So how do you put YOUR story together?
For yours truly, progress in developing the outline for the fantasy-comedy spec is slow but steady. The notebook filled with ideas and potential scenes and sequences is filling up at a somewhat rapid pace.
After much internal deliberation, the plot points are in place, and the task of connecting them continues.
Storylines, subplots and character arcs are being established and fleshed out.
All in all, it really is coming together – even though at times it’s like trying to figure out a 1000-piece jigsaw puzzle but the image on the cover of the box is out of focus and has a few water stains.
As much as I enjoy the overall writing process, there’s a certain appeal to this part of it. Coming up with ideas. Mapping it out. Putting it all together.
Breaking the story.
You start with a premise, then figure out how to build on that. A seemingly never-ending assembly process.
Then the questions come rolling in.
What kind of world is this? What are the characters like? Who’s our hero? What do they want? What happens to them? Who or what is standing in their way? What happens if they fail?
You will come up with SO MANY ideas, some of which you might later on wonder what the hell you were thinking and toss (or possibly set aside for use in a future draft or totally different script). But for now, each one seems valid and usable.
Ask yourself questions. Work that imagination. What if my hero does THIS instead of THAT? What if this happened HERE instead of HERE? What if the total opposite happened?
(This is also part of why I’m a big proponent of outlining. It allows me to take the disorganized chaos of a big pile of notes and assemble them into a streamlined, fast-moving linear layout.)
Very important – work at your own pace. Don’t base your output and productivity on how it’s going for other writers. You saw somebody post on social media how they cranked a script out in two weeks? Good for them (and I’d be curious to know how it reads). I’d rather take the time to really fine-tune my story before even considering starting on pages. Results may vary. It takes as long as it takes.
Since there are certain familiar elements to the genre with which I’m working, I have the added challenge of my story needing to not only be original with the initial concept, but in the execution. The last thing I want to hear is “this is just a ripoff of _____” or “didn’t they do this in _____?” I’m okay with “similar, but different”, and want to stay as far away from “very similar” as possible.
While the process of breaking the story sometimes feels insurmountable, I accept the fact that it’s necessary; to the point that I practically embrace it. Working my way through it helps me become a better writer in the long run. When I first started out, my stories were what you could call somewhat basic and simplistic. A few scripts later, I continue to push myself, always trying for something a little smarter and more complex.
I won’t say the more I do this, the easier it gets, because for the most part it doesn’t. Each script is always a challenge to put together. What I have learned is to not be as intimidated by it, and instead eagerly jump in, ready to take it on.