Time very well spent

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Yeah. It felt just like that.

And…I’m back. Didja miss me?

To say the past week and a half has been a little hectic would be a slight understatement*. And of course, it involves writing and the opportunities that come with it.

Long story short – Somebody wanted to read one of my scripts. But I hadn’t finished writing it yet. So I wrote, edited and polished it. In ten days. Without taking time off from work.

As you can probably guess, I’m equal parts exhausted and exhilarated at having done it.

While I catch my second wind, here’s the extended version:

A little over three weeks ago, I connected with somebody who works for a production company. They mostly do TV, but are looking at expanding into features.

Emails and pleasantries were exchanged. They took a look at the blog, liked what they saw, and asked for a list of my loglines “to see if my boss might be interested.” So I sent it. This was on a Friday afternoon.

A vital piece of the puzzle to keep in mind – just before all of this occurred, I’d gotten the outline of a long-dormant comedy spec to the point where I felt ready to start on pages. Which is what I was doing while all of this interaction was occurring.

The following Monday morning, the response came in. “Do you have scripts for X and Y? Would love to request if so.”

Naturally, X was the long-dormant comedy spec that so far I had written all of 8 pages, and Y was still in outline form (which I’d already been considering producing in another medium).

My initial thought was panic. Neither script was available, but I didn’t want to blow the opportunity; I wanted to be able to send them SOMETHING. Sooner, rather than later. What to do, what to do?

After a little evaluation and weighing all my options, I wrote back that I was still working on the latest draft of X (which was true), and could have it for them the following week. I’d considered saying a few weeks or a month, but that seemed too long. Regarding Y, I said pretty much what I mentioned above – it was an outline, but they could take a look at it if they wanted to.

They were cool with both options, and were looking forward to reading them.

I’d just thrown the gauntlet in my own face. What had I gotten myself into? Was I totally insane for thinking I could pull this off? Would I be able to pull it off?

Only one way to find out.

I had a script to write, and had to do it faster than I’d ever done it before. I had no intention of sending them a first draft, so I had to crank that out and do a major polish on it. In about a week and a half. Taking time off of work was not an option, so I’d have to be as productive as possible in the off-hours that didn’t involve sleeping.

I explained my plan to my understanding family and got to work.

I produced as many pages as I could per day, averaging 8-10. Those would then be edited & polished during all available downtime at work (it being summer vacation season was a godsend – traffic’s much lighter, so that really helped). I’d get home, incorporate the changes, then move on to the next set.

Write, edit/polish, rewrite, repeat. A seemingly never-ending cycle.

A few things I discovered during all of this:

-Having a solid outline made it so much easier. I knew exactly what had to happen in each scene, and how I wanted it to happen, so there was no time wasted trying to figure it out.

-I sincerely think my joke-writing’s gotten better.

-I’ve gotten much more proficient at coming up with solutions to last-minute script-related problems.

-I seriously wondered if this is what it would be like if I were doing this for a living. I’d actually be pretty cool with it.

After ten days of non-stop effort, I had what I considered a somewhat decent 97-page comedy script. Both it and the outline have been sent.

Of course, they may not like either one. But at this point, I don’t care. Simply having accomplished this is my victory. I set an intense short-term goal and did it.

The script could definitely benefit from at least another rewrite, but that’s not a priority at this juncture. I wrote it in the time I said I would, and that’s the important thing.

Others may scoff at my feeling of accomplishment, claiming it’s no big deal or that they’ve done it or even done it in less time. But their words will fall on deaf ears because it’s a big deal to me. This is something I did, and am extremely proud of having done it.

So what now? I’m taking the weekend off, which will include going for a much-missed and much-needed training run.

But come Monday, I’ll be right back at it, hard at work on whatever project I opt to do next.

Hopefully, I’ll be able to take my time with it.

*I really appreciate everybody’s patience, and hope you enjoyed the throwback posts. And K wanted to thank everybody for the kind comments about her guest post. Yes, I am a very lucky guy to have somebody like her.

