AIC mode – re-activated

The past few weeks have been quite the whirlwind of activity on several fronts.

First and foremost, after much work and effort, I released my book GO AHEAD AND ASK!, VOLUME ONE. Responses have been enthusiastically supportive. Plans already in place for Volume 2, which is tentatively set for a late June/early July release.

In case you were wondering, there wasn’t any post last week due to traveling to help the inimitable Ms V wrap up her freshman year at college and transport her home. This also included my running my first in-person half-marathon since February 2020. Finish time of 1:59:06, which was much better than expected – especially considering how much it rained during the race.

But all this activity also meant I didn’t get much writing done, so now it’s time to get back into a somewhat normal routine.

As in – setting aside time to write, or using a phrase I’ve heard bandied about more than a few times:

AIC – Ass In Chair

I’ve got several projects that I’d like to work on, and the only way to make any progress on any of them is to just sit down and do the work.

However much time I can spare each day will be fine, and you can be certain I’ll do my darnedest to get the most out of that time as possible.

The results have already proven beneficial, including a drastic reworking of the latter half of Act Two for one script. This had been nagging me for a few days prior, and it felt great to work my way through to a solution that seems much stronger and more effective than what it was before.

I know all future writing sessions might not be as productive, but I’ll take whatever progress I can get.

Here’s hoping your upcoming AIC times are just as good.

Warming up at the starting line

All those years of running finally took their toll – a minor tear in my Achilles tendon and a bone spur that inflamed the bursa on the back of my heel.

Thus the recuperation is underway. I’m out of commission for a few more weeks when it comes to hitting the road. Got a stabilizing boot and everything. Great news from the podiatrist – I may be able to start up again in January, which thrills me to no end.

While I may be doing a few more upper body workouts at the gym, it’s also given me time to get some more writing in. Current project status – coming along nicely, thank you.

But this has reminded me of how many posts I’ve written that compare/relate running to writing a screenplay. Turns out – more than a few.

So what better time than right now to offer them up for your reading enjoyment?

Some of them have similar content, but all the sentiments, perspectives, and observations still apply. Even if you’re not a runner, you can probably relate to a lot of it.

Enjoy.

The second half is all uphill

Run at your own pace

I speak from experience

My race, my pace

It most definitely NOT a sprint

Comfortable shoes will also help

One last thing – since running burns a lot of calories, my race-day tradition is to enjoy an incredibly delicious apple fritter from a local donut institution. I don’t have any posts about that specifically, but here’s something that could fall into that category:

If only you could eat a bad script

Comfortable shoes will also help

One of the most common analogies regarding screenwriting is “it’s a marathon, not a sprint”.

Speaking from experience, it most certainly is.

For long-time followers of this blog, one of the things I enjoy doing when I’m not working on scripts is to go for a run. It’s good exercise, lets me catch up on my podcasts, and offers plenty of time to think about my writing projects.

After years of half-marathons, I decided it was time to take on the next challenge – a full marathon. A whole 26.2 miles.

Despite all the training I did, of which there was A LOT, when I set out that morning, I was still nervous. Could I actually do this?

That’s when I reminded myself, and did so repeatedly over the next few hours:

It’s the distance, not the time.

Much as I wanted to finish with a respectable time and pace, I’d decided it was more important just to finish.

Long story short – I got to mile 20 and a twinge developed in my heels and ankles, which then turned into out-and-out pain, so I ended up walking the rest of the way. It took me longer to get there, and definitely wasn’t the way I’d hoped things would play out, but I kept going and crossed that finish line. All the hard work and effort had paid off.

What does this have to do with screenwriting? It’s the perfect metaphor!

Earlier this week on social media, I posted my standard question to the screenwriting community – how’s your latest project coming along?

Answers covered just about the entire spectrum. From “great!” to “almost done with it” to “working out a problem in the second act” to “slowly” to “not at all”.

I can certainly sympathize with those last two. Frustration about a lack of progress is common. Our creativeness just isn’t cooperating, which doesn’t help either.

It usually boils down to two choices: accept the frustration, dig in a little deeper and keep pushing forward, or give up.

For me, giving up just ain’t an option. I love the writing too much to even consider it. But like with the running, I may not get the results I want when I want them, but I’ll keep trying until I do. It might take longer than I want, which honestly would kind of suck, but if that’s what it takes, then so be it.

As writers, we put way too much pressure on ourselves to succeed, sometimes within a somewhat unrealistic timeframe. “If I don’t get the results I want, I’m a failure.”

NO.

This is NOT an easy thing we’re trying to do. At least give yourself credit for being willing to do the work. Some people don’t even get that far.

Everybody’s path to success is different, as are our individual finish lines. You know the route you need to take, and how challenging it’s going to be, so it’s up to you to decide how you want to take it on.

So to all the writers feeling disappointed or frustrated about how things are (or aren’t) going, remember that the road ahead may seem treacherous and insurmountable, but if you keep pushing forward and do your best to enjoy the journey, you’ll be that much closer to crossing that finish line.

Hang in there, chums. I may be running my own race, but I’m still on the sidelines, cheering you on.

It is most definitely NOT a sprint

I haven’t written about it in a while, but one of my other interests is running. It’s inexpensive, good exercise, and I’m fortunate to live in a place well-suited for it.

Added bonus – plenty of time to think about whatever script I’m working on at the time.

However, the passage of time and some good old wear-and-tear are starting to take their toll. My pace is a little slower than it used to be, but I don’t mind.

I especially enjoy half-marathons. 13.1 miles is a good, solid distance. In the Before Times, I’d run about 6-8 a year.

This year, kinda-sorta. All but one of the races I’d signed up to do this year were cancelled. Race organizers, however, were undeterred. Runners were given the option of doing the races virtually, as in “you run the same distance, but on the route of your choosing, then send us your time and a map tracking your route, and we’ll send you your shirt and medal.”

