Knocked down, but not staying there

Skating Waiter
Just give me a sec to get back on my feet. Bonus – drink remains unspilled

The Chinese restaurant script got the standard “Just isn’t what I’m looking for” response from a producer.

Years of experience has taught me how to properly respond to this kind of situation.

“Well, that sucks. Okay. Moving on.”

Thus the struggle continues to gain a new foothold on this constant uphill climb. But I’m in it for the long haul.

Sure, it’s frustrating to get yet another “no” about a script, but getting upset about it won’t do me any good.

And what better way to get over it than by working on something else with the intent of making this one that much better? And there are plenty of something elses to keep me occupied.

A revamping of the outline of an older script continues, with pleasantly productive results (along with some phenomenal feedback on the logline). More insightful notes have come in for the comedy spec. Setting up a few more get-to-know-you meetings with other local writers*.

(*A meeting last week with one writer about her current project resulted in me being able to offer up some suggestions to another writer feeling frustrated about his. He, in turn, felt very encouraged with a renewed sense of hope, and was excited about some possible new avenues to try. I’m just happy to help.)

Hearing “thanks, but no thanks” still stings, but only for the briefest of moments. It’s taken a very long time for me to get to this point.

A few months ago, all that pressure I’d been putting on myself just went away. And I’m a lot better for it now.

And patient.

Success will happen when it happens.

But having it happen sooner rather than later would still be much appreciated.

Expiration date: NEVER!

arthur dent
Don’t throw in the towel just yet, Arthur

A friend emailed me earlier this week to vent his frustration regarding the latest development for pitching his TV pilot. Suffice to say, it didn’t go the way he’d hoped.

“Writing is hard work for me, and to have a project like this dismissed completely deflates me. I think I need to set a deadline (end of 2016?), and if I haven’t gotten a sale or at least representation by then, exit, stage left.”

I can totally sympathize. Who hasn’t been in that boat before? You try and try, feel like you’re making no headway and going nowhere fast.

But setting up a deadline of when you’ll stop once and for all?

Um, no.

As we all know, this is not an easy thing to do. The odds are already stacked against us, and it takes an extraordinary amount of effort, determination and perseverance to keep moving forward. And that’s just to get your first break.

I of all people can attest to feeling like nothing good is ever going to happen for me, and why again am I putting myself through the agony of all of this?

Because we’re writers. WE WRITE BECAUSE WE LOVE DOING IT.

For a writer willing to give up writing is, to quote the late, great Vizzini, inconceivable. As crazy as it sounds, I’d rather write and continue to fail than not write at all. (But in theory would be improving after each failure, thereby resulting in an inevitable success.)

DON’T GIVE UP. You never know when things will work out for you, so continuously having at it will always increase your odds.

Continue to work on getting better. Even if only a handful of people read your stuff and like it, that’s still a victory. And they do add up.

IT’S A MARATHON, NOT A SPRINT. It takes a very, very long time to get to the finish line, let alone at your desired pace. And even then, you’re always striving to improve on it. Take this from someone who writes screenplays AND does half-marathons.

Believe me, there will be shitty days. Lots of them. You will be angry and frustrated. You will see others succeed while you feel like you’re going nowhere. It happens. But that’s the price you pay for setting off on this seemingly impossible journey.

But also keep in mind that you’re not alone. There are lots of us out on a similar path. Feel free to make the occasional turn so your path intersects with somebody else’s. It can help make the journey a bit easier.

My friend responded with a note of thanks and gratitude, which included “I’m ultimately a storyteller, a writer. This is what I exist to do, even if my audience is a small one. I will work hard to find it and share my stories.”

Couldn’t have said it better myself. Hang in there, chums.

Shakin’ things up so much it registers on the Richter Scale

richter scale
Brace yourself

I recently took part in a group conversation with some other writers, and naturally, the topic came around to “So what else are you working on?” I always enjoy this sort of thing. So many great ideas out there.

When it was my turn, I mentioned some of what’s been occupying my time, which included the Christmas-themed mystery-comedy.

“A Christmas mystery-comedy? What’s that about?”

I launched into my 30-second elevator pitch. “LA Confidential with an all-elf cast.” The seedy underbelly of the world of Santa’s workshop. Guns. Sassy dames. Tough-talking gangsters. Intrigue. Double-crossings. The whole gin-soaked ball of wax.

While most thought it sounded like a lot of fun, one person looked absolutely horrified.

“Oh no!” they exclaimed. “My kids and I love Christmas. It’s supposed to