Flashing back in less than 12 parsecs

The big project continues, but I’m definitely in the home stretch now. Feeling very confident and rejuvenated about wrapping it up in the next couple of days. Planning to offer up all the sordid details once it’s completely finished.

While all energies are focused on that, here is another throwback post from a long time ago in a galaxy not so far, far away. From me, anyway.

And yes, I still have the t-shirt and chopsticks.

Q & A with Ashley Scott Meyers of Selling Your Screenplay

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Ashley Scott Meyers is a screenwriter and blogger/podcaster at SellingYourScreenplay.com. He has optioned and sold dozens of spec feature film screenplays, with many making it into production. All of Meyers’ screenwriting success has come through his own marketing efforts which he teaches on his blog and podcast.

What’s the last thing you read/watched that you thought was incredibly well-written?

The screenplay for SOURCE CODE is excellent; one of the best scripts I’ve ever read. I highly recommend it to anyone who is a screenwriter.

I have two young daughters, ages six and three, so I’m watching a lot of children’s movies these days. I just watched THE IRON GIANT for the first time, and thought it was very well-written.

In fact, I’d call MEGAMIND one of my favorite films. In terms of screenwriting, it’s excellent. There are very few films I watch that I think are perfect, but as a screenwriter, I’d consider it one of the few that could be called practically flawless.

My daughters and I recently watched the 80’s classic CLOAK & DAGGER, another very well-written movie. It keeps the action going and all comes together at the end. A very smart script. I saw it when I was a kid and didn’t think much of it at the time, but seeing it again, it’s a pretty solid piece of writing.

Tell us about your writing background, including your “big break”.

I’m not sure I’ve really had a “big break.” Every script I sell or option feels like a monumental effort and it hasn’t gotten any easier. In fact, I’d say it’s gotten harder as the DVD market has shrunk over the last decade or so.

But to answer your question… I really never had a background in writing. I just liked movies, and for some reason writing scripts appealed to me. So I decide to pursue screenwriting. I was a terrible student when it came to English, writing, spelling, and grammar. Pretty much every skill you need to be a writer, except one (maybe two)… persistence and determination. So I’ve just plugged away and sold a few scripts.

How did the Selling Your Screenplay blog and podcast come to be?

Believe it or not, I once saw Gary Vaynerchuck speak at a conference where he was talking about not putting your personality into your brands. At the time, I was running a whole bunch of websites, but nothing around screenwriting. So I decided then and there that I needed to do something that combined two of my skills and interests: screenwriting and web development. So I did.

As far as the podcast goes, I just started to listening to podcasts and I thought they were really powerful. So I launched my own.

You’ve had experience with short films. What do you consider the benefits of working on a short, both as a writer and filmmaker?

The biggest thing is that you get to see your work get completed, which is rare as a screenwriter. But if you write a halfway-decent short, it’s fairly easy (nothing is every easy in this business, but it is possible) to find someone who wants to shoot it. You also might get an IMDb credit, win an award at a film festival, and meet other filmmakers. Shorts are a great way to hone your craft. You’re not going to make any money doing them, but they can be a great learning experience.

Is recognizing good writing something you think can be taught or learned?

Yes. The more screenplays you read, and the more you write, the more you’ll be able to recognize good writing.

One of the things that makes movies so vibrant is the fact that you can watch a movie or read a script and notice different things every time, depending on where you are in your own life and skill level.

But yes, everyone can get better at writing and recognizing good writing.

What are the components of a good script?

That’s a pretty broad question. If I had to boil it down, I’d say good writing evokes genuine emotion in the reader or watcher. If someone reads your screenplay, and it evokes emotion in them, you’re on the right track. Everything else, like structure, characterization, dialogue, the hook, theme, etc., is really secondary to being able to evoke emotions in people with your words.

What are some of the most common mistakes you see?

