The significance and heartbreak of almost

Tim Love/Hellmanns Recipe shoot.
You celebrate your way. I’ll celebrate mine.

Well, that’s that. The results are in, and it looks like it was mighty close. Practically a photo finish. One that will be debated by scholars far and wide long after the fact.

Actually, I have no idea what the results were.

All I know is that the 2015 Screencraft Action/Thriller contest announced its Grand Prize winner and First Place winner, and my western was neither.

(I almost said it failed to get either, but opted not to. More on that in a sec.)

It did, however, place among the top ten finalists, so I guess that’s something.

An honor to be part of this elite group? Most definitely. All ten finalist scripts are being distributed to Screencraft’s network of industry contacts, so all I can do now is hope for the best (while working on new scripts, of course).

That being said, how can I not feel pangs of frustration from not achieving either of the top two? Could the script have been better? Probably. Is it solid enough now? I like to think so. For all I know, it came in third.

I totally get how this is part of the process and should be thrilled the script made it this far. Believe me, I am. Very much so. But I’d be lying if I didn’t say I, along with every other writer who entered the contest, wasn’t entertaining daydreamy thoughts of being proclaimed the winner. But that’s not how it worked out.

Honestly, it hurts. Or maybe stings is more fitting. Either way, it feels like “I tried my best, but it still wasn’t good enough.” This sensation will linger for about a day, eventually fading but not totally disappearing. By that time I’ll have dusted myself off, ready to jump back into my normal routine of full speed ahead. I’ve got a few irons in several fires, plus a few projects I prefer to keep on the QT. For now, at least.

I mentioned being tempted to say the script failed to win. True, it didn’t win, but maybe “fail” is too harsh a word. The script did exceptionally well, which I suppose is a reflection of my writing ability and how it’s developing. This is the third consecutive year I’ve had a script place in some manner in a contest, so I must be doing something right.

So for now I’ll keep in mind that sage piece of wisdom uttered after all competitions:

Just wait ’til next year.

A multi-pronged approach

freeway
Lots of different ways to go, as long as you know where you’re going

Had another great lunchtime chat with a fellow writer yesterday. Among the many topics of conversation: the necessity of how a writer trying to break in must work towards achieving success from as many angles as they can.

Got a good script? How many others have you got that are ready to go? How many are you currently developing so as to increase that number? Are you sticking with one genre or trying several?

Are you actively seeking writing projects? There are a lot of smaller, not-as-prestigious projects out there in need of writers. You may not get a big paycheck, but you’ll gain experience (and maybe an onscreen credit). It could also help educate you about what goes on during production.

Think your script is good enough for one of the high-profile contests? What’s more important to you – the prize money, the prestige of winning (or at least placing), or how this could help get your career going?

Are you connecting with other writers? As introverted as a lot of writers are, social contact is a necessary factor of doing it professionally. It’s one thing to communicate electronically, so make a point of going to a social event in your area (you could even go so far as to arrange one!), or attend a conference where you actually talk to people. This will also come in handy when you reach that next level and start taking meetings.

You’ve done everything you can with this current script and are ready to start looking for representation. How much research have you done into who would be the most receptive to it? Does your script seem like a good match for them? Have you worked on that query letter to the point that it would be impossible for them to not want to read your script?

Naturally, these questions and situations are just the tip of the proverbial iceberg. Everybody’s path is going to be different from yours, but there will be similarities. Fortunately, you have time and a wide array of resources at your disposal to start preparing in your own way for all of them.

Good luck, and get to it.

Make something happen

organizational chart
Time to get organized!

Lots of resolutions and goals being bandied about today, but that’s just the first step.

All the things you want to accomplish this year as a screenwriter. What are you doing to make them a reality?

It’s going to take a lot of work. It’ll be frustrating at times, but isn’t this something you’re willing to put yourself through hell for in order to see happen?

Give yourself some goals, but be realistic.

Write. Edit. Rewrite. Polish.

Watch. Analyze.

Read. Study. Learn. Hone.

Network. Connect. Share. Support.

Enter contests. Attend conferences. Pitch.

