San Diego, here I come

Apart from all the work on scripts and beginning the process of entering my short into film festivals, I’m currently getting ready to attend Comic-Con in San Diego.

First time going, and pretty psyched about it. This is one of those events I’ve always wanted to attend, but never had the opportunity. So when a friend offered me a badge, my ever-supportive sweetie said “You should go”, I decided to take the plunge.

For those unfamiliar, Comic-Con is a HUGE event that takes over that part of San Diego over the course of several days. All things comics, movies, TV, video games, toys, games, and beyond. Not to mention the vast number of cosplayers. Hundreds of thousands will be in attendance, including yours truly.

(Full disclosure – it was always a dream/fantasy that the first time I’d get to go would be to promote a movie that I’d written. Not the case, but still thrilled to be going.)

I’ve been putting together a list of panels I’d like to attend, books and maybe some merch I’ll try to get, and creatives of all sorts I’m hoping to meet – especially writers.

I originally considered panels about writing-oriented careers in various industries, but I’d also like just enjoy myself, so swapped some of those out for Q&As with industry vets and topics I like.

One thing I won’t be doing – waiting in line for hours to get into the canyon-esque Hall H (although I would do it for the Spaceballs 2 panel in the event that Mel Brooks shows up, which I suspect he will), or seeking out “exclusives” (i.e. specialty items only available here). I found a “first-timers” group on Facebook, and 95 percent of the posts were all about that sort of stuff (e.g. “We need somebody to hold a spot in line for the Marvel panel!”), so no thanks. That’s not why I’m going or how I want to spend my time there.

I just like the idea of attending this massive event that features a lot of things I’m interested in. No doubt it’ll be initially overwhelming, but the primary goal is to simply enjoy myself while taking it all in. Anything beyond that is a bonus.

And if you spot me out and about, feel free to say hi.

From the archives: Darn my sense of parental responsibility

Another repost today, but for a very good reason – my daughter wraps up her collegiate career this weekend, so cross-country traveling has been undertaken to bear witness.

One of the many father-daughter activities we’ve both enjoyed was going to the movies. On top of watching for the simple pleasure of just watching a movie, a post-viewing discussion about the film would usually take place. Did we like it? Was it a good story? What about the characters?

Little did I realize the impact all of this would have on my own writing.

I like to say I write scripts for films that would appeal to both 14-year-old me and present-day me, but I strive to write films that families could watch together – definitely nothing too cutesy or along those lines. More like “this is something both you and your kids would enjoy watching”.

It wouldn’t be too much of a stretch to say that the experience of watching all those movies with my daughter were a significant influence on my writing.

So enjoy this post from June 2011.

I can honestly say I have done practically NO writing in the past couple of days. Not because I didn’t want to, but just couldn’t.

I was busy being a good dad.

With school out and the budget tight, we opted to have V spend her first week of summer vacation at what we call Mom and Dad Camp. She went to K’s office on Tuesday, got dropped off at my office late yesterday morning, and has been with me since 4:15AM this morning.

Side note – I get up at 3:15AM in order to be at work by 4:30, including the bike ride.  V’s been coming in with me every once in a while since she was 3, which usually involves a ride from K or in a taxi.  She loves it because for 4 hours she can sit in the conference room and watch DVDs, or lately, play with her iTouch, and even better, has started reading.

But I digress.

I enjoy having quality father-daughter time, but that feeling of not working on a script always nags at me.  Then I realize she won’t always be this age, or willing to be seen in public with her dad, so I should treasure days like this while I can, and worry about the writing later.

Part of today’s agenda was going to see KUNG FU PANDA 2.  It was a little different from the first one; much more action-y.  Basically, the idea is ‘gunpowder comes to China’.  There’s also a nice b-story about Po needing to overcome his demons and find inner peace.

V seemed to enjoy it, especially the more slapstick-y parts, and I liked the subplot about Po trying to find his roots.  Fortunately, there was only one time she asked about a joke; I didn’t have time to explain anyway.

Since last year’s LAST AIRBENDER debacle, I’ve tried to steer us clear from seeing films in 3-D.  It doesn’t seem necessary.  There were some scenes in KFP2 that appeared designed specifically for it, but seeing it in 2-D didn’t take anything away from it.

V heads out of town next week with K’s sister, so I’m already planning to catch THOR (if it’s still around), and K is still on the fence about SUPER 8.  X-MEN: FIRST CLASS and GREEN LANTERN are also possibilities.

My inner movie geek loves the summer.

Finding the right next one

Progress continues for developing the story of the new spec, with a few important details solidifying, along with weighing options for the overall setting (Is it too familiar? If it changes, how much will that affect the rest of the story? Is that a good thing?)

