draft

Let’s ______ go

Maximum Z action, comedy, Deadpool, determination, draft, editing, outlines, pages, polish, scenes, screenplay, screenwriting, script, sequence, spec, subplots, Wolverine, writing , , , , , , , , , , , , , , , , ,

I’m currently enjoying my time at Comic-Con in San Diego, so this week’s post is a short one.

The outline for the action-comedy spec is more or less wrapped up – some of the smaller subplots still need figuring out, but the primary storyline and subplots are at about 95 percent, which means…

Time to start on pages.

Going to take a “write it and don’t look back” approach. No editing, no polishing. Just write a scene or sequence, move on to the next one, repeat as needed until “The End”.

Objective: a mostly all-there first draft, which will be much easier to work with than a non-existent one. There’ll be time for all that fixing and tweaking and stuff the next time around.

Bonus – when I feel the need to take a break, I can shift to the continuing work on other projects.

Fingers crossed.

Circling back to the first go-round

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My current project is rewriting/revising my fantasy-comedy (animation-optional). It has undergone numerous drafts, along with multiple revisions and variations on both the primary storyline and several subplots.

There have been a handful of the latter which have been particular tricky to figure out the best approach. Something just wasn’t clicking, so I took my usual approach to finding a solution and stepped away from my laptop, put on my running shoes, and hit the road.

While my feet pounded the pavement, the next hour and seven minutes heavily involved coming up with possible alternatives to how the story reads now. A few possibilities presented themselves, but nothing to make me stop short and proclaim “That’s it!”

So I took another usual approach, that of taking a step back for a more of a “big picture”.

Silly as it sounds, I’d forgotten that one of those earlier drafts had some decent contest success (not that that’s my goal), so I dug up that one to give it a read.

A large percentage of that script remains in the most recent one, but especially close attention was paid to “what drives your protagonist”. More than a few readers had similar things to say about that. My hope is that fleshing that out a bit more will have the desired effect and reinforce the whole story.

There are a few other subplots that also need work, but this was one of the big ones.

This kind of approach will be the strategy for this latest draft. The last thing I want to do is over-complicate things, and I’m fairly confident that doing this will help keep things simple.

Nicely done, me from the past

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Having (for the most part) completed the outline for the action-comedy, attention has shifted to revising/rewriting another script.

I’m not sure the last time I’d worked on it – maybe March?, but I opened the pages and was pleasantly surprised how many changes had already been made. There are still some rough spots, including figuring out the best moment to have a key part of the story take place. Weighing my options on that one.

But it was very reassuring to see how much work had already been put into this before switching to another project, and not at all surprising. This has happened before.

I’d also forgotten how much work overall had been done for the new draft, including questions about potential subplots and character arcs. This helps lighten the load – albeit just slightly. Looking over some of the notes I got on the previous draft, a few sticking points remain that need addressing.

There were also some suggestions from readers that didn’t mesh with what I was going for, or felt like they wanted things to go in a different direction than what I was intending. I weigh the merit of what’s being said, and then decide if there’s something in there worth salvaging.

Whenever I start a rewrite, I try not to put a limit how much time I’m allowing to get it finished. Many times it’s longer than I’d like or expect, but this time feels a little different. I suspect once things get started and more pieces fall into place, the shorter the time to get to the finish line.

Figuring out all these solutions won’t be easy, but I’m confident it will happen. Hopefully sooner than later.

More like this, please

Maximum Z action, antagonist, character arc, characters, comedy, determination, development, draft, editing, I Love Lucy, ideas, perseverance, persistence, protagonist, rewrite, scenes, screenplay, screenwriting, script, sequence, spec, story, subplots, writing , , , , , , , , , , , , , , , , , , , , , , ,

Some MAJOR progress on the outline for the action-comedy spec this week, and I am thrilled.

Among the highlights: figuring out how and where to connect some sequences, plotting out a few others, and coming up with a great new angle about my antagonist’s arc.

Some of these were a long time coming, and some were spur of the moment. I’ll take what I can get.

Also realized a few subplots still need work, which range from “should this be cut or expanded?” to “three scenes should cover it”.

One thing that’s been nagging at me since the beginning is the best way to show my protagonist’s arc in action. How is she changing over the course of the story, and what are the most effective ways to do that? Doing what I can to have this occur at every opportunity, even if it’s something that initially seems insignificant but plain as day in retrospect.

Ain’t easy, but it’s coming together. Would have been great for this to have happened a few months ago, but that’s how it goes.

No guarantee this momentum will continue, but confidence levels are currently registering as high. I may even be so bold as to suggest a strong possibility the outline could be done by the end of the month. This will most likely be followed by either a whole lot of editing and revising, or setting it all aside to work on one or both of the two rewrites.

Either way, there’ll be at least one completed draft of this script by the end of the year.

Just your typical rewriting rigamarole

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Figuring out the rest of the story for the action-comedy spec continues, but there was a slight change of focus this week to the rewrite of the fantasy-comedy.

A lot of the story remains in place, but there are still some tweaks and minor adjustments that need to be made.

First was seeing what still worked. This involved the very-helpful writing out the entire story scene by scene, with a quick sentence stating the point of each. Or at least “here’s what’s happens here that moves things forward”.

I also dug up notes from the most recent round of readers – first-timers all. I’m still working my way through them due to the sheer volume of comments and suggestions. Some pretty good stuff, with lots about the characters and potential ideas of how to make them better.

One reader’s comments really resonated, mostly due to the fact that they pointed out something regarding the story I wasn’t aware I’d done. It was as if my subconscious was a contributing writer. Good when I do it intentionally, even better when it’s unintentional AND still works within the context of the story.

As I often do during the figuring-stuff-out phase – no matter what draft it is, I tend to overthink and cram too much stuff into the story. That’s something I want to try and avoid this time around. Like I said, most of this should only require some minor touch-up work, and I think I can limit the bigger changes to a relatively small number.

Once all of the changes are made, I’ll go through and trim the excess fat while fine-tuning it as much as possible.

Like with all of my projects for this year, progress may be slow, but it’s still coming along.