It’s only work if you’re not enjoying it

I had a great discussion on my podcast this week with an author who also works as a writing instructor. Among the many topics we covered was how a writer should look forward to actually writing, as opposed to seeing it as just another item on their to-do list.

Hopefully a majority of writers fall into the former group. I like to count myself as one of them.

It may be challenging and frustrating, but writing is somewhat of a vital component in this equation.

How often have you heard somebody say something like “I’ve got a great idea for a story. I just need to write it.” and then it stalls out or falls apart somewhere along the way?

If they’re that enthusiastic about it, why aren’t they putting that ass in a chair and doing the work?

Because that’s exactly what it is – work. And it ain’t easy. It’s how you approach it that makes a difference.

As much as I love coming up with the ideas, I’m just as excited to put all the pieces together. It always takes longer than I’d like, but that’s how it usually goes for me. Even if all I manage to write that day is one page or even just one scene, I’m glad I put in the effort.

I’ve always thought you can tell when a writer is excited about their material because you can see it reflected on the page. The writing is vibrant and descriptive; it draws you in and makes you want to keep going. But if the writing is drab, flat, and you quickly lose interest, then it’s pretty likely the writer probably wasn’t into it that much.

Who wants to read something like that? Nobody.

This isn’t to say that your writing needs to be jaw-droppingly amazing, but at least make an effort to entice the reader and hold their attention. When you read it, does it make you want to keep going or can you feel your eyes starting to droop?

Be willing to put yourself through the time and effort to write a script because you’re practically compelled to get that story out no matter what it takes. You get a real thrill out of figuring stuff out on paper or pounding away at the keyboard, all as your page count slowly increases.

Embrace the enthusiasm and excitement you get from creating and writing to enable your readers to experience the same electric sensation. Your material will be that much better for it, and your readers will appreciate and enjoy it that much more.

A last big push

This is the last weekend for the crowdfunding for my short film SHECKY.

“A new homeowner discovers he’s being haunted by the ghost of a comedian who keeps telling the same terrible jokes over and over, and who refuses to leave – or stop.”

The campaign may be winding down, but there are still plenty of ways to support this indie film project: the usual donations and tier rewards – just click on the link above to get all the details.

But there are also some perks you might want to consider, including:

-$125 – script notes from me

-$250 – be a guest on my podcast The Creative Writing Life to talk about yourself and your work (available on both Spotify and YouTube)

-$250 – if you’re an actor, Trevor Nagle, who plays one of the two SHECKY leads, will do a critique on your reel, a self-tape set up consultation, or an audition coaching session

-$500 – for filmmakers, award-winning director Ally May will give you notes on your reel, offer tips on filmmaking, or give you notes on your script

We’re also offering producer credits, complete with onscreen credit:

$500 – Associate Producer

$1000 – Executive Producer, which also includes one ticket to attend a screening of SHECKY at a local film festival

Just to get an idea of the quality of talent involved with this project, here’s Ally talking about her involvement with the project.

And here’s Trevor.

The entire team behind SHECKY is really excited to see it happen. Your donation, no matter how much, will be a huge contribution towards that.

That’s one out of the way…

Hard as it is to believe, I can honestly say that my work on the animated fantasy-comedy has come to an end. I got some great notes from a new batch of readers (and one previous one), did a few passes on it, and there you have it.

I think it’s a very strong piece of work and at the very least makes for a fantastic sample/calling card.

Bonus – one reader really enjoyed it and offered to put out feelers for potential interest within their network of industry connections. There was no hesitation to say yes (and thanks).

When the year started, I had plans of what I wanted to accomplish in terms of writing and the writing-adjacent. With this rewrite officially in the books, I feel totally unencumbered to do that.

Things feel different this time around, like the air is rife with possibilities. It’s up to me to take advantage of that and be productive while also enjoying the ride.

A few more ideas jotted down for the new spec, work continues on getting things ready for the short film, lining up guests (and reading their work) for the podcast, and putting the finishing touches on the panels for the Writing For Hollywood track at the upcoming San Francisco Writers Conference.

And when I can find the time, reading scripts – both produced and specs.

There’s a lot going on. So far, so good.

Striving to thrive in ’25

I can honestly say that this year did not play out as originally planned.

-A script rewrite was shelved to do a few more rewrites on another script.

-Developing the crowdfunding campaign for my short film, and subsequent production of said film, kept getting delayed – mostly due to working on other stuff.

-The podcast I co-hosted became solely hosted – by me – which meant doing a lot more reading of the books of upcoming guests.

-I entered my script in a handful of contests. Got a few semi placements, a few QFs, and a few whiffs.

Overall, not the results of what I was hoping 2024 would yield.

But despite it all, it’s all okay.

After all those rewrites, the script feels much, much stronger now. As I’ve mentioned before, I’m drastically cutting back on contests, so this script will only be submitted to a low single-digit number.

I really want to see this short film through to completion, so I’m setting up a daily checklist of what I need to do to get it there. Hopefully I’ll have an actual short film to show off this time next year.

On the writing front, I’m still working out the details of a new spec. Right now it’s all about breaking the story. Once the outlining is done, at least two drafts done by year’s end would be great.

There’s also a new type of project I’m developing that, if it comes to be, would be something I can’t wait to show. More on that as it develops.

Lastly, but certainly not least, the return of The Maximum Z Script Showcase proved to be a ringing success, with over 550 views and a handful of read requests. Already looking at when to do it for next year.

2024 has been a real rollercoaster ride, and I hope you were able to accomplish many, if not all of the things you set out to do.

Here’s to all of us doing even better in 2025.

-A little relevant and shameless self-promotion – the latest episode of the podcast features myself and screenwriter/author/brand strategist/past guest Brian Fitzpatrick talking about what a writer can do to prepare for the coming year. It was a lot of fun to record, and offers up some great advice.

Giving the brakes a little tap

My list of “Stuff that needs to get done” seems to have grown exponentially – especially over the past few weeks.

A rewrite, developing a new story, reading the books of upcoming guests on the podcast, then recording & posting said podcast, lining up guests for the podcast, working on the crowdfunding for the short film project, and not to mention all the regular duties around the house.

It keeps a guy pretty busy.

There’s always that ongoing thought of “I need to work on this”, which eventually leads to “Oh, and I also need to work on this other thing, but I don’t want to forget about this other other thing.” Repeat ad infinitum.

Great as it is to check off stuff for that day’s list, there’s always a few other something elses (somethings else?) requiring my attention.

It can get a little overwhelming, so it’s important to be careful about pushing myself too hard so as to avoid some major crashing and burning.

But if slowing things down a little helps me feel a little more in control, then that’s what I’ve got to do. I’d rather it took a little longer than feel totally spent, and therefore non-productive.

I’m allowing myself the luxury of *GASP* not writing and doing something else, like reading or watching something. Cooking/baking also does wonders for me.

I might even go so far as to get out of the house and indulge in some kind of non-writing-related activity. An outrageous notion to entertain, I know.

But a mind at ease tends to yield better results than one under constant stress and self-imposed pressure.

Besides, it’s not like the writing and all the other stuff’s never going to get done. It just won’t happen as fast.