A nice wrap-up

2022 is starting to wind down, and the general consensus around Maximum Z HQ is:

It’s been a pretty good year.

-First and foremost, I finally managed to publish my books. Took a while to put it all together, but thanks to a heaven-sent editor/advisor, they became a reality.

Also nice is that they’ve been very positively received. And they make a great gift for any screenwriter (plug, plug).

-A lot of the year was also spent writing. I completed a few drafts of the animated fantasy-comedy spec – huge shoutout to the readers who provided some excellent notes that helped improve each draft. Hoping the end result achieves what I set out to do.

I’m also wrapping up the script for the microbudget feature. The producer who brought me onto the project really likes what I’ve come up with so far, which is always nice to hear. They’re hoping to start production in the spring, so fingers remain firmly crossed that becomes a reality.

Bonus – the producer also asked me to write a short, which I did. It’s a completed project and is already being submitted to festivals. Keeping any other details under wraps for the time being.

-Wasn’t able to make my horror-comedy short film, but I did connect with a local director who’s open to helping out. This whole “make it yourself” thing is quite a learning experience.

-Speaking of connecting, I got to meet a whole new bunch of local writers. I always enjoy that.

-I once again took part in the screenwriting track for the San Francisco Writers Conference, which included being on panels and offering advice to writers one-on-one. Had a great time with that, and I’ll get to do it again in February.

-Being part of the conference also led to doing a lecture about screenwriting for the California Writers Club, which it looks like I might get to do again sometime soon.

-Didn’t do so well on the contest front, but as evidenced in everything else I just talked about, I think I’ve done okay.

Here’s hoping for more good news and positive vibes for all of us in 2023.

Keep pushing forward, chums. I’m rootin’ for ya.

Struck out in contests, but…

A lot of the major screenwriting contests have wrapped up, or are in the process of, and once again, yours truly did not achieve the desired results.

A big fat goose egg on all fronts.

Disappointing? Very much so.

Frustrating? You betcha.

Making me wonder if my writing must be ridiculously bad? Without a doubt.

I wasn’t just in a hole of depression. I’d felt like I’d fallen into the deepest hole ever dug on Earth.

Fortunately, I wouldn’t be there long.

Encouragement from K and more than a few members of the screenwriting community reminded me of several very important things:

First – CONTESTS ARE ENTIRELY SUBJECTIVE. Sometimes your script clicks with readers, sometimes it doesn’t.

Second – CONTEST SUCCESS IS NOT A GUARANTEE FOR INDUSTRY SUCCESS. You can claim the top prize, but that doesn’t mean you should quit your day job. The road to an ongoing career is long, twisty, and loaded with uncertainty.

Third – THEY ACTUALLY MAKE FILMS FROM SCRIPTS THAT HAVEN’T DONE WELL IN CONTESTS. If a producer likes your script and wants to get it made, they’re not going to be as worried about how it placed in a contest.

Fourth (and this one really hit home for me) – SCREENWRITERS SHOULD NOT LIVE BY CONTESTS ALONE. Doing well in a contest is a potential boost to help you establish a career, but that’s it – potential. It’s only one of numerous paths.

As was pointed out to me, I may not have done well in contests, but I should also consider:

-I’m currently writing the script for a microbudget feature. The producer really likes how it’s all coming along, and has been completely ego-free since we began.

-I self-published 3 books about screenwriting this year (a great gift for screenwriters, yourself, or both. I got a kid in college, so anything helps).

-I continue to be the co-host of a podcast that’s all about writing. Fortunately, both my co-host and I know A LOT of writers, so there’s always somebody interesting to interview.

-I got to be on the other end of the microphone by being interviewed on a few screenwriting podcasts.

-I took part in a few panels about screenwriting at a writing conference, which led to being invited to give a lecture about screenwriting next month. (more on that another time)

-I still get the occasional email asking me to give script notes. It might take me a little longer to get to it than expected, but I enjoy doing it, and the writers seem to really appreciate what I have to say.

