Resources at your fingertips

kent

Becoming a professional screenwriter is an incredibly difficult goal that takes a very, very long time to achieve.

This doesn’t mean it’s impossible. Just know what you’re getting yourself into.

One goal, lots of strategies

The me business – a 24/7 operation

Apart from writing, what are you doing to help yourself get there? There’s only one person who can be the most effective in helping you move forward. And you already know who it is.

A support staff of one

Are you networking? Trying to meet other writers? Offering to give notes or swap scripts?

When a writer meets a writer…

Are you entering contests to see how your script holds up under scrutiny?

The hazardous journey down Contest Road

Are you sending queries? Researching reps and producers?

Quit them or queue them up?

Part of every writer’s journey is the inevitable frustration and disappointment. Some days it will be very powerful, and learning how to survive and endure it is all part of the process.

How low can you go? Quite, apparently.

Expiration date: NEVER!

Little time. Lots of results.

838-02519997
So many options. Where to start?

Bit of a shorty today, and the subject itself is the reason why.

Let’s talk time management.

As much as I’d like to devote a big portion of my day to writing, that just isn’t the case. I’ve got other responsibilities, so I do what I can to make that limited timeframe as productive as possible.

A key part of this – planning ahead. Making a list. Designating time specifically for certain activities.

Think “achievable objectives”. Things you know you can get done.

Research.

Reading scripts (both professional and writers within your circle)

Providing notes.

Queries (including verifying recipient’s info)

Networking.

And of course, writing (includes outlining, editing and polishing).

(Imagine how much more is involved with the actual production of a film. For today, it’s all about the script and the things connected to it.)

You could do all of these each day, but that would be exhausting. I find three to be a safe and productive number. Results will vary.

The important part to remember is how a steady repetition of all these little things can eventually add up to big results.

If you can only manage one or two, that’s okay. Do what works best for you. You’re the one in control, and this is definitely not the sort of thing you want to rush through.

Another helpful tip – avoid social media/wandering around the internet. Or at least severely limit your participation. Allow yourself a few minutes, then redirect that focus back to your project.

A writer wears a lot of hats, always having to switch them out because there’s always something that has to get done. But if you stay calm and try to be organized about it, the switching out of hats will get a little easier as you go along.

They said no. Big deal.

baker daleks
Things might seem a bit dire now, but there’s always a solution

When I send out a query letter, I do so with equal parts of hope and optimism, as well as healthy doses of realism and some kind of fatalism.

I totally realize that the odds are against me and that the response will most likely be some variation of “no”. But I send it anyway, because…you never know.

I used to put way too much pressure on myself about this sort of thing, but a steady stream of “thanks, but no thanks” has really built up my resilience. If it reaches the next step, great. If they pass, that’s the end of that and I move on to the next thing.

And there’s always a next thing.

I’ve been very fortunate to have built up a network of supportive creative folks. Many pass on words of encouragement, usually along the lines of “Love how you bounce back!” and “I really admire your work ethic!”

Honestly, I don’t really have a choice. The simple truth is that if I want to make it, I’ve got to keep trying. The failures and disappointments will always greatly outnumber the accomplishments and successess, and the only way to get to the latter is to keep pushing through the former.

There might be a moment of feeling bad about getting told “no” for the umpteenth time, but you have to get over it and move on.

Frustrating as it can sometimes be, I’d rather keep trying and failing than stop altogether. I may not be the most fantastic writer in the world, but I like to think I’ve got some decent talent, and I’ll keep at it. The optimist in me leans towards things eventually going my way – preferably sooner than later.

Be strong, keep trying and keep writing, chums.

Be the word

quadruple threat
An early inspiration for my efforts (image by Hirschfeld)

Apologies for the lack of a post last week. We had to travel to a different time zone for a family function, and the jet lag really took its toll on me. It’s tough to compose something when you can barely stay awake.

But I’m back, rested, and ready to get back to work.

