Fine-tuning in progress

lady-scientists
Aha! Almost missed that extra “the” in that sentence!

As of this writing, the early bird deadline for the Nicholl is about a week away. After some back-and-forth, I decided that, yes, I’ll take the plunge and once again submit my western.

Last year it made it to the top 15 percent, which isn’t bad, but I know it can do better.

And that’s what the next couple of days are all about: taking what I consider to be a pretty solid script and doing a little more editing/tweaking/polishing to make it even stronger.

For a long time I was convinced there was nothing else to be done on this script. Now I’m thrilled to have been so completely wrong. It doesn’t need a lot, but probably just enough to make a significant difference.

Earlier this year, I got some really good professional notes on it that raised some questions I hadn’t considered before. Implementing the suggested fixes really would make a difference.

So that’s what I’m currently in the process of doing. Nothing major, but some little tweaks, modifications, and minor rewriting here and there. And as is usually the case for me, these aren’t as insurmountable as I’d expected.

Part of this also involves going through the entire thing line by line, red pen in hand, just in case anything catches my eye as if to say “CHANGE ME!” Surprisingly, there have been quite a few of those.

I couldn’t say the last time I actually read through the script, but it’s definitely been a while. And it’s probably safe to say that this long stretch of not looking at it has definitely helped in enabling me to identify what needs editing/fixing.

And not to toot my own horn, but gosh this is a fun read.

In retrospect, I probably should have done this before submitting the script to PAGE, but if all this helps it do better with the Nicholl, who am I to complain?

Edits, inspiration, and the rinse cycle

housewife
Gosh, what a day! My whites are sparkling AND I have a stronger sense of my protagonist’s internal goal!

I’ve mentioned before about my tendency to overwrite, which usually applies to both outline and actual pages. This time around with the pulpy adventure spec is no exception. There’s simply too much going on, so before the amount of material got too overwhelming, some significant editing was needed.

I don’t know how or why I do this, but sometimes there’ll be a scene or sequence that’s more or less a repeat of what’s already happened. Such was the case here. In the overall context of the story, the second one was more important, so thus began the great removal of the first one, along with reinforcing the connection between what came before it and the second one. It actually wasn’t too bad. It tightened up the story much more than anticipated and, in my opinion, kept that energetic momentum going.

My slightly unusual work schedule allows me to dedicate most of the early afternoon to writing, which is occasionally interspersed with some household chores. For this particular instance, it was laundry.

In some ways, I’ve been quite content with my progress, but there was something still nagging at me about it. Things felt…incomplete.

I was somewhere in the middle of that day’s writing session when the washing machine let me know the latest load was finished. While my body went through the motions of hanging stuff on the drying racks, my mind was barreling along a continuous stream of thought.

“What if THIS HAPPENED? Or THIS? Maybe I’m looking at this from the wrong angle. A lot of this has been about the protagonist. What about the antagonist? I don’t want them to come across as a mustache-twirling cartoon villain. Their goal seems too vague. Hey, I wrote a post about that. This is their plan, but why are they doing this? How about THIS? Hey, that’s not bad. Let’s take it one step further and make it THIS. Ooh! This would tie in perfectly to the rest of the story! Hmm. Would this make them see themselves as the hero? Whoa. It sure does. Hokey smokes, I think I’m onto something. I better write this down!”

And I did. It was like the satisfaction you’d get after finding the long-lost last piece of a jigsaw puzzle and snapping it into place. The more I thought about this, the more excited I got about implementing it. In fact, the editing/rewriting is already underway.

I cannot begin to explain what a surge of writing adrenaline (if there is such a thing) this created. There’s a line of dialogue in my western that even to this day still gives me chills. This new idea – same thing.

While all of this will no doubt push back the projected end date for having a completed first draft, this new development is totally worth it.

This is just another example of how inspiration really can strike when you least expect it. Embrace it when it does.

And if you’ve been sitting at your computer, frustrated that the words won’t come, maybe stepping away and doing something completely mundane might provide the solution you seek.

Plus, you’ll get the laundry out of the way, which is always good.

Bursting at the seams – part 2

Image result for MARK RUFFALO HULK GIF

On one hand, progress for the pulpy adventure spec is moving along nicely. Still maintaining a daily output of about 3 pages.

But on the other hand, this thing feels like it’s growing exponentially, continuously getting bigger than I originally anticipated.

A lot bigger.

Like “rise out of the bay, tower over the skyline, ready to wreak havoc and terrorize the populace. Call the military!” big.

That’s pretty big.

Part of this stems from me having a one-sentence description of a scene in the outline, not really taking into consideration I’ll need at least a page, maybe two, to execute it. Hence the feeling of overstuffedness.

