And then there were three

Bit of a self-promoting shorty today.

My third book – GO AHEAD AND ASK! INTERVIEWS ABOUT SCREENWRITING (AND PIE) VOLUME 3 is in the final preparation stages, and an official release date of October 7th.

This is the last collection of interviews done for this blog over the years, including helpful and insightful comments from script consultants, writers of TV and film, playwrights, and writers in other mediums.

Responses to the first two books have been overwhelmingly positive, and fingers are firmly crossed for this one. They’re available here and here.

While a lot of other screenwriting books are more of a “here’s how you write a script”, these are geared more towards “how can I make my script better?” The advice from the experts within can help with that.

Plus, lots and lots of pie suggestions, which is always a good thing.

Bonus – the holidays will be here before you know it, and the complete set of three books makes for an excellent gift. A great resource for any screenwriter’s library.

Want a signed copy? Let me know.

Doing the best I can

2021 is just a smidge past the halfway point. How’s it been for you, writing-wise?

Have you been as productive as you’d hoped back when the calendar switched from December to January?

Mine’s been okay. I got a few first drafts done, and have been splitting time among a few rewrites. Some of them have been proving to be quite challenging, but I keep chipping away. A little bit of progress a day is better than none, right?

And maybe some of you remember back to earlier this year when I read A TON of scripts. Glad I did it, but no plans to repeat that. Probably ever.

There’s also a big project that’s been stewing for quite some time, and that took up a lot of time – especially during May and June. Hoping to put the finishing touches on it over the next few weeks, with the intention of revealing more later in the year.

I’ve also seen a lot of positive news from many of my trusted colleagues within the writing community; representation, contracts, options, production(!). I’m more than thrilled for each of them, and hope to eventually be able to include myself among that select group.

A big part of this year for me has also been a whole lot of self-reflection and evaluation. Do I feel any closer to achieving the goals I’ve set for myself? Is that light at the end of the tunnel the growing glimmer of hope, or an oncoming train?

Like a lot of us, I’ve had my fair share of days where things seem extremely gloomy and I wonder if I still have a chance at making this work. Maybe. Maybe not. But I do enjoy coming up with all these stories.

So I’ll keep at it, doing my best to stay positive and trying to do better with each draft, while also taking the time to not overstress about working my through the whole process and just try to have a good time with it. This plays a much bigger role than you’d expect, and can make quite a difference.

Who knows? Maybe it’ll all pay off in the end. In the meantime, I humbly refer you back to the title of today’s post.

Just a little introspective self-reflecting

The past few days have been all about revising the outline of my sci-fi adventure spec. My editor’s pen has been getting quite a workout as I slash scenes and sequences out of the previous draft with wild abandon.

Sometimes inspiration will strike and I’ll come up with something entirely new that not only makes the point even better, as well as open up more possibilities further along in the story. That’s always nice.

But another side effect of all this work is more occurrences of thoughts along the lines of “Is this going to be any good? Will anybody like it? Is working on this even worth it?”

There are so many labels for this sort of thing. Self-doubt. The Impostor Syndrome. Second guessing yourself.

And writers do it to themselves ALL THE TIME. Yours truly included.

Why do we do this to ourselves? Fear of rejection? We put so much work into our material and are afraid people will think it’s trash?

Been there.

Every writer deals with it in different ways. But the important thing is that you’re dealing with it.

Accepting that somebody probably won’t like it is an important first step. You can’t please everybody, nor should you try to. That faction will always be there.

On the other hand, you might be surprised how many fans you end up getting. While the negative reactions tend to stand out more, they’re usually dwarfed by the number of positive ones. And those positive ones can make quite a difference in eliminating that self-doubt.

You send out your latest draft and hope for the best. Everybody wants glowing and ecstatic reviews, but you should take a more realistic approach and prepare for a variety of reactions. Anything from ‘I loved it!” to “it’s okay” to “just didn’t do much for me”.

And all of those are okay.

There will always be different reactions to your material. It’s how you deal with them that will shape how you choose to move forward.

One option – giving up, and nobody wants that

Another option – continue writing, but not showing it to anybody. Some might take this route, but a majority won’t.

Yet another option – continue writing, and accept whatever the outcome. Probably your best bet.

I recently had an online interaction with a newer writer. They were upset that a query they’d sent got a pass. I explained that it happened all the time, and that it was all part of the process.