-there’s been progress, albeit the really slow kind, in making my short film. I was hoping to film it before the year was over, but looks like early next year might be more realistic. It’ll happen yet.

So my losing streak in contests may continue, I’ve got a decent number of other irons in the proverbial fire. And a few other fires, for that matter.

I may get knocked down, but I get up again (and again, and again), and they’re never gonna keep me down.

Consider me in this for the long haul.

The journey continues…

Hope you have an excellent pre-Halloween weekend. I will happily lay claim to any leftover plain M&Ms and Reese’s Peanut Butter Cups that manage to stay out of the grubby little hands of trick-or-treaters.

A book (or three) for you

Some exciting news today out of the literary department at Maximum Z HQ:

My new book GO AHEAD AND ASK! INTERVIEWS ABOUT SCREENWRITING (AND PIE) VOLUME 3 is officially released – in both paperback and e-book.

Putting all three volumes together has been quite an effort, and definitely a long time in coming, but they’re all set and ready for purchase here or here.

It was always my intent to have these books be about more than just writing a script; it’s about providing the writer with the tools to help them improve. This is why each volume is chock-full of helpful information, tips, and guidance from a wide variety of writing professionals to not only guide you in developing your craft, but how to potentially make your script better. Definitely a win-win scenario.

Not only that, but if you like what somebody has to say and are interested in asking them about helping you with your material, their contact information (email and/or website, and the occasional social media handle) is right there on the page for you.

Plus, numerous types of pie, along with a few other assorted desserts, being mentioned, which is always a good thing.

For those who’ve already purchased volumes 1 and 2, I offer a heartfelt thank you, while also hoping you feel the need to complete the set and get volume 3. Or if there’s a special screenwriter in your life who you think might benefit from, or at least enjoy these books, I’ll just casually mention that the holidays will be here before you know it, and that books always make for an excellent gift.

Thanks for reading, and hope you enjoy them.

And then there were three

Bit of a self-promoting shorty today.

My third book – GO AHEAD AND ASK! INTERVIEWS ABOUT SCREENWRITING (AND PIE) VOLUME 3 is in the final preparation stages, and an official release date of October 7th.

This is the last collection of interviews done for this blog over the years, including helpful and insightful comments from script consultants, writers of TV and film, playwrights, and writers in other mediums.

Responses to the first two books have been overwhelmingly positive, and fingers are firmly crossed for this one. They’re available here and here.

While a lot of other screenwriting books are more of a “here’s how you write a script”, these are geared more towards “how can I make my script better?” The advice from the experts within can help with that.

Plus, lots and lots of pie suggestions, which is always a good thing.

Bonus – the holidays will be here before you know it, and the complete set of three books makes for an excellent gift. A great resource for any screenwriter’s library.

Want a signed copy? Let me know.

A darned good use of one’s time

After a few very hectic weeks involving once again delivering the inimitable Ms. V to school, I’m settling back into my regular routine of reading- and writing-related activities.

And then some.

I did a whirlwind edit/proofread for a friend’s manuscript, read and gave notes on a couple of scripts (with a few more to go in the ever-expanding queue), and started the “wrap it up” phase of the outline for the microbudget project.

Apart from a smattering of fatigue, I’ve been having a great time working my way through it all.

There’s a special kind of buzz that comes with completing a project, and that’s certainly the case here.

I just enjoy the reading part of being a writer.

I don’t think I can maintain this kind of schedule indefinitely, but intend to do so as long as I can. Luckily for me, the responses to those that required notes and/or feedback have been positive, which helps.

This isn’t to say it’s all been work-oriented reading either. During our travels, I picked up a couple of books at a used book store. One a throwback to a sci-fi show from my youth, the other a collection of short stories set in our host city. Both made for some excellent “sit back, pass the time, and enjoy yourself” time.

I hope other writers get that special kick out of reading, whether it’s scripts, books, comics, or whatever. There’s something to be said for feeding the mind in such a way.

Plus, it helps you be a better writer. It’s definitely done wonders for me.