Words that need to be heard

It takes a lot of determination and persistence to make it as a screenwriter.

A LOT.

And since so many other people are trying to accomplish the same things (more or less) as you and I, the difference between good days and bad days is a vast one indeed.

We learn to take the hits and the disappointments to the point that we chalk it up to “them’s the breaks”, and move on to the next thing. It is vital that we toughen up our skin to help us survive the journey.

But let’s go back to the good days thing.

When something positive happens for us, we do not hesitate to trumpet it from the rooftops – a rooftop in the form of some kind of social media platform.

And when that happens, our network of peers and associates is just as quick to join in the celebrating. We’re practically deluged with “congrats!”, “that’s awesome!”, “well deserved!”, and the like. Speaking for myself, I really appreciate it, and make a point of returning the sentiment when appropriate.

As writers, we live and breathe using words as our craft. We write something and hope it has the desired effect. Sometimes it does, sometimes it doesn’t, and sometimes it makes a much bigger impact than you could have ever expected. (Those are particularly pleasing.)

Don’t underestimate the power of what you write. Not just for your latest script, but also when it comes to how you present yourself to the rest of the writing community.

Are you always there with a positive message? Do you think “telling ’em like it is” is the way it should be?

Sure, somebody who does well in the Nicholl or Austin is going to get all sorts of congratulatory messages, but what about somebody who came in second or made the quarterfinals in that small contest you’ve never heard of? Are you just as enthusiastic for them? Do you let them know that?

When I was just starting out, I naturally had the novice’s daydreams of “they’re going to love it!”, which of course didn’t happen. Just about every response from my queries would be along the lines of “thanks, but no thanks” (if there was a response at all), and the contest updates that most of the time start with “Unfortunately…” It’s just the way the business is. You take your lumps, move on, and try to be a better writer so you do better next time.

Anybody who’s reading this knows exactly what I’m talking about. We’ve ALL been there.

I’ve recently read the lamentations of a novice writer who hasn’t had much luck in their efforts. They’re convinced that this can only mean that they’re a terrible writer, their family isn’t supportive of them even trying, and are thereby doomed to fail no matter what, so why even try? With as much sympathy and understanding I can put into text on a screen, I (and others) have tried to explain to them that everything they mentioned, from not placing in a contest to getting a pass from a query to them feeling completely alone in this, is not unique to them. Making any kind of progress on any of those fronts won’t happen overnight.

If ever there was a time that words could make a difference for the better, this was one of them. Hopefully my comments had at least the start of the desired effect.

We’re all busting our asses trying to make it however we can in this crazy business, and any outside offering of hope or encouragement is always welcome.

So as you skim your way across the turbulent waves in the vast ocean of social media and see someone’s comment, good or bad, about how they or their writing are doing, take a second to respond.

Let them know you’re rooting for them and hoping for continued success.

You’ve been where they are and hope things get better.

You’re thrilled for them.

You’re sorry.

You’d be amazed at how effective words, especially yours, can be.

Incoming message for you: scripts wanted

Have you been productive, writing-wise, during lockdown? Got a script you’ve rewritten, tweaked, and polished? And now you’re just bursting at the seams to show the world, but don’t know where to put it on display?

Well, fret no more because your chance to do exactly that has arrived!

As done twice on this blog last year with thrilling results, it’s time once again for the Maximum Z Script Showcase!

Here’s how it works.

Email the following info here under the subject “Maximum Z Script Showcase”:

Title

Author

Film or TV

Genre(s)

Logline

Awards (if applicable)

Your email (in case somebody would like to contact you about reading your script)

That’s it. Simple, no?

Two very important details to keep in mind:

ONE SCRIPT PER PERSON. No exceptions.

and

DO NOT SEND THE SCRIPT!

The post will go up on Friday, 4 June, so you have until Wednesday, 2 June to send in your details. Anything after that will NOT be included.

So don’t delay, and send it today! Or at least reasonably soon.

A few people have asked/wondered why I’m doing this. Do I get anything out of it? Am I picking the one I like best and giving that writer an award? Is there some kind of sinister secret agenda at play?

Nope. I just like helping out other writers, and giving them the chance to put their wares on display, so to speak. You never know who’s going to be looking at the list, so why not offer up your strongest script?

And for those visiting here for the first time – welcome! Feel free to take a look around, as well as like any posts that tickle your fancy, and subscribe because you think it’s such a gosh-darned amazing source of information.

-And speaking of deadlines, the fine folks at the Page Turner Awards have asked me to pass along that the deadline to enter their competition is 31 May. They’re offering some amazing publishing prizes, ranging from mentorship to audiobook production, film rights options, and film producers looking for adapted and original material. All the details at https://pageturnerawards.com/

Clock’s ticking…

Just a few days left to submit your script – either film or TV – for the Maximum Z Script Showcase coming up on Friday 4 June.

The deadline is Wed 2 June. Anything that comes in after that WILL NOT BE INCLUDED.

There are over 100 listings so far, with plenty of room still available to add yours.

Send the following info here with the subject Maximum Z Script Showcase:

Title

Author

Film or TV

Genre

Logline

Awards (if any)

Your email (in case somebody wants to read your script)

Only 1 script per person. (No problem if you’ve sent it to previous Showcases. It’s totally up to you.)

DO NOT SEND THE SCRIPT!

