
A good number of years ago, I came up with an idea for a script.
“Write something you would want to see.” This definitely fell into that category.
There were so many angles and aspects to it I found appealing. The concept kept drawing me in, compelling me to tell the story in the most entertaining way possible.
To say I’ve really thrown myself into it during all this time would be an absolute understatement.
I couldn’t even tell you how many iterations and drafts this story has gone through; let’s just say a whole freakin’ lot.
Notes? I’ve probably received enough to make two books, or at least a really long pdf. Some were good, some weren’t, and some seemed to exist in an alternate dimension where opposites are the norm.
I’d finish a draft, thinking, “Okay. This is IT.” And if you’ve been following this saga, you know how it turned out each time.
There were lots of times of feeling totally burned out, thinking there was nothing else to do. Or receiving comments like “Why keep messing with it? It’s good enough as it is.”
But something kept nagging at me, saying “This can still be better. Keep going.”
So I did. My faith in the story was still strong. I knew I could make this work.
The tweaking/fine-tuning continued, aided by a few more sets of notes courtesy of very qualified readers. My red pen was working on overdrive. Cut this. Move this. Switch these around. Expand on this. Changes and fixes were made, until…
“The End” had once again been reached. But this time it felt different. I won’t say “complete”, but you get the idea.
I’ve been extremely fortunate in connecting with a lot of exceptionally talented writers over the years, and there’s one whose critiquing ability I hold in very high regard. I asked them to look over the script, adding that this was for the most prestigious screenwriting contest of them all.
The last time they read it was two years ago, so there was some extra intrigue regarding what they’d think of this draft. Approval from one’s peers plays a bigger-than-expected part in helping a writer develop.
They liked it.
A lot.
I’ve been writing screenplays for quite a while, always striving to improve both my skills and the quality of my material, all as part of the effort to become a working writer. Reading their notes helped solidify my belief that this could actually happen.
Final preparations are being made to submit the script to the aforementioned prestigious screenwriting contest. Is this draft better than previous ones? Definitely. Has its chances for this contest improved? God, I hope so.
Even if nothing happens with this or the other high-profile contests, I still have a script I consider well-written and exceptionally entertaining. At this point in time, I don’t think there’s any reason to do any more work on it. So now it enters into that category of “calling card scripts”, ready to be sent out at a moment’s notice.
In the meantime, my attention is currently being split between several other projects in various stages of development. And based on how much my writing improved working on this script, I’ll speculate that the quality of these newer ones might just end up being pretty darned good.
It seems to me, you jumped into my head. I’ve been through the same thing thing with one of my scripts. And I just entered it into Ink Tip. I felt gutsy.