The biggest mistake is underestimating the amount of work it takes to be a professional writer. I hear from so many people who’ve written one script, entered it into a handful of contests, and then wonder why they haven’t made it as a professional writer. Nobody gets to pitch for the Yankees after spending one summer practicing. Being a professional screenwriter is probably as hard as, or at least harder than, being a professional athlete. It takes an enormous amount of luck, talent, and lots and lots and lots of hard work.

What story tropes are you just tired of seeing?

It’s often inevitable that you’ll write scenes that feel familiar. I often find myself doing it, so I step back and just mix things up a bit. Try anything that’ll give the tired tropes a new interesting spin, which often boils down to adding a quirky or interesting character to the scene who can mix things up.

I recently watched a short film where a little girl dropped an ice cream cone that fell to the ground in slow motion. It was so clichéd that I really wondered why the filmmaker didn’t try to do something more original.

What are the 3 most important rules every writer should know?

There are really only two mandatory things to do to be a successful screenwriter: write a lot, and read a lot of screenplays. That’s it.

If you do those two things and really spend time analyzing your writing and the writing of others, you’ll get better and maximize whatever talent you have.

How do you feel about screenwriting contests? Worth it or not?

Contests are great. Screenwriters should be doing everything within their power to get their work out into the world, and contests can be a part of that plan. But understand that even winning the best contest still means you’re quite a ways away from being a professional screenwriter. And I certainly wouldn’t use contests as my only way to market my material.

How can people find out more about you and Selling Your Screenplay?

I blog and podcast over at SellingYourScreenplay.com. I release a new screenwriting podcast episode every week. In nearly every episode, I interview an experienced screenwriter. I also run a script consulting service.

Readers of this blog are more than familiar with my love/appreciation of pie. What’s your favorite kind?

Apple. Not very original, I know. But every once in a while someone will bring an apple pie to Thanksgiving dinner, and as I eat it I think, “Damn, that’s good pie.”

Inquiring minds want to know

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Who’d like to go next?

Taking a look at the ol’ calendar on the wall, it looks like it’s been about three months since the last round of the ever-popular Project Status Update Time (or PSUT, which is an extremely lousy acronym, and will henceforth never be used again.)

This is your opportunity to let the rest of us know what’s been going on with you and whatever project or projects you’re currently undertaking.

Got a short you want to share? Trying to put one together?

Finished a draft? Started a new one? Run into a little trouble in Act Two?

Need help with a logline? Trying to finding the right lines of dialogue?

Connected with anybody new? Discovered a phenomenal new gem of a movie?

Got something you want to announce?

I’ll start the ball rolling.

In the middle of providing notes on a couple of scripts. Putting together a new batch of interviews (very excited about these). Gearing up to fine-tune the outline of another low-budget comedy. Considering writing a short. Seriously considering converting one of my story ideas to work within another medium.

Watched TRUMBO and THE REVENANT. Fantastic performances from the lead in both.

How about you?

A pause for some important announcements

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Hear ye, hear ye!

Once again, today’s post is about promoting the projects of a few savvy creative types, each one definitely worth checking out.

-Writer/author/script consultant Howard Casner‘s crowdfunding project for his short film 14 Conversations in 10 minutes is in its final week, and the goal is in sight! Donate if you can! For screenwriters, Howard is also offering his new service – $20 to review the first 20 pages of your script.

-Filmmaker Scotty Cornfield‘s crowdfunding project for his short film Goodbye, NOLA has been extended another 3 weeks. They’re about a third of the way there, so every little bit helps! Production on location wrapped earlier this week, and word of mouth is that it’s shaping up to be a great film. Donate if you can!

-Author/playwright/screenwriter M. Pepper Langlinais‘s short script St. Peter in Chains won the Short Grand Prize in the 2012 Table Read My Screenplay competition, and now she’s expanded it into her 6th novel – The Fall and Rise of Peter Stoller. She’s an accomplished author, having also written three Sherlock Holmes books. Some great choices, especially with summer reading season upon us.

Got your own project you’d like to promote? There’s always room on the bulletin board, so let me know.