Start putting those wishlists together!

storefront
The crowds are already forming, eager to get their mitts on some of the quality merchandise to be offered.

Busy times around Maximum Z HQ (including some details listed below), so another shorty today, but first:

Big announcement time!

Two weeks from today, the 2018 Maximum Z Screenwriter’s Gift Guide will go up. It’ll feature holiday deals on script consulting services (from many of the consultants profiled on these very pages), books about screenwriting written by screenwriters, along with books written by screenwriters, but aren’t about screenwriting, as well as all kinds of other fun stuff that any screenwriter would enjoy receiving.

If you have a product or service like these that you’d like to be included, or if you’re a filmmaker with a crowdfunding effort for your latest project, and you’d like more people to know about it, don’t hesitate to drop me a line. (Email’s on the About Me page)

Cutoff date is Tuesday 20 November, so don’t wait until the last minute!

Now about those aforementioned busy times…

-Slow but steady progress on the horror-comedy spec. So far, my outline-to-page ratio is a bit off – page count exceeding outline expectations – which means I’ll some major editing (i.e. cutting) to do once it’s complete. But I’m having fun writing it, which is really what it comes down to anyway.

-Also have a little touch-up work to do on the sci-fi spec, with the help of some recently-received great notes.

-Been busy with the occasional reading and giving-of-notes. Have I mentioned how great it is to know so many talented writers? Yes indeed.

-Speaking of crowdfunding, filmmaker Ben Eckstein is looking for more backers for his current project WINNING. They’re a portion of the way there, but every little bit helps. Donate if you can!

A few important reminders (for me and anybody else)

high school classroom
“I know you didn’t do as well as you’d hoped, so look at this as a learning experience.”

Yet another busy week around Maximum Z HQ, including quite a bit of doing script notes, polishing the latest draft of the comedy spec and punching forward on the horror-comedy outline.

Fun stuff all around.

It also included my western placing in the top 15 percent of this year’s Nicholl, which is the second time for this script, and third overall. Not bad, but still not enough to get to the quarterfinals. At first I was feeling kind of down about it, but realized (and was reminded by more than a few colleagues) that a much larger number of scripts didn’t even make it that far, so I should still regard this as a positive.

Suffice to say, it looks like there’s a little more tweaking in store so as to get this script and at least one other ready for next year (along with a few other top-tier contests).

Since this blog recently hit the 9-year mark, of course there are some previous posts of relevant content.

A screenwriter’s 5 stages of grief (contest edition)

A little-post comp analysis

My race, my pace

Fall back. Regroup. Hit ’em again.

In it for the long haul

To all of you who had a script advance in PAGE and/or the Nicholl, my heartiest of congratulations. Steps are already being taken to reinforce the notion of me being among that group next year.

That’s the hope, anyway.

Don’t let it get you down

introspection
A little introspection can do wonders

Results are slowly trickling out for some of the big writing contests, and while hopes were high for my revised western, it once again failed to make the quarterfinals for PAGE.

My immediate reaction – that’s it. I’m done. No longer will I subject myself to that kind of humiliation!

And of course, later the same day, I was figuring out whether or not I should look into  any further tweaking so as to get it ready for next year.

More than a few writing colleagues and connections voiced similar comments, ranging from the frustration of their lack of advancing in this contest, to the murkiness regarding the quality of contest readers overall, to the subjectiveness of it all, and whether contests are even worth it.

As you’d imagine, there’s a wide spectrum of opinions about all of these.

I dug up this post from last year which I believe sums things up quite nicely.

Contests aren’t the only way to break in, but a win or very high placement can help, or at least potentially open a door or two. It’s just one of the many routes a writer can take. Some writers are even fortunate enough to not even have to do them. I am not one of them.

A key component of all of this is persistence. There’ll be lots of disappointments, which can be…disappointing. And frustrating. Oh so frustrating. But learning to overcome those is just as important as learning how to tell a good story.

