Time very well spent

finish line
Yeah. It felt just like that.

And…I’m back. Didja miss me?

To say the past week and a half has been a little hectic would be a slight understatement*. And of course, it involves writing and the opportunities that come with it.

Long story short – Somebody wanted to read one of my scripts. But I hadn’t finished writing it yet. So I wrote, edited and polished it. In ten days. Without taking time off from work.

As you can probably guess, I’m equal parts exhausted and exhilarated at having done it.

While I catch my second wind, here’s the extended version:

A little over three weeks ago, I connected with somebody who works for a production company. They mostly do TV, but are looking at expanding into features.

Emails and pleasantries were exchanged. They took a look at the blog, liked what they saw, and asked for a list of my loglines “to see if my boss might be interested.” So I sent it. This was on a Friday afternoon.

A vital piece of the puzzle to keep in mind – just before all of this occurred, I’d gotten the outline of a long-dormant comedy spec to the point where I felt ready to start on pages. Which is what I was doing while all of this interaction was occurring.

The following Monday morning, the response came in. “Do you have scripts for X and Y? Would love to request if so.”

Naturally, X was the long-dormant comedy spec that so far I had written all of 8 pages, and Y was still in outline form (which I’d already been considering producing in another medium).

My initial thought was panic. Neither script was available, but I didn’t want to blow the opportunity; I wanted to be able to send them SOMETHING. Sooner, rather than later. What to do, what to do?

After a little evaluation and weighing all my options, I wrote back that I was still working on the latest draft of X (which was true), and could have it for them the following week. I’d considered saying a few weeks or a month, but that seemed too long. Regarding Y, I said pretty much what I mentioned above – it was an outline, but they could take a look at it if they wanted to.

They were cool with both options, and were looking forward to reading them.

I’d just thrown the gauntlet in my own face. What had I gotten myself into? Was I totally insane for thinking I could pull this off? Would I be able to pull it off?

Only one way to find out.

I had a script to write, and had to do it faster than I’d ever done it before. I had no intention of sending them a first draft, so I had to crank that out and do a major polish on it. In about a week and a half. Taking time off of work was not an option, so I’d have to be as productive as possible in the off-hours that didn’t involve sleeping.

I explained my plan to my understanding family and got to work.

I produced as many pages as I could per day, averaging 8-10. Those would then be edited & polished during all available downtime at work (it being summer vacation season was a godsend – traffic’s much lighter, so that really helped). I’d get home, incorporate the changes, then move on to the next set.

Write, edit/polish, rewrite, repeat. A seemingly never-ending cycle.

A few things I discovered during all of this:

-Having a solid outline made it so much easier. I knew exactly what had to happen in each scene, and how I wanted it to happen, so there was no time wasted trying to figure it out.

-I sincerely think my joke-writing’s gotten better.

-I’ve gotten much more proficient at coming up with solutions to last-minute script-related problems.

-I seriously wondered if this is what it would be like if I were doing this for a living. I’d actually be pretty cool with it.

After ten days of non-stop effort, I had what I considered a somewhat decent 97-page comedy script. Both it and the outline have been sent.

Of course, they may not like either one. But at this point, I don’t care. Simply having accomplished this is my victory. I set an intense short-term goal and did it.

The script could definitely benefit from at least another rewrite, but that’s not a priority at this juncture. I wrote it in the time I said I would, and that’s the important thing.

Others may scoff at my feeling of accomplishment, claiming it’s no big deal or that they’ve done it or even done it in less time. But their words will fall on deaf ears because it’s a big deal to me. This is something I did, and am extremely proud of having done it.

So what now? I’m taking the weekend off, which will include going for a much-missed and much-needed training run.

But come Monday, I’ll be right back at it, hard at work on whatever project I opt to do next.

Hopefully, I’ll be able to take my time with it.

*I really appreciate everybody’s patience, and hope you enjoyed the throwback posts. And K wanted to thank everybody for the kind comments about her guest post. Yes, I am a very lucky guy to have somebody like her.

A bulletin board to believe in

bulletin board 3
Some great stuff on here

I’m a big believer in promoting the projects of my fellow creative types, and like to spread the word when I can. Today is no exception, with all of the listings being well worth your time and attention.

-Author/screenwriter Brian Fitzpatrick wants everybody to know about his new science fiction novel MECHCRAFT, which he describes as “THE MATRIX meets HARRY POTTER”. It’s currently available as an e-book, but if the number of preorders hits the next target level, it’ll be published as a hard copy, complete with Brian’s autograph (and who doesn’t love owning a book signed by the author?). An excellent addition to any reading list.

-Writer/blogger Henry Sheppard recently had to take a break from writing due to undergoing treatment for his continuing battle with leukemia. This required more than a few visits to the hospital, the events of which inspired Henry to chronicle the comedic aspects of his experiences into book form. The result – his new book Haematemesis: How One Man Overcame a Fear of Things Medic, now available on Amazon. Henry also wants everybody to know his leukemia is currently in remission.

-Filmmaker/animator Scott Storm has a crowdfunding campaign underway for his animated short CUSTODIAN. This is the second campaign for this project after some unexpected problems involving a sizable contribution earlier this year. But Scott remains undeterred and has redoubled his efforts to get this short made! Based on the brief clips Scott has made available, it looks great. Donate if you can! Especially if you’re a fan of animation.

-Between now and July 1st, for every order of his NOTES service that script consultant/blog interviewee Danny Manus receives, he’ll donate $25 to a special crowdfunding project that’s been set up to help the Orlando shooting victims and their families. Get your script in shape and help out a worthy cause, all at no extra cost!

