First hard part’s out of the way

Bit of a breakthrough for the action-comedy spec this week – I wrapped up the outline.

It’s done, but not totally done.

It still needs a ton of work, especially regarding the development/placement of several subplots, but the primary storyline is there, ready to be hammered into better shape.

Despite it all, I’m thrilled to have gotten here. There were many times over the past few months I’d get concerned (read: stressing out on a regular basis) I’d never figure things out.

But I stuck to it and eventually did, and am very happy with it.

Skimming through the whole thing in its current state, there are probably a lot of scenes and sequences that’ll get trimmed, cut, or drastically revised, but that’s expected. And that’s not even taking into account the aforementioned subplots.

I’ve written before about my astonishment at how other writers are almost assembly line-like regarding their output. It’s just not something I’m capable of, and the slow, slow progress for this latest project is just another example of that.

But I also realize that when somebody reads one of my scripts, they definitely remember that it’s mine – the story, the characters, the voice. If my taking the time to do that for each script means a smaller output than others, that’s fine by me. Same conditions apply this time around.

I was wavering between diving right back into this one or shifting to one of my two rewrites. I think I’m leaning towards the latter. I haven’t done as much with those two the last couple of months, so it’s probably better to let the new one simmer and work on those.

Then when I’m ready to jump back into this one, it’ll be with a mostly-all-there outline (and most likely a lot of “This is better than I remember” and “I don’t remember writing this”).

More like this, please

Some MAJOR progress on the outline for the action-comedy spec this week, and I am thrilled.

Among the highlights: figuring out how and where to connect some sequences, plotting out a few others, and coming up with a great new angle about my antagonist’s arc.

Some of these were a long time coming, and some were spur of the moment. I’ll take what I can get.

Also realized a few subplots still need work, which range from “should this be cut or expanded?” to “three scenes should cover it”.

One thing that’s been nagging at me since the beginning is the best way to show my protagonist’s arc in action. How is she changing over the course of the story, and what are the most effective ways to do that? Doing what I can to have this occur at every opportunity, even if it’s something that initially seems insignificant but plain as day in retrospect.

Ain’t easy, but it’s coming together. Would have been great for this to have happened a few months ago, but that’s how it goes.

No guarantee this momentum will continue, but confidence levels are currently registering as high. I may even be so bold as to suggest a strong possibility the outline could be done by the end of the month. This will most likely be followed by either a whole lot of editing and revising, or setting it all aside to work on one or both of the two rewrites.

Either way, there’ll be at least one completed draft of this script by the end of the year.

Seeking the un-familiar

Some good progress on the action-comedy outline this week. A little further into the second half of Act Two. Act Three still looms, but it’s getting there.

The biggest challenge has been coming up with scenes, sequences, and scenarios that – as far as I’m aware – haven’t been done before, or are at least a new take on a familiar concept.

Not as easy as you would think.

The last thing I want is a reader to say “That’s just a ripoff of _____”. I don’t like it when I see it in somebody else’s script, and I definitely don’t want that to happen when they read mine.

But a new spin or something totally unexpected that gets the needed result? Yes, please. I love when I’m able to do it, and really appreciate it when I see it in somebody else’s script.

This is most likely why this outline is taking longer than expected – a significant percentage of this is just me figuring stuff out. There has been a lot of jotting stuff down – numerous pages of ideas, many of which will most likely not be used, but I’d rather have that than not enough.

A pleasant side effect of all this churning out of ideas has been the addition of a few inspired solutions out of/through a few story issues. Nothing major, but enough to help keep moving things along. Still ironing out the details.

Going this whole process and filling in all these blanks remains the biggest challenge. But I’m fairly confident once all those blanks are filled in, going through and fine-tuning (along with the inevitable continuous rewriting) what’s there will be much, much easier.

Just your typical rewriting rigamarole

Figuring out the rest of the story for the action-comedy spec continues, but there was a slight change of focus this week to the rewrite of the fantasy-comedy.

A lot of the story remains in place, but there are still some tweaks and minor adjustments that need to be made.

First was seeing what still worked. This involved the very-helpful writing out the entire story scene by scene, with a quick sentence stating the point of each. Or at least “here’s what’s happens here that moves things forward”.

I also dug up notes from the most recent round of readers – first-timers all. I’m still working my way through them due to the sheer volume of comments and suggestions. Some pretty good stuff, with lots about the characters and potential ideas of how to make them better.

One reader’s comments really resonated, mostly due to the fact that they pointed out something regarding the story I wasn’t aware I’d done. It was as if my subconscious was a contributing writer. Good when I do it intentionally, even better when it’s unintentional AND still works within the context of the story.

As I often do during the figuring-stuff-out phase – no matter what draft it is, I tend to overthink and cram too much stuff into the story. That’s something I want to try and avoid this time around. Like I said, most of this should only require some minor touch-up work, and I think I can limit the bigger changes to a relatively small number.

Once all of the changes are made, I’ll go through and trim the excess fat while fine-tuning it as much as possible.

Like with all of my projects for this year, progress may be slow, but it’s still coming along.

Some appropriately metaphorical posts

While I continue to chip away at progress for my assorted projects, I’ve been seeing more than a few posts from other writers on social media about their significantly faster results.

“I finished this draft in two weeks!”

“Just wrapped up my third script of the year!”

Jeez, I’m hoping to get three scripts done by the end of the year. If I’m lucky.

All of this reminded me that everybody writes at their own pace. Some people are more productive, some not as much. It all comes down to “just get it written”.

It also reminded me that I’ve written about this before, so thought this was a good opportunity to revisit a few of those posts, along with some that are kinda-sorta related.

Enjoy.

Run at your own pace

My race, my pace

It is most definitely NOT a sprint

Second half is all uphill

Comfortable shoes will also help