I’ve been thrilled with the responses, along with the wide variety of material that’s been sent in.

So don’t put off what will take you all of a minute or two to put together and send.

You’ll be glad you did.

Just missing one component

Over the past few years, as my network of writing associates and contacts has grown, along with my interaction with a lot of these people, more than a few have commented that they consider me a professional screenwriter.

My initial reaction – that’s flattering, and very kind of them to say, but I don’t necessarily consider it true. Like a lot of you, I write scripts, but I don’t get paid to do it. The ongoing plan is to keep at it until that last part changes.

But I was intrigued. What would make somebody say such a thing?

Is it how I present myself? I try to be professional, which includes being polite, respectful, and patient, whether it’s in person or online. But that’s just common sense and good manners.

Side note – do those two things diminish the more a writer works? Most of the pros I’ve met and know have been quite decent folks, but I’ve also heard more than a few anecdotes about a pro writer being a total jerk, but they could also be the exceptions. 

Is it about the scripts? How they’re written and how they look on the page? I’ll be the first to say my writing’s not the shining example everybody else should follow, but I try to present a well-crafted story that paints a picture in your head while also being easy on the eyes while you read it.

But that’s what we’re all striving for, right?

Is it because I keep trying? I love putting my stories together, and want to do it for a living. Why wouldn’t I or anybody else constantly work on anything and everything to help improve the chances of making that happen?

There’s no definitive path. Each writer finds success their own way. For me, it involves entering contests (temporarily on hiatus), sending out queries, networking online (and returning to it in person when that comes back), and what have you. Maybe somebody else films their own script and enters it into a few festivals, or decides to turn it into a book, or a webseries, or serialized chapters on a blog, or a graphic novel. So many options!

Trust me, there are days where I’ll see something great happen for another writer (who’s probably also been working at this just as much as me), and while I’m happy for them, it still feels like fate is twisting the knife in my gut just a little bit more, as if to say “Not a chance, sucker.”

My confidence plummets below sea level and all I can think is “That it. I’m done. D-U-N-N. Done.” It’s SO tempting to give up and walk away, but any and all chances of success immediately drop to zero if I do, and then I get angry at myself for even considering such a thing, so I get back to work.

The only way to make this happen is to keep trying, so no matter what kind of day it’s been, or whatever kind of new obstacle’s been thrown into my path, that’s what I do.

I keep pushing forward.

A really interesting thing I’ve been told is that “I deserve” success. I don’t necessarily agree with that one. Would it be nice to see the results I seek for all the work I’ve done? Of course, but I prefer the idea that I’ve earned it, rather than “I put in all this work, so the universe owes me.” I’ve seen/read a few writers state words very similar to that effect. It’s not attractive – on several levels.

Kids, the universe doesn’t owe me, you, or anybody, shit. This is all on us making that one connection where the other person says “Yes,”, which gets the ball rolling.

Naturally, there’s no guarantee it’ll ever happen for me, but I remain confident and hopeful.  Every day is a new opportunity to try. According to my trusted readers, my skills and my scripts have improved over time, so hopefully something positive will happen, preferably sooner rather than later.

Many years ago, I saw Shane Black on a panel at a writing conference. He told the crowd “Don’t call yourself an aspiring screenwriter. That just means you want to be a screenwriter. You write a script, no matter how it turns out, good or bad, you are a screenwriter.”

I really took that to heart. When I tell people I’m a screenwriter, most of the time the first follow-up question is “Have I seen something you’ve written?” To which I say “Not yet, but I’m working on it.”

-Want to have your TV or feature spec script included in the Maximum Z Script Showcase on 4 June? Click here for all the details.

Incoming message for you: scripts wanted

Have you been productive, writing-wise, during lockdown? Got a script you’ve rewritten, tweaked, and polished? And now you’re just bursting at the seams to show the world, but don’t know where to put it on display?

Well, fret no more because your chance to do exactly that has arrived!

As done twice on this blog last year with thrilling results, it’s time once again for the Maximum Z Script Showcase!

Here’s how it works.

Email the following info here under the subject “Maximum Z Script Showcase”:

Title

Author

Film or TV

Genre(s)

Logline

Awards (if applicable)

Your email (in case somebody would like to contact you about reading your script)

That’s it. Simple, no?

Two very important details to keep in mind:

ONE SCRIPT PER PERSON. No exceptions.

and

DO NOT SEND THE SCRIPT!

The post will go up on Friday, 4 June, so you have until Wednesday, 2 June to send in your details. Anything after that will NOT be included.

So don’t delay, and send it today! Or at least reasonably soon.

A few people have asked/wondered why I’m doing this. Do I get anything out of it? Am I picking the one I like best and giving that writer an award? Is there some kind of sinister secret agenda at play?

Nope. I just like helping out other writers, and giving them the chance to put their wares on display, so to speak. You never know who’s going to be looking at the list, so why not offer up your strongest script?

And for those visiting here for the first time – welcome! Feel free to take a look around, as well as like any posts that tickle your fancy, and subscribe because you think it’s such a gosh-darned amazing source of information.

-And speaking of deadlines, the fine folks at the Page Turner Awards have asked me to pass along that the deadline to enter their competition is 31 May. They’re offering some amazing publishing prizes, ranging from mentorship to audiobook production, film rights options, and film producers looking for adapted and original material. All the details at https://pageturnerawards.com/