But the one thing really coming into play this time around is figuring out the best way for one scene to lead into the next – to the point that it needs to seem like it was only logical that this next thing is the only thing that could have happened, and so on and so on. It’s challenging.

This is where watching films and reading scripts really comes in handy. Taking a look to see how other stories have accomplished this can make quite a difference. Granted, a lot of the scenes involve being set up earlier in the story, so not only is there a payoff somewhere down the line, they also tie in to how the story is developing AND move things forward.

A leads to B, which leads to C, which leads to D, etc., etc.

It’s also important to stress that the events of the story need to flow organically. B needs to be the only thing that could have followed A without it feeling forced or “this happens because I need it to”. Making sure of this is a big contributing factor to all the time being spent on the story.

I’ve discussed this with several other writers, and many said this is a positive thing. Putting so much effort into this now leans towards the story’s foundation being pretty solid, and establishing that steady A-to-B-to-C movement will help things flow.

Something else I’ve noticed in a lot of the films and scripts is that the scenes are VERY TO THE POINT. There is no time wasted whatsoever. The scene starts, they get to the point asap, then move on to the next one. I’ve seen the opposite in a lot of scripts, including some earlier drafts of my work. I’ll be making sure this doesn’t happen this time around.

Even though there is still a lot to figure out for this story, there’s also a lot coming together – at a slightly faster pace than usual, which is something I’m not used to. There’s even been a random moment of clarity or inspiration when I’m not expecting it, which is always great.

My automatic reaction to when that happens is “does this work within the context of the story and accomplish its purpose?” and if not, is there a way to adjust it so it does? Even if I end up not using it, it might still have the potential to be used in one form or another somewhere else in the story (or in an entirely different script).

And what might be the best thing of all is that I’m simply having a great time putting all of this together. Like I said, it’s challenging, but still fun. Wish it could go a little faster, but I think it’ll be worth the wait.

The joy of a crowded reading queue

In addition to all the work on my scripts, the short film and the recent writing conference, I’ve been making more of an effort to read more scripts. Fortunately, members of my network of trusted colleagues continue to come through and provide me with a constant supply of quality material.

It may be part of a swap, or they ask me to read their latest draft and give notes, and sometimes it’s just for hell of it.

I try to read one per week, preferably in one sitting, but that’s a time management thing. Not having to do notes really speeds things up.

The latest lineup includes two pilots, two features, and the manuscript for a book about screenwriting – all from writers I know, and another writer sent me three scripts from an established pro; one in production, the second just announced, and the third in development.

Sometimes I’ll track down the script for a film I really enjoyed and want to see how the writers had it on the page, and then see how it compares to what’s onscreen. I’ve also started compiling a list of scripts I’d love to read.

Reading scripts can be incredibly helpful. Seeing how somebody else put their story together along with how it reads on the page can influence your own methods. Not that you should try to copy them, but it helps you hone your skills and craft to make your writing more effective, as well as establishing your writer’s voice.

Speaking of voice – check out scripts by Shane Black, Quentin Tarantino and Brian Duffield as shining examples. Great writing, each with a distinctive voice that really engages and involves the reader.

Reading scripts can also help motivate ideas. If I’m feeling stuck, I’ll watch a scene that’s similar to what I have in mind, then find the script to see how it reads on the page, then figure out a different way for mine to go.

I’d forgotten how satisfying it is to take the time to read a script. Doesn’t matter whose it is. Good writing is good writing, great writing is better, and a solid, well-written script is the best.

From the archives: Guaranteed to last forever

A key element in this

My father passed away last weekend. One of the fondest memories I have of him is recounted in this post from March 2016, and is still relevant today.

Enjoy.

Something just a little different and of a somewhat personal nature today.

In the summer of 1982, I went to see Star Trek II: The Wrath of Khan.

With my dad.

At a night-time show (probably the 7:30 one).

As a thunderstorm raged outside (typical south Jersey summer weather conditions).

It was a great night.

All of these elements combined to make what was one of the most memorable times I’ve ever had at the movies. What made it that way? I can’t say specifically, but it just was.

It’s still something I will truly never forget. If I ever get to meet Nicholas Meyer, I’ll make a point of telling him that.

Maybe someday a dad and his son or daughter will go to see a movie I wrote, and that child will experience the same sensation I did: the creation of a memory they cherish for the rest of their life.

(Whether or not they tell me about it in their adult years is beside the point, but I wouldn’t object.)

What writer wouldn’t want to have their work be the basis for something like that?

And now I’m a dad who enjoys going to the movies with my child. Could history repeat itself and we see a movie, and we have a great time, and it’s something she’ll remember for the rest of her life?

So far, it hasn’t happened yet (as far as I know).

But it sure is fun to keep trying.