There have been times where I’d be in the middle of a scene, but then think “Too much!”. This would be followed by the immediate deleting of what I’d written so far and starting anew, but with a mindset of “Same, but a lot less this time.” It happens; just not all the time.

No problem whatsoever if you start with a scene that’s initially three pages long, because you know the next pass will involve whittling down to one (or a little more). Getting it written in the first place is the hard part; everything after that – much easier (for some, anyway).

I freely admit I tend to overwrite, but that’s usually limited to the first draft. Once that’s out of the way, the red pens are produced and much killing of darlings commences.

Sometimes it’s very frustrating that my initial effort isn’t what I want it to be, but isn’t that the point of a first draft? There’s a reason it’s also known as “the vomit draft”. You just throw everything on the page, and then go back for ongoing cleanup work. The guiding principle here – you do what’s necessary to get it to that desired end result.

Will there most likely be some drastic changes somewhere down the line? Undoubtedly. If that means starting with a first draft that’s way too big, so be it. It’s not like this is what the final finished project is going to look like. Better to have an oversized script ripe for editing than a scrawny one that needs to be bulked up.

So for now, the slog continues. Scenes may go on too long, but it’s cool. This is a fun story and I’m enjoying writing it. I know it’ll take a while to get it to where I want to be, and that’s fine by me. All part of the process.

But better have the military on standby, just in case.

Bursting at the seams

homer-donuts
Have to be careful not to overdo it

Overwriting has always been an issue for me, at least when it comes to first drafts. I tend to put a lot more on the page than is probably necessary, which of course, increases the number of pages.

Case in point – while progress is moving along nicely for the pulpy adventure spec, and I’m faithfully adhering to the outline, scenes throughout the first act are running longer than expected, so the inciting incident will be occurring somewhere around 10 pages later than anticipated.

If things continue at this rate, I may end up with a script that’s somewhere in the neighborhood of 140 pages, which is way too long.

Keep in mind that I don’t make a point of strictly adhering to certain feline-influenced rules/guidelines of a “THIS MOMENT IN THE SCRIPT MUST HAPPEN ON THIS PAGE” nature; it’s really more of a suggestion.

The good thing is that I can just keep pushing forward, knowing there will be some major editing and rewriting in store when this draft is finished. It’s a lot easier to go in and cut, as opposed to scrambling and struggling to add in material. And as evidenced by past behavior, I’ll probably continue to occasionally go back and tweak something I don’t see as sitting right.

For now, the very-helpful process of plotting out the beats of a scene and writing them as such will, but it wouldn’t be surprising if a subconscious effort to tighten things up a little begins to develop.

One brief sidenote – I’ve been making a real effort to reduce the amount of time spent with casual netsurfing and replacing it with actual writing. It’s made quite a difference, and the results have been most productive. I heartily recommend it.

Crafting a tale to thrill, astonish, and exhilarate

mad-scientist
Those fools at the film academy dare call me mad? I’ll show ’em! Mwahaha!

2017’s writing got off to a pleasantly rousing start with the commencement of the first draft of my latest project: the pulpy adventure spec.

Yep. After years of working on the outline, I finally decided to take the plunge and write the damned thing.

Seeing as how this is a genre near and dear to my heart, I dove into the opening sequence headfirst and just had at it, surpassing the original goal of completing at least 2 pages a day by two and a half times that amount. Add to that the 4 pages for yesterday, and that places me further ahead than anticipated. It’s not expected to maintain this kind of output on a daily basis, but no complaints so far.

That being said, upon reflection, the latest scene still leaves a little to be desired, so an impromptu rewrite is already being planned out and will be implemented straightaway.

A few alterations have also been made in regards to the overall writing process.

First, even though the outline needs to be rock-solid before starting on pages, the scene descriptions are sometimes a little vague. “Big fight happens!”, that sort of thing.

When that happens, the focus shifts to plotting out the beats of that particular scene. How do things play out so it tells the story and moves things forward? Is it accomplishing what it needs to? It’s quite helpful, and helps prevent a lot of frustration in trying to think up stuff on the spot.

Another is fully embracing the whole “just get it done” attitude. Write it down and move on. There’ll be time for all that fancy-pants editing and polishing stuff later. It’s also been noticed that sometimes the first idea is still the best.

And in what may be the most important development, seeing as how this is at its core my interpretation of the old pulp novels, I’m doing what I can do to really make it read that way. One could even argue that writing the western was just a warm-up exercise. The writing in this script might be a little more over the top than usual, but that could be exactly what it needs.

Even though it’s a screenplay, I take a certain pleasure in coloring things a slightly stronger shade of purple.

There’s no specific target deadline for completing this draft, but hopefully it won’t take too long. For now, I’m just enjoying the ride.