A relatively short post today, but one that needs to be said.
Some recent conversations with a few of my fellow writers have helped reinforce and encourage my decision for this year to be all about becoming a better writer.
A big part of this involves not only developing some totally new scripts, but eagerly jumping into the rewriting of some older scripts. It’s time to build up my arsenal of material, and I look forward to taking on all of it.
-a sci-fi adventure (rewrite)
-a horror-comedy (rewrite)
-a fantasy-comedy (rewrite)
-a period dramedy (new!)
It’s always exciting to take on the challenges involved when it comes to writing or rewriting a script, and this time is no different. In some ways, it’s even more so.
While my writing skills are far from perfect, they’re definitely stronger than they were. And hopefully that will all be evident on the pages of the finished works.
More emphasis will be placed on simply enjoying the process, rather than worrying about all the unimportant petty details. As I’ve said and observed, when you read a script, you can see the writer’s enthusiasm for the material on the page, which can significantly add to your enjoyment of it.
That’s what I want for my readers.
That and to just blow the socks right off of them.
It’s a been good week around Maximum Z HQ. A very good week, you might even say.
Got a couple of read requests, including one several months after the initial pitch, and my western advanced in the first round of a reputable contest.
On the actual writing front, made some good progress in the latest overhaul of the sci-fi adventure outline, plus got a last-minute invite to come up with a story idea for a friend meeting with a filmmaker looking for potential projects.
All in all, not too shabby.
Do I wish every week could be this fulfilling and rewarding? Most definitely.
Will they? Heavens no. But that’s expected. It’s the just way it is, and I accept that.
Everything that happened was the result of me putting in the time and effort. Writing, rewriting, researching who’d be most receptive to queries, figuring out which contest was most worth entering, and so forth.
I just happened to be fortunate that a lot of them are paying off very close to one another.
I also realize that each read request could results in “thanks, but no thanks”, my script doesn’t advance any further in the contest, and the filmmaker doesn’t like my idea.
Disappointing, sure, but it won’t slow me down, let alone stop me. I’ve got too much else going on to worry about it.
While the road to screenwriting success may be dotted with potholes, sharp objects and people who shouldn’t be allowed behind the wheel to begin with, every once in a while you get a long empty stretch of green lights and smooth pavement. It may not last long, but it’ll might make you appreciate it even more.
So when you have a brief window of time where it seems like everything is actually going your way, savor it knowing that YOU EARNED IT. And definitely spread the word to your support network – they’ll be thrilled (just like you’d be if it were them).
Use the emotions and sensations you’re experiencing during this happiest of times to keep you going when every response you get is “NO” and the dark clouds return.
But also keep in mind that it won’t always be like that. This path is full of highs and lows, mountains and valleys. The important thing is to enjoy the journey and keep pushing forward.
As we head into the weekend, I’ll take a moment to review the past few days and think “This was nice.”
And then get right back to the grind, once again hoping for the best.
How’d your year go? Of all the things you were hoping to accomplish, how many were you able to check off?
All of them? Great!
Some of them? Still good.
I won’t even entertain the notion that you achieved nothing, because there’s always something. Even the slowest runner crosses the finish line.
No matter what your results were over the past 12 months, you can use all of it as the building blocks for what you want in 2020.
Set goals for yourself, and do what you can to reach them. Be the writer with a plan who sticks to it. Try to accomplish something writing-based every day, even if it’s just jotting down an idea and filing it away, editing a page or three, or even reading a friend’s script.
Better to end a day thinking “this is what I did” rather than “why didn’t I do that?”
Remember that everybody’s path is specific to them. What happens, good or bad, for one writer is no reflection on another. The important thing to remember is to focus on you and what you’re trying to do.
But also take the time to offer words of support, encouragement congratulations and sympathy to others when necessary. Your connections to other writers are a vital resources, so treat them accordingly.
This may be your journey, but you’re definitely not alone. There are a lot of other writers out there, all with their own goals and objectives. Don’t be afraid to reach out if you need help, or offer it if they do (if you can).
There will also be things over which you have absolutely no control. Do the best you can with them and move on.
I’m not the first nor will I be the last to say that trying to make it as a screenwriter is an almost insurmountable task. But it can be done. So, if like me, this is what you really, really want, you need to do the work for as long as it takes.
Regard the start of a new year as a great opportunity to set up what you want to happen, then go about making it happen.
So good luck and I wish you all the best in making things happen in 2020.
Trying to make it as a screenwriter is a tough choice to begin with. It’s a long, drawn-out process that takes a long time before any significant results can be achieved. Sure, there are exceptions, but for the most part, it remains a marathon, not a sprint.
And that also means there’s going to be A LOT of heartache and disappointment along the way, and that can really take its toll on you. Not to sound too New Age-y, but all that negative energy can do significant damage to your confidence and self-esteem.
“This is never going to work.”
“I can’t do this.”
“Why do I even bother?”
If you’ve never said or thought any of these things, I’d love to know how in the world you managed to accomplish that and still call yourself a screenwriter.
Many’s the time I’ve seen comments on a public forum from another writer that echo these sentiments, or had them send me a private note saying something similar.
And I feel for them – whole-heartedly. I’ve been that writer thinking those thoughts a lot, too.
Do I wish I could help them out in any capacity? Without a doubt.
Even though it may not be much, I’ll offer up whatever support or encouragement I can. Don’t underestimate the power or effectiveness of telling somebody you’re in their corner. It makes quite the difference knowing you’re not alone during this tumultuous journey.
I once got a note from a writer I barely knew. They knew a writer I knew, and had seen some of my postings online. We were both semi-finalists in a prestigious contest, and it was the day the finalists were being announced.
For reasons totally unknown to me, they contacted me, asking if I’d received any kind of update. I hadn’t.
“Having a total shit writing year so far so I’m clinging to anything positive ha,” was their response.
I told them I was sorry to hear that, and offered up my own frustratingly good-but-not-great batting average, along with a few words of encouragement in the vein of “much as it hurts to get thrown off, you just gotta keep getting back on the horse”.
They were in total agreement.
An hour or so later, the finalists were announced. I wasn’t one of them. But they were. Naturally, I was disappointed, but also happy for them because they had something good happen.
The takeaway here is that you’re not alone in this. Every other writer goes through it. We’re all going to have a lot of bad days, probably a lot more than the number of good days, and it can be tough to get through it, let alone come out stronger.
This is one of those added benefits to networking and connecting with other writers. You’re not just helping to develop your writing and analytical skills, you’re creating your own emotional support network.
Chances are you’ll have a stronger relationship with a small number of people; the ones you’ve interacted with, or shared scripts, exchanged notes, etc., on a more regular basis.
Don’t be afraid to reach out and tell one of them “Hey, I’m not feeling too good about this right now. Mind if I talk about it?” They’ll understand, and be supportive about it (in theory). Just being able to talk about it could help you feel a little better.
Screenwriting is complicated enough, and gets even more so when you throw all your hopes and ambition into it. Sometimes you’ll feel strong, powerful, ready to take on the world. And sometimes you’ll feel like the world’s beaten you to a bloody pulp with no hope for recovery. (Again, I’ve experienced both.)
You can’t force yourself to feel better and restore your confidence, but you can take little steps to help yourself out – at your own pace. And any help you might need is always there and easily accessible.
-Speaking of helping somebody out, friend-of-the-blog Leo Maselli is running a crowdfunding campaign for his anthology feature project CA SHORTS. Donate if you can!