Research. Query. Reconnect.

Keep trying.

Don’t give up.

Enjoy yourself.

Make 2016 the year you make something happen for you.

Now go get started.

 

 

 

Looking back (and a peek ahead)

sleeping
Me around 10:30 on New Year’s Eve

As the end of the year gets closer, one can’t help but be a little reflective of how the past 12 months have gone, and in this context, it’s all about the screenwriting and its related subjects.

-My western. A labor of love finally put to bed once and for all. This script has gone through A LOT of changes, and both I and it could not have gotten to this point without the sage feedback received from many of my trusted colleagues.

-Other scripts. Over the course of this year, I completed a first draft and two outlines (with a third in its final stages), all for separate scripts. I may not be as productive as I’d like, but think this is still pretty good. I’m hoping that at least two of these will be completed scripts by this time next year.

-Establishing a career. I’ve always said that each draft of every script gets me a little closer to accomplishing that dream of being a working writer. 2015 saw some strong progress on that front. My writing’s getting better, I discovered I’m pretty good at pitching, and found out the hard way what should and shouldn’t go into a query letter. It’s an ongoing learning process, but I’m getting there. Hopes are high of moving to the next level or two in 2016.

-Networking. The number of writers I’ve connected and interacted with has definitely grown by leaps and bounds. Some have been in person, while most have been via social media, but the benefits have been tremendous all around. From exchanging script notes to being a sounding board for ideas to plain old moral support, you couldn’t ask for a more helpful bunch of folks. Hopefully they got as much out of it as I did. Highly recommended.

-Running. After involuntarily taking a year off, I got back into the habit of going for runs and took part in four half-marathons this year. Didn’t set any new records, but stayed within my realm of expectatins. Really glad I did them and already looking forward to the ones next year. How does this relate to screenwriting? Well, apart from the standard quote of “It’s not a sprint, it’s a marathon (or half-marathon, in my case)”, it’s about determination, endurance, perseverance, and setting a goal and working towards achieving it. All necessary elements involved in writing a script.

-The blog. This year saw the wrap-up of my series of interviews with scripts readers and consultants. I still keep in touch with a lot of them, and happy to say that a lot of those posts continue to get hits. Thanks to all of you for that. In the meantime, no big changes planned for what you read around here, but I’ve got a few ideas.

Thanks for reading, happy new year, and may we all get some kickass writing done in 2016.

 

Being a blast from their past

corner
Hi. Remember me?

Earlier this year, I attended the Great American PitchFest, where in addition to fine-tuning my pitching skills, made some great personal and professional contacts.

Among the latter was a production company who was very interested in my fantasy-adventure. They ultimately passed, not because the script wasn’t for them, but because they’d found another project.

At the end of that email, they included the offer for me to stay in touch. This was in June.

Jump ahead a few months to last week. Sorting through old emails, I’d found that one and figured now was as good a time as any to reconnect. I sent a brief note reminding them who I was, asking about that other project, and if they were still interested in my script.

They remembered me, the other one was progressing nicely, and they definitely were.

A few days later, I had a very pleasant hour-long phone call with one of the partners (the other had a last-minute scheduling problem). We discussed my script, some of their other projects and a few related and not-related topics.

The call ended with them wanting to continue the conversation after the holidays, making sure the other partner would be on hand.

Will anything come of this? I don’t know, but for now, it’s very encouraging. Am I glad I sent that follow-up email? Damn straight.

Sometimes it feels as if the door gets totally slammed shut in your face, but there’s a chance they might leave it open for you just a little bit – enough for you to take advantage of it somewhere down the line.

Who wouldn’t rather have someone say “It’s not for us, but stay in touch” instead of just “Thanks, but no thanks”?

If you do get that open invitation, make the most of that time by working on something else. Your initial project may have gotten their attention or piqued their interest, so this way you can redirect all that nervous energy into your writing and be ready if they ask “What else have you got?” in that second go-round.

Be patient. And courteous. And respectful. A lot of these folks are working just as hard on their own projects as you are on yours. The last thing they need is dealing with a pushy writer bombarding them with emails.