)

It was great to hear about the wide variety of projects that saw completion, along with the pride each writer took in talking about their work. Also nice – modesty. No pumped-up egos or “bathe in the splendor that is my wonderfulness!”

There were also those who had started something, but for some reason or other, hadn’t been able to finish it. That yielded a lot of sympathy as well as encouragement to get back on their respective horses.

The biggest underlying theme of all the conversations was “This is something I’m passionate about, and I’m going to do what I can to get it done/made.”

Doesn’t matter if it was a script, a short, a film, a webseries, or whatever. Each person had a project (or projects) that they were working on and was excited to be doing so. Results were varied, as were the timelines of progress.

Which is really what a lot of this comes down to. Each writer was working on a project and doing so in the way that worked best for them.

What was also really nice was that nobody was comparing their progress to anybody else’s, which is how it should be. It’s easy to fall into that sort of trap, and doesn’t help with bolstering your own confidence.

Everybody’s path is unique to them, and them alone. What works for you might not work for somebody else, and vice versa. Focus on what you’re doing and don’t worry about the other person.

Seeking an outside opinion? Ask someone you trust for honest and helpful feedback, and don’t feel obligated to take their word as “this is what needs to be done”. This is YOUR project, so trust your gut instincts to lead you in the right direction.

Most of all, do what you can to enjoy the journey. If you’re not enjoying it, the odds are high the material will reflect that, which means the reader/audience won’t enjoy it either. If you’re not passionate about it, why should we be?

We do this because we like/love it, right?

And it’s great seeing people be excited when talking about a project they love, because it makes us want to know more. Maybe we’ll even be invited to offer up our thoughts and comments to help them make it better.

So here’s to you being proud of what you accomplished in 2021, and for more of the same in 2022.