Got a project of your own you’d like to have listed on a future bulletin board post? Drop me a line

Inquiring minds want to know

OLYMPUS DIGITAL CAMERA
Who’d like to go next?

Taking a look at the ol’ calendar on the wall, it looks like it’s been about three months since the last round of the ever-popular Project Status Update Time (or PSUT, which is an extremely lousy acronym, and will henceforth never be used again.)

This is your opportunity to let the rest of us know what’s been going on with you and whatever project or projects you’re currently undertaking.

Got a short you want to share? Trying to put one together?

Finished a draft? Started a new one? Run into a little trouble in Act Two?

Need help with a logline? Trying to finding the right lines of dialogue?

Connected with anybody new? Discovered a phenomenal new gem of a movie?

Got something you want to announce?

I’ll start the ball rolling.

In the middle of providing notes on a couple of scripts. Putting together a new batch of interviews (very excited about these). Gearing up to fine-tune the outline of another low-budget comedy. Considering writing a short. Seriously considering converting one of my story ideas to work within another medium.

Watched TRUMBO and THE REVENANT. Fantastic performances from the lead in both.

How about you?

Nothing a little maturity wouldn’t cure

tantrum
You’re so mean!

Okay, I admit it. I daydream about being a successful screenwriter. Who doesn’t?

“That mega-hit blockbuster? Yeah. I wrote that.”

It’s nice to think about, but again, it’s still just a daydream. I’m not counting on it. I’d be happy just to make a decent living at it, and that’s what I’m working towards.

I try to be realistic about this, learning from my mistakes and missteps. I’ve been extremely fortunate to be able to ask advice of writers with more experience than me, and I have heeded that advice to the best of my ability.

In the last couple of weeks, I’ve seen a lot of activity online involving writers (usually in the early (read: uninformed) phase of their careers) asking questions regarding a wide variety of topics.

A majority of the time, they get quality answers from seasoned (read: informed) writers. In theory, the original askers respond with “Thanks! That really helps!”, or “So glad you told me!”, or even “Great to know!”. These do happen. On occasion.

And then there’s the other response.

“You’re just trying to kill my/their dreams!”

“What do you know? You only have X credits on IMDB!”

“You just don’t want the competition!”

“I’ve never heard of you, so your advice is worthless!”

“What makes you so important?”

Sigh.

People are going to believe what they want to believe, or are more likely to believe advice that works in their favor, rather than the cold, hard truth. And if that cold, hard truth runs counter to the answers they want (despite them claiming to “seek” them), the harder they’ll reject it.

You may not like the fact that there’s not a snowcone’s chance in hell a major studio/agency/prodco will look at your script, let alone greenlight it for production, even with your without-a-doubt absolutely certain belief they’d grab it in a second if they’d only read it to see how totally awesome it is, but getting angry (and even berating) at somebody who tells you “that’s how it is” makes you look foolish and amateurish. And you’re also setting yourself up for continuous disappointment.

One of the things a screenwriter needs to accept early on is that there are certain truths about the industry and how things work within it. Unless people are completely blown away by the sheer genius of the writing in your first or second draft, (which they will not be. Trust me on this one.), you and your script are not going to be the ones that “change all of that”.

Learn the way things work. Ask questions of those who know better (and more) than you. Accept the answers and adapt. You need to. The industry has no interest in and will not be adapting to you.

No matter how many tantrums you throw.

**Shameless self-promotion! I had the good fortune to be interviewed by my pal Justin Sloan, who hosts The Creative Writing Career podcast, which covers a wide variety of fields and types of writing careers. We had a great time discussing trying to make it as a screenwriter. You can listen to it here, or subscribe to it on iTunes. Thanks for listening!

A support staff of one

multitasking
At least you’re a shoo-in for Employee of the Month

When it all comes down to it, you know who’s going to do the most to help you and your career?

That’s right. You. Nobody else.

Sure, there will be others who might be able to give you a helping hand now and then, but the responsibility of getting stuff done falls squarely on your shoulders.

This goes beyond just writing and honing your craft. You need to build up your network. Establish connections. Get to know people. Chances are a majority of these will be online and via social media.

Seeking representation or someone who might be receptive to your script? Do your research. Find out who’s looking for what. (And for crying out loud, DO NOT take the “Does somebody have a list I could use?” route.)

“But I’ve got no time to do all that!” you might protest.

Of course you do.

The key element here is time management. You already set aside time to write, don’t you? Well, you have to do the same for everything else. If you can devote part of your day to work on your script, then there’s no reason you can’t dedicate a few minutes to focus on your career.

A surefire way to give yourself more time – stay away from casual websurfing, or at least ration it. So much online material is nothing but a big time-sucking rabbit hole. “Just five more minutes” can easily turn into “Where’d that hour go?” Funny videos are all well and good, but probably won’t do much to help you get your career going.

On Twitter? Connect with 5 people a day. Interact with them. Ask about their projects. Make it about them, not you. If they ask about you and yours, keep it simple. Don’t overwhelm them with details.

Part of some online community forums? Take part. Ask questions. Start discussions. Get to know the other members. A lot of these folks will probably have more experience than you, so learn as much as you can. Very important – don’t be a troll.

Is there a professional writer out there whose work you admire? Send them a note saying just that. DO NOT ask for any favors right out of the gate. Establish a relationship. You’ll eventually know if they’re open to helping you. Sometimes they might even offer it without you asking. It happens.

All of these are going to take time to not only accomplish, but also to develop. Be patient. It will take time. You wouldn’t rush through getting your script done, so apply that same logic to developing and advancing your career.

It’s all on you, so make the most of it.