Comfortable shoes will also help

One of the most common analogies regarding screenwriting is “it’s a marathon, not a sprint”.

Speaking from experience, it most certainly is.

For long-time followers of this blog, one of the things I enjoy doing when I’m not working on scripts is to go for a run. It’s good exercise, lets me catch up on my podcasts, and offers plenty of time to think about my writing projects.

After years of half-marathons, I decided it was time to take on the next challenge – a full marathon. A whole 26.2 miles.

Despite all the training I did, of which there was A LOT, when I set out that morning, I was still nervous. Could I actually do this?

That’s when I reminded myself, and did so repeatedly over the next few hours:

It’s the distance, not the time.

Much as I wanted to finish with a respectable time and pace, I’d decided it was more important just to finish.

Long story short – I got to mile 20 and a twinge developed in my heels and ankles, which then turned into out-and-out pain, so I ended up walking the rest of the way. It took me longer to get there, and definitely wasn’t the way I’d hoped things would play out, but I kept going and crossed that finish line. All the hard work and effort had paid off.

What does this have to do with screenwriting? It’s the perfect metaphor!

Earlier this week on social media, I posted my standard question to the screenwriting community – how’s your latest project coming along?

Answers covered just about the entire spectrum. From “great!” to “almost done with it” to “working out a problem in the second act” to “slowly” to “not at all”.

I can certainly sympathize with those last two. Frustration about a lack of progress is common. Our creativeness just isn’t cooperating, which doesn’t help either.

It usually boils down to two choices: accept the frustration, dig in a little deeper and keep pushing forward, or give up.

For me, giving up just ain’t an option. I love the writing too much to even consider it. But like with the running, I may not get the results I want when I want them, but I’ll keep trying until I do. It might take longer than I want, which honestly would kind of suck, but if that’s what it takes, then so be it.

As writers, we put way too much pressure on ourselves to succeed, sometimes within a somewhat unrealistic timeframe. “If I don’t get the results I want, I’m a failure.”

NO.

This is NOT an easy thing we’re trying to do. At least give yourself credit for being willing to do the work. Some people don’t even get that far.

Everybody’s path to success is different, as are our individual finish lines. You know the route you need to take, and how challenging it’s going to be, so it’s up to you to decide how you want to take it on.

So to all the writers feeling disappointed or frustrated about how things are (or aren’t) going, remember that the road ahead may seem treacherous and insurmountable, but if you keep pushing forward and do your best to enjoy the journey, you’ll be that much closer to crossing that finish line.

Hang in there, chums. I may be running my own race, but I’m still on the sidelines, cheering you on.

It is most definitely NOT a sprint

I haven’t written about it in a while, but one of my other interests is running. It’s inexpensive, good exercise, and I’m fortunate to live in a place well-suited for it.

Added bonus – plenty of time to think about whatever script I’m working on at the time.

However, the passage of time and some good old wear-and-tear are starting to take their toll. My pace is a little slower than it used to be, but I don’t mind.

I especially enjoy half-marathons. 13.1 miles is a good, solid distance. In the Before Times, I’d run about 6-8 a year.

This year, kinda-sorta. All but one of the races I’d signed up to do this year were cancelled. Race organizers, however, were undeterred. Runners were given the option of doing the races virtually, as in “you run the same distance, but on the route of your choosing, then send us your time and a map tracking your route, and we’ll send you your shirt and medal.”

With all of this going on, one of the things I’d always wanted to attempt was running a full marathon. 26.2 miles. Running a half wasn’t too hard, but taking on a full seemed much more formidable.

But the biggest challenge was I wanted to see if I could do it.

So I trained. A lot.

This is also where that part about wear-and-tear really started to make itself known – primarily in my heels and ankles.

But I kept at it, always trying to push myself a little more each time. I was confident, but still plenty nervous.

As the days wound down to Race Day, my anxiety levels were growing. The biggest question on my mind was “COULD I DO THIS?” My family were as supportive and encouraging as possible, but in the end, it was all me.

So I started out. The app in my phone announced at the onset that “tracking would continue for 26.2 miles”, which is quite intimidating during those first few steps.

“It’s the distance, not the time,” I reminded myself.

Off I went through the pre-dawn streets. Sunrise was still about 80 minutes away, and save for some hills and a bridge colored international orange, it was a pretty flat route.

The miles ticked away. I got to the halfway point, feeling pretty confident the second half might not be as challenging as expected.

Mile 19. So far, so good. At this pace, maybe an hour fifteen to go.

Mile 20. The wear-and-tear decides to kick in. For my heels and ankles. Steps got a little bit tougher to take. Then a stabbing pain at the base of my left shin. That doesn’t seem good.

I wanted to keep going, but was more concerned about inflicting further damage, so I chose the safest option: I stopped running, and walked. Not what I wanted, but at least I was still moving.

It’s the distance, not the time, remember?