Among the items on the “list of stuff that needs attention”:

-continue working on the horror-comedy outline

-work with latest batch of notes on the comedy spec. Hoping to have that latest draft done sooner than expected.

-research potential representation firms to query

-look into setting up at least one networking event for SF/Bay Area writers. Previous ones were pretty successful, and are great for establishing connections.

-Among the comments that came in for the comedy spec was how it might benefit from a table read. Never did one before, so investigating setting one up. Anybody out there who’s done it?

There are a few other items going on, but those are the dominant ones for now. At first glance, it might seem like a lot, but it doesn’t feel that way to me. They’re all just parts of the machine that is me working on making a career out of this.

I think the biggest factor here is time management. I do what I can to allot a certain amount of time per task. Work on my own stuff for an hour or two. Spend some downtime at work researching reps and prodcos, then send out some queries. If an idea hits when I’m not actually writing, I jot it down immediately – mostly because I don’t trust myself to remember it a few hours later.

One caveat – If I have to do notes on a friend’s script, all attention is diverted to that. If they were reading mine, I’d want them to be just as focused on my script, so the least I can do is return the favor.

Now, I totally get that no two writers have the same schedule, so everybody will tackle things their own way and at their own pace. Maybe you can only spare an hour a day for anything writing-related, or you get up earlier than you need to because that’s your designated writing time. Any and all of it’s fine. You do what works for you.

The important thing is to be doing something. Anything that helps you along.

Also remember, and I can’t stress this enough – everybody’s path is different. What works for that other person might not work for you, and vice versa. Don’t stress out over feeling like you’re running behind. The only person you’re competing against is you.

Not sure where to start? Easy. Be a writer and write down what you’d like to accomplish. I suggest starting small – list three things you could do today to help yourself out. Write three scenes (or three pages). Send out five query emails. Contact the writer of that logline you liked in that online forum.

Get into the habit of giving yourself stuff to do, and there’s a good chance you’ll be pleasantly surprised at how much stuff is actually getting done.

By you.

A few other writings of relevance

pro-writer
Only sixteen more items to deal with and I can call it a day!

First, the good/positive news – the rewrite of the comedy spec is complete. However, at 88 pages, it’s a little shorter than I expected. Fortunately, adding in another 4-5 pages shouldn’t be too strenuous.

As part of the effort to recharge my creative batteries before jumping back in, I’ve stepped away from it for a couple of days.

From actually working on that script, anyway.

Since there are a lot of other avenues involved in getting your work out there, I’ve been focusing on some of those, including:

-got some great feedback on query letters, so revised one (along with updating a few lists of potential recipients – always works in progress) and sent a few out.

-submitting some pitches, and just about every one asks for a synopsis. Working on these tends to usually involve me putting in too much story info, then turning around and drastically editing it and shrinking it down to fit on one page. Despite how important this is, I’ve always disliked it.

-jotting down ideas for other scripts. While a nice reminder that I have these waiting in the wings, it’s also quite pleasant to take a look at stuff I haven’t seen in a while. Some are still in the development stage, and others are older scripts due for a massive overhaul.

-the maintenance and upkeep of connections with other writers and creatives. Like with the scripts, some are from the past, and some are brand new. Can’t go wrong with keeping your network healthy.

-reading scripts and watching movies. True, not necessarily writing, but definitely affiliated with it. It’s especially gratifying when the script comes from a writer who knows what they’re doing. As for the movies, that’s been a mix of the popular (Wakanda forever) and the Oscar nominees.

The point of all of this is that there’s much more to building a career in screenwriting than just writing scripts; it involves writing of all sorts for many other things. While I already dedicate a good portion of my available time to working on scripts, I also realize and accept that these other things are in just as much need of my attention.

And an added bonus – many of these things are not one time only. They’ll be done again and again, so the more I do them now, the easier they’ll be to do when the need arises.

Except for the one-pagers. I’ll always struggle with those.