All you can do is send your script out there, hope for the best, and move on to whatever’s next. If things work out, great. If not, yeah, it sucks, but it’s not the end of the world. It might feel like it, but it’s not.

Try to look at it as a learning experience – “How can I make this better?” Also a question with no easy answer, but how willing are you to put in the time and effort necessary to accomplish that?

That’s what I’m doing. On several fronts.

See you next year, PAGE.

I’ve written about this before…

orson typewriter
I suppose I can spare a minute or two to chat

Currently in “full speed ahead” mode with the latest draft of the dramedy spec (coming along nicely, thanks for asking), so felt this was an opportune time to dip into the archives and offer up a few posts from the past couple of years.

Also made a point of trying to find the ones that are directly or semi-directly connected to this script.

Enjoy.

Moose, squirrel, and two guys in drag

I have written, therefore I will edit

Go for the hard turn

One scene, three points

I’m here, but need to be up there

Looking back, glimpsing ahead, and a minor adjustment

new year's eve
Just one more glass of champagne, then it’s back to work. Promise.

As 2017 wraps up, it’s only natural to engage in a little self-evaluation.

How many of your writing goals were you able to check off this year? Most of them? Some? A small-but-decent fraction? Hopefully you don’t need to mark the box labeled “None”.

One of mine was to complete at least three scripts. I managed two drafts, a revised outline, and one and a half rewrite/polishes (one still a WIP). Pretty solid results. A very hearty thanks to everybody who devoted the time and effort to give me notes. I hope my notes for yours were just as helpful.

Using those notes and the results of a few conversations, I think I’ve been able to up the quality of my writing a few notches. It still has a few levels to go, but it definitely seems better than it was. The next round of drafts should be really interesting,  both in terms of working on them and how the end results turn out.

I wanted to read more scripts, which actually happened, but not entirely in the way I expected. I didn’t do as much reading of scripts for the purpose of entertainment or gleaning some helpful guidance because I ended up reading over 100 scripts for several contests. Don’t know if I’ll do it again, but still glad I did it.

On the gaining representation front, lots of query emails were sent. Maybe one response out of ten expressed interest in reading the script, with each ending with a “thanks but no thanks” or “just not what I’m looking for”. A bit disappointing, but not totally unexpected. Along the way, I also worked on being more strategic about the process, researching potential recipients and re-drafting the query to (in theory) really sell the concept of the script.

And what would an ambitious screenwriter’s year be without contests? My western made it to the seminfinals of a few smaller contests and the top 20 percent for the Nicholl (not too shabby), but once again whiffed it for PAGE. I’ve become somewhat disillusioned regarding contests, so will most likely really cut back on them. Maybe just stick to the big three.

There was the most pleasant experience of going to Los Angeles to attend a table read for one of my scripts. I like the idea of doing one or two of them locally, so looking into that for 2018.

I hosted two screenwriting networking events, which connected me with some very talented writers from right here in the Bay Area. Definitely plan on doing that again at least once this year. Highly recommended, especially if you’re not in Los Angeles and want to expand your own personal network.

On the half-marathon front, I ran five races this year – the most ever in one year for me. Still averaging about two hours, which isn’t bad – for me, but the quest for 1:55 continues. Already signed up for three next year, with maybe one or two more expected to be added into the mix. Like with screenwriting, improvement takes time, effort and dedication. A good pair of socks and strong knees also come in handy, and that applies to both.

Finally, this blog. As always, a great experience doing what I can to offer advice to help other writers, recounting my experiences and the lessons I got out of it, and presenting some interviews with some truly interesting and amazing creative folks. I am truly grateful to everybody who’s stopped by to take a look, like a post and make a comment.

But it’s also been exhausting. Producing posts twice a week on top of dedicating time to write and make a career out of it has simply gotten to be too much. I still enjoy doing the blog, but want to refocus my energies. So as of January 1st, I’ll be reducing my weekly output to Fridays only, and sometimes even that might be iffy. It’ll most likely be on a week-by-week basis.

I hope you had a most productive 2017 and wish you all the best for an even better 2018.

See you in seven.