I got to Mile 24 and thought “maybe I can run these last 2.2 miles” and ran for about 4 steps. Nope. The walk continued.

But I kept going, and eventually did cross the virtual finish line, with a time of 5:11:33.

Not the results I was hoping for, and despite some unexpected problems to deal with, the important thing was I DID IT.

One of the most apt metaphors about screenwriting is “It’s a marathon, not a sprint.” It takes a REALLY long time to be able to do it, especially properly, so you need to keep working at it, constantly trying to do better.

The journey to finishing a script, let alone establishing a career as a screenwriter, might not be the one you anticipated. Everybody moves at their own pace, so don’t be discouraged if it seems like everybody but you is moving forward by leaps and bounds.

The important thing is to focus on becoming a better writer and making your script better. Work on crossing the finish line that’s waiting for you, and you alone.

Giving yourself a medal, however, is totally optional.

Arrivederci, contests! For now.

waving goodbye
Normally, one would say “Don’t forget to write!”, but that seems a bit off in this scenario

Starting a few weeks ago, and continuing into the coming months, the results of numerous screenwriting contests will be made public.

For the most part, my scripts won’t be part of them. I’ve opted to skip the 2020-2021 season to focus on creating some new scripts and fine-tune some pre-existing ones.

Contests and I have had a rocky relationship. The primary reason I enter is for industry access (or at least the potential for it). As nice as a cash prize is, I’d much rather my award be my scripts shown to a manager or production company.

Naturally, even that’s not a guarantee of success. Somebody could read a script that’s done exceptionally well in a contest – even win it – and decide “I like it/It’s good, but not what I’m looking for.” This has happened to me, and even a few writers I know who’ve claimed a finalist spot in some prestigious contests still couldn’t make anything happen with it.

Them’s the breaks, and usually means it’s back to square one. But not this time.

I don’t have anything against contests. They can help motivate you to work towards beating a deadline. Some of them might lead to something, but many just mean you get a nice set of laurels. And no slight to smaller contests, but I’ve seen lots of comments from reps and prodcos that contests don’t really matter that much to them. What’s important is if they like the script and want to do something with it.

Additionally, those contests fees can get pretty steep. I try to keep things on the lower end (early bird deadlines, discount codes, etc) because the fees can really add up. And this isn’t even taking into account paying an additional cost for “notes” – something I don’t usually do anyway.

Added bonus for me – I also shell out some shekels for 6-8 half-marathons each year. You think screenwriting contests are expensive? Ha! Many of the races I’d signed up for for later this year have been cancelled or postponed until next year. So not having to pay for races or contests definitely works in my favor.

So that’s it for me and a temporary “so long”. At least until around this time next year. Until then, it’s all about the writing. My scripts are good, but I know they can be better.

Since deciding to step back, it’s kind of nice to be able to consistently delete the barrage of emails announcing “LAST CHANCE TO ENTER!” or “CLICK HERE FOR SPECIAL DISCOUNT CODE!”, and then get right back to work. I won’t say it’s still tempting to want to enter, but it is getting easier to read an email from a contest, and then kill it without hesitating.

Interesting side note – it would seem I entered 2 of my scripts in a pair of contests several months ago. In fact, one was in October of 2019. Turns out each advanced through the contests’ respective first rounds.

Since I adhere to the “send it & forget it” rule with my scripts, guess my putting more emphasis on the latter half of that phrase really came into play. As one friend put it – “you seem to do better in contests you forgot you entered.” Can’t argue that.

So now that I don’t have contest deadlines or announcements to deal with, I can focus on these two new scripts. Both have been percolating for quite some time, and I figured lockdown and shelter-in-place were the ideal times to jump into both.

Would I have been able to dedicate so much time and effort if the world hadn’t changed? Possibly, but having the opportunity to do so has definitely worked in my favor.

The latest draft of one script is out with a batch of savvy readers, and the other is still in the outline phase. Feeling pretty confident about both.

I’m more than content to let the 2020-2021 contest season pass me by as I write and write, then rewrite, and then write some more.

For all you writers looking to enter contests in the coming year, you now have one less competitor to worry about.

Catch you on the flip side.

My race, my pace

half-marathon
Focus on finishing, not winning

This past weekend, I ran my first half-marathon of the year. Luckily for me, it was a pretty flat course, and I accomplished my primary goal of finishing under two hours. 1:58:43, to be specific.

That works out to about a 9-minute mile, which for me is pretty good. It’s faster than I run during my training runs.

Because it’s an actual race, I tend to push myself a little bit more. Not because I’m trying to beat any of the other runners, but to see what I’m truly capable of.

Naturally, there will be those who finish much sooner than me. I think I was somewhere around the 7-mile mark when the eventual winner passed by in the opposite direction. They were maybe a minute or two from the finish line, while I had just passed the halfway point, so still had another six miles to go (equaling about a little less than an hour or so).