Their response was “I just need someone to believe in me”. I told them that the first person who had to do that was themselves, and that if they did that, others would soon follow.

You need to be your biggest fan. If you don’t believe in yourself or your writing, why would somebody else?

So circling all the way back to my current project – I’m admittedly still a bit anxious about all the usual stuff, but I will admit to having a lot of fun writing it. This is the kind of story I love to write AND see, and I need to embrace that mindset. It’s easy to spot when a writer’s love of their story and the material is one the page, which is what I’m shooting for.

Hopefully future readers will pick up on that, thereby influencing them for the better.

So to all the writers out there – may your next writing session be as fun, enjoyable, productive, and inspiring as possible.

You’re stronger and more resilient than you think, even when you don’t think you are.

Taking my time

As challenging as it is to write a screenplay, let alone a good one, one of the biggest obstacles to get past is coming up with a solid story. Have a relatively firm idea of what’s supposed to happen from beginning to end and you’re already ahead of the game.

Which is just about where I am with my latest project. Some of it feels rock-solid, while other parts are a bit on the wobbly side. A few scenes and sequences have been rewritten numerous times, and there are still some blanks requiring some temporary filling-in.

In the grand scheme of things, I’m pretty satisfied with how it’s coming along. I may not have it done as soon or as fast as I’d originally hoped, but that’s fine. I’d rather spend the time doing what I am now rather than ramming my way forward, and then going back and fixing all the things, which usually results in more changes and further complications.

As much as I would love to be able to just plow through, it’s just not how I operate. Developing my story’s outline is the part of the process where a majority of the heavy lifting gets done. It’s a lot easier to figure things out here than after it’s been written.

Admittedly, there are times where I’ll second-guess myself. Is this the right way to tell this part? Would this work better here, here, or here? What if I switched this around, or took it out altogether? Taking the time to explore all options might seem like a lot of work for now, but in the end, all of it will come together, giving me the results I need.

And that’s when I’ll feel ready to start on pages.

-Next week’s post will be all about promoting a nice selection of creative projects, so there are just a few days left to submit the pertinent info.

Got a film, short film, book, comic, webcomic, webseries, or any other creative venture you’d like to share with the world?

Just click here for all the details.

Dorothy Parker was half-right

d parker

“I hate writing, I love having written.”

For a writer, truer words were never spoken.

Well, almost. For this one, anyway.

It took a bit longer than I’d hoped, what with sheltering-in-place and all, but I finally managed to complete the rewrite of the horror-comedy. It’s now in the hands of some of my trusted readers.

Despite how long it took, I actually enjoyed putting the whole thing together. Granted, working on a rewrite is always a bit easier than cranking out a first draft.

Do I love that the script’s done? Without a doubt.

Did I not like writing it? Not really. (that might sound a little confusing. In other words, I did like it.)

Maybe it was because coming up with all the ideas and putting them onto the page was just a lot of fun.

Or maybe it was from developing my take on a traditional story in a genre I enjoy.

Or maybe I simply allowed myself to control the process, rather than vice versa.

It’s totally understandable why a writer would gripe about having to sit down and write. This is hard work. It takes a long time to learn how to not just do it right, but to do it well.

Hopefully once you get the hang of it, you start to see it less like work and more like an opportunity. One where you can really let yourself enjoy doing it.

Sometimes a writer will operate under the mindset of “I HAVE TO GET THIS DONE!”. While that can definitely be the case when working with a deadline, if you’re free to work at your own pace, the lack of stress and self-imposed pressure is practically liberating.

When I’m working on pages, I set a goal of completing at least three pages a day. If that’s all I get done, so be it. If I manage more, that’s great. I get done as much as I allow myself to. Removing the pressure part of the equation helps me feel more relaxed, which in turn helps me with the writing.

More than a few times during this rewrite I’d think “what’s something different that could happen here, AND that would also be funny?” and be able to come up with something. Hard to say if I would have able to do so if I was stressing myself out over the writing. And regarding the jokes, whether or not they pay off – well, that’s another issue.

This was something else that came from enjoying the writing: I think the jokes are a little stronger than in previous efforts. A lot of those were more just snarky comments, but this feels different – in a positive way.

A few sets of reader notes for this script have already come in, and once the rest of them do, it’s a foregone conclusion that I’ll embark on another draft.

And I suspect that one will be just as enjoyable to write, which means I’ll probably be practically euphoric once it’s done.