Not exactly “Kryptonian under a yellow sun…”

alex ross superman
…but yeah, kind of like that

As has been much documented ’round these parts, trying to make it as a screenwriter is a long, tedious slog. For anybody. And that includes me.

It is a slog into which I have voluntarily cast myself.

There has been, and probably will continue to be a lot of disappointment and frustration along the way.

It’s the nature of the beast. Nothing I can do about it.

Well, actually there is.

More on that in a minute. But first, an anecdote!

I was digging through my binder of notes and documents, some of which span back a few years.

Among them, the printout of an email from an “industry insider” totally trashing me and my idea after I’d revealed the idea for what would eventually become one of my low-budget comedy specs. There was not one encouraging sentence in this entire communique. “Give up.” “You’re wasting your time.” “You don’t have a chance.”

And that was some of the nicer stuff.

The person who sent it likes to talk the talk, but in my opinion, falls a bit short on walking the walk. I printed out the email as a reminder that if an asshole like this can establish a career (if you can call it that), then there’s no reason I can’t either.

Funny thing about me is that I’m quite the stubborn cuss. I may get annoyed, upset, distraught or even full-blown depressed about how lousy my situation may be at that particular moment, but sometimes you gotta hit bottom before you regroup, reorganize, and resume the climb, more determined than before to get a little higher.

Which sums me up right now.

I’m not there yet, but it feels imminent. While it would be great if something happened in the immediate future, I’ll remain realistic and at least work towards “something soon”.

I’d say I’m in a pretty interesting place right now. I’ve got some quality scripts to show, several in various stages of development (and much further along than expected), and a growing network of connections, many of whom are more than willing to do what they can. When more than one professional says to me “I can’t understand why you don’t have a manager/more interest in this script!”, then I guess I’m doing something right.

Even though there’s been a steady and gradual progress in “making things happen”, this is still all on me. This long, tedious slog will eventually come to a most satisfying conclusion – for the best possible reason.

So until that forthcoming day when fortune finally smiles down on me, I’ve no plans to give up and will continue to push forward. It’s getting close. Mighty close.

Up, up, and away, chums.

A big stove with lots of burners

jayne
Always something cookin’ in this kitchen

Thanks to a big, determined push, I managed to wrap up the initial edit of the pulp spec last night. Amazingly, it’s still 116 pages. Much as I’d love to take another pass on it, a better option is to gently nudge it aside and let it simmer for a few months.

In the meantime, my attention now turns to a few other items, including providing some script notes and a major overhaul of one of the low-budget comedies.

To some, it might seem I’m taking on too much. Others might think it’s great to be so busy. No matter which opinion you have, it all comes down to how the individual (i.e. yours truly) sees it.

Me, I enjoy the diversity and variety. I like to work on my own material AND read other people’s stuff. All that mental stimulation helps me in the long run; the equivalent of maintaining a regular workout schedule at the gym. Or in my case, a steady regiment of training runs.

Always working on something, or even adding some reading and watching into the mix, not only helps your creativeness, but your actual output. Wouldn’t you say your writing skills are significantly better today than they were, say, a year ago? How about compared to when you just started out? I know mine are. Especially in terms of the latter.

All that being said, I think there’s a big difference between being a productive writer and just being a non-stop writing machine. A productive writer definitely produces material, but they also take the time to have a life outside of writing. The machine is just full speed ahead and don’t let up. Granted, there are some who can do both, and kudos to them. I prefer to be the former.

I also don’t have any problem with transitioning to a new project once one is completed. Even though I haven’t directed all attention on the new one, it’s always been in the back of my mind. Maybe an idea about it would pop, which would then be added to an always-handy list, then brought back out later. You might have a different approach, but this is what works for me. Everybody writes in their own way.

In the meantime, my nimble little fingers will now get a bit of a rest while I dive into the aforementioned giving of notes. And once all of those are done, the dust gets blown off the keyboard and the cycle repeats.

An amiable assortment o’ items

study group
Everybody’s keeping busy, so there’s lots to talk about!

First three months of the year wrapping up today, which makes it the perfect opportunity to offer up your Project Status Update! Feel free to step up to that virtual microphone (aka the comments section) and announce the latest developments for whatever is currently occupying your attention.

My list is pretty short:

-Work on the pulp spec continues. Currently around page 83, with a projected final count of 120ish. Strongly suspect FADE OUT will be typed sometime in mid-April, give or take a couple of days.

-Dipped my toe into the waters of rewriting the low-budget comedy courtesy of some helpful notes. Not a total page-one rewrite, but definitely taking my time with this one.

-My western was named a finalist at the WorldFest-Houston International Film Festival screenwriting contest. (Editor’s note – yay) Further details (i.e. how it placed) won’t be announced until the awards ceremony at the end of April, but still quite proud to have made it this far.

And a couple of items tacked on to the bulletin board, which spotlights creative-type folks and their even more creative projects well worth your time and attention:

-Filmmaker/screenwriter Eric Claremont Player has launched a crowdfunding campaign for his courtroom drama film project. Make sure to check out the colorfully captivating and absolutely true backstory that led up to it.

-Writer-director Dianna Ippolito is running a crowdfunding campaign for her new project Robb’s Problem: A Horror Short. As Dianna puts it, “Our goal is to bring you a really smart, beautiful and thought-provoking horror film, produced, written and directed by women.”

As with all crowdfunding projects listed here, donate if you can!

If you’d like to get the word out about a project of your own, feel free to drop me a line. Operators are always standing by.

-Ran the San Francisco Rock & Roll Half-marathon this past weekend. Made it just under the 2-hour mark with 1:59:11. Next race is in July, so hoping to shave a few minutes off of that.

Wanted: little-known gems

keaton
Luckily, you won’t have to wait to see the show

I’m always keen for a good movie-watching recommendation, especially if it’s something I’ve never heard of, or at least heard of but haven’t seen. We all know a few of those.

So here’s your chance to shed a little light by a film (or films) that you’ve always enjoyed, but a lot of people may not be too familiar with.

Here are three of mine:

The Kid Brother (1927) An amazing piece of work from Harold Lloyd. Worth watching for the boat sequence alone. Plus it has a monkey in it.

ffolkes (1979) Roger Moore at his most un-James Bond-iest. A somewhat dated but still very entertaining action-thriller.

Whip It (2009) A charming and fun story that combines equal parts comedy, drama and women’s roller derby. Features a lot more name actors than you realize, and Drew Barrymore’s directing debut.

It doesn’t have to be a classic, nor does it have to be “a cinematic masterpiece”. You get a kick out of it, and think the rest of us would too. Just write down the title and what you like about it in the comments below.

Happy viewing!

Just another gradual shifting of gears

gear-shift
Start at first and take it from there

Notes continue to trickle in for the comedy-now-dramedy spec. General consensus – solid concept, underdeveloped, reads like a first draft, still needs a ton of work, and so forth.

All of which is fine by me. I wrote it in an extremely short amount of time, which is probably quite evident in the draft itself.  It’s also the fastest I’ve ever cranked out a draft, and to me that’s still a victory in itself.

Would I have loved for everybody to gush about it and claim it truly wonderful? Of course, but that ain’t gonna happen. As long as nobody says “This is terrible!”, I’m good.

Is it at least a decent script? Well, I like it. There’s a lot of potential in it, and the quality can only improve from its current state.

So while the thoughts of “what to fix and how to fix it” percolate, I’ll slide it to the always-expanding back burner and move on to the next couple of items on my agenda, which includes notes on some friends’ specs, followed by the first draft of a long-in-development project.

Exciting times, chums.