Was I bothered by that? Not in the least. I’m nowhere near being able to run that fast anyway. The takeaway is that we were each going at the pace that worked best for us. Theirs just happened to be significantly faster than mine.

“Well, that’s all well and good, but what does it have to do with screenwriting?” you might ask.

Easy. The results from when I do a race are similar to the results of when I write: I go at my own pace, which is different from everybody else’s. Some writers will get done faster, and some will take longer. As long as you’re happy with the results of how you did is what matters the most.

I know several writers who’ve had some very productive writing sessions the past few weeks; a few have been churning out pages at a seemingly inhuman rate. Do I wish I could emulate them and crank out double-digit numbers of pages every day? Sure, but my personal circumstances being what they are, that’s just not an option. For me, ending the day with three new pages is a victory.

It’s very easy to see somebody else’s progress, compare it to your own, which isn’t as much, and feel like you’re doing a lousy job.

DON’T.

How somebody else writes is absolutely no reflection on how you do. That’s them and you’re you. Comparing and contrasting both sides is pointless. All of your focus and attention should be on you; everything else is a distraction.

Like with running, if you want to improve, you need to work at it. It’s not easy, and takes time. But if you’re willing to put in the effort and keep at it on a regular basis, you’ll find yourself gradually doing better than you did a few weeks or months ago. That, in turn, will boost your confidence and make you want to keep trying to improve.

Writing a script is a long journey, and every single step gets you a little bit closer to finishing. And all those steps add up.

Put in the work, and you’ll see the results. Today, three pages. A week from now, four. After a month, five, six, or even more. Before you know it, you’ve got yourself a completed draft.

All without breaking a sweat.

Looking back, glimpsing ahead, and a minor adjustment

new year's eve
Just one more glass of champagne, then it’s back to work. Promise.

As 2017 wraps up, it’s only natural to engage in a little self-evaluation.

How many of your writing goals were you able to check off this year? Most of them? Some? A small-but-decent fraction? Hopefully you don’t need to mark the box labeled “None”.

One of mine was to complete at least three scripts. I managed two drafts, a revised outline, and one and a half rewrite/polishes (one still a WIP). Pretty solid results. A very hearty thanks to everybody who devoted the time and effort to give me notes. I hope my notes for yours were just as helpful.

Using those notes and the results of a few conversations, I think I’ve been able to up the quality of my writing a few notches. It still has a few levels to go, but it definitely seems better than it was. The next round of drafts should be really interesting,  both in terms of working on them and how the end results turn out.

I wanted to read more scripts, which actually happened, but not entirely in the way I expected. I didn’t do as much reading of scripts for the purpose of entertainment or gleaning some helpful guidance because I ended up reading over 100 scripts for several contests. Don’t know if I’ll do it again, but still glad I did it.

On the gaining representation front, lots of query emails were sent. Maybe one response out of ten expressed interest in reading the script, with each ending with a “thanks but no thanks” or “just not what I’m looking for”. A bit disappointing, but not totally unexpected. Along the way, I also worked on being more strategic about the process, researching potential recipients and re-drafting the query to (in theory) really sell the concept of the script.

And what would an ambitious screenwriter’s year be without contests? My western made it to the seminfinals of a few smaller contests and the top 20 percent for the Nicholl (not too shabby), but once again whiffed it for PAGE. I’ve become somewhat disillusioned regarding contests, so will most likely really cut back on them. Maybe just stick to the big three.

There was the most pleasant experience of going to Los Angeles to attend a table read for one of my scripts. I like the idea of doing one or two of them locally, so looking into that for 2018.

I hosted two screenwriting networking events, which connected me with some very talented writers from right here in the Bay Area. Definitely plan on doing that again at least once this year. Highly recommended, especially if you’re not in Los Angeles and want to expand your own personal network.

On the half-marathon front, I ran five races this year – the most ever in one year for me. Still averaging about two hours, which isn’t bad – for me, but the quest for 1:55 continues. Already signed up for three next year, with maybe one or two more expected to be added into the mix. Like with screenwriting, improvement takes time, effort and dedication. A good pair of socks and strong knees also come in handy, and that applies to both.

Finally, this blog. As always, a great experience doing what I can to offer advice to help other writers, recounting my experiences and the lessons I got out of it, and presenting some interviews with some truly interesting and amazing creative folks. I am truly grateful to everybody who’s stopped by to take a look, like a post and make a comment.

But it’s also been exhausting. Producing posts twice a week on top of dedicating time to write and make a career out of it has simply gotten to be too much. I still enjoy doing the blog, but want to refocus my energies. So as of January 1st, I’ll be reducing my weekly output to Fridays only, and sometimes even that might be iffy. It’ll most likely be on a week-by-week basis.

I hope you had a most productive 2017 and wish you all the best for an even better 2018.

See you in seven.