With all of this going on, one of the things I’d always wanted to attempt was running a full marathon. 26.2 miles. Running a half wasn’t too hard, but taking on a full seemed much more formidable.

But the biggest challenge was I wanted to see if I could do it.

So I trained. A lot.

This is also where that part about wear-and-tear really started to make itself known – primarily in my heels and ankles.

But I kept at it, always trying to push myself a little more each time. I was confident, but still plenty nervous.

As the days wound down to Race Day, my anxiety levels were growing. The biggest question on my mind was “COULD I DO THIS?” My family were as supportive and encouraging as possible, but in the end, it was all me.

So I started out. The app in my phone announced at the onset that “tracking would continue for 26.2 miles”, which is quite intimidating during those first few steps.

“It’s the distance, not the time,” I reminded myself.

Off I went through the pre-dawn streets. Sunrise was still about 80 minutes away, and save for some hills and a bridge colored international orange, it was a pretty flat route.

The miles ticked away. I got to the halfway point, feeling pretty confident the second half might not be as challenging as expected.

Mile 19. So far, so good. At this pace, maybe an hour fifteen to go.

Mile 20. The wear-and-tear decides to kick in. For my heels and ankles. Steps got a little bit tougher to take. Then a stabbing pain at the base of my left shin. That doesn’t seem good.

I wanted to keep going, but was more concerned about inflicting further damage, so I chose the safest option: I stopped running, and walked. Not what I wanted, but at least I was still moving.

It’s the distance, not the time, remember?

I got to Mile 24 and thought “maybe I can run these last 2.2 miles” and ran for about 4 steps. Nope. The walk continued.

But I kept going, and eventually did cross the virtual finish line, with a time of 5:11:33.

Not the results I was hoping for, and despite some unexpected problems to deal with, the important thing was I DID IT.

One of the most apt metaphors about screenwriting is “It’s a marathon, not a sprint.” It takes a REALLY long time to be able to do it, especially properly, so you need to keep working at it, constantly trying to do better.

The journey to finishing a script, let alone establishing a career as a screenwriter, might not be the one you anticipated. Everybody moves at their own pace, so don’t be discouraged if it seems like everybody but you is moving forward by leaps and bounds.

The important thing is to focus on becoming a better writer and making your script better. Work on crossing the finish line that’s waiting for you, and you alone.

Giving yourself a medal, however, is totally optional.

Arrivederci, contests! For now.

waving goodbye
Normally, one would say “Don’t forget to write!”, but that seems a bit off in this scenario

Starting a few weeks ago, and continuing into the coming months, the results of numerous screenwriting contests will be made public.

For the most part, my scripts won’t be part of them. I’ve opted to skip the 2020-2021 season to focus on creating some new scripts and fine-tune some pre-existing ones.

Contests and I have had a rocky relationship. The primary reason I enter is for industry access (or at least the potential for it). As nice as a cash prize is, I’d much rather my award be my scripts shown to a manager or production company.

Naturally, even that’s not a guarantee of success. Somebody could read a script that’s done exceptionally well in a contest – even win it – and decide “I like it/It’s good, but not what I’m looking for.” This has happened to me, and even a few writers I know who’ve claimed a finalist spot in some prestigious contests still couldn’t make anything happen with it.

Them’s the breaks, and usually means it’s back to square one. But not this time.

I don’t have anything against contests. They can help motivate you to work towards beating a deadline. Some of them might lead to something, but many just mean you get a nice set of laurels. And no slight to smaller contests, but I’ve seen lots of comments from reps and prodcos that contests don’t really matter that much to them. What’s important is if they like the script and want to do something with it.

Additionally, those contests fees can get pretty steep. I try to keep things on the lower end (early bird deadlines, discount codes, etc) because the fees can really add up. And this isn’t even taking into account paying an additional cost for “notes” – something I don’t usually do anyway.

Added bonus for me – I also shell out some shekels for 6-8 half-marathons each year. You think screenwriting contests are expensive? Ha! Many of the races I’d signed up for for later this year have been cancelled or postponed until next year. So not having to pay for races or contests definitely works in my favor.

So that’s it for me and a temporary “so long”. At least until around this time next year. Until then, it’s all about the writing. My scripts are good, but I know they can be better.

Since deciding to step back, it’s kind of nice to be able to consistently delete the barrage of emails announcing “LAST CHANCE TO ENTER!” or “CLICK HERE FOR SPECIAL DISCOUNT CODE!”, and then get right back to work. I won’t say it’s still tempting to want to enter, but it is getting easier to read an email from a contest, and then kill it without hesitating.

Interesting side note – it would seem I entered 2 of my scripts in a pair of contests several months ago. In fact, one was in October of 2019. Turns out each advanced through the contests’ respective first rounds.

Since I adhere to the “send it & forget it” rule with my scripts, guess my putting more emphasis on the latter half of that phrase really came into play. As one friend put it – “you seem to do better in contests you forgot you entered.” Can’t argue that.

So now that I don’t have contest deadlines or announcements to deal with, I can focus on these two new scripts. Both have been percolating for quite some time, and I figured lockdown and shelter-in-place were the ideal times to jump into both.

Would I have been able to dedicate so much time and effort if the world hadn’t changed? Possibly, but having the opportunity to do so has definitely worked in my favor.

The latest draft of one script is out with a batch of savvy readers, and the other is still in the outline phase. Feeling pretty confident about both.

I’m more than content to let the 2020-2021 contest season pass me by as I write and write, then rewrite, and then write some more.

For all you writers looking to enter contests in the coming year, you now have one less competitor to worry about.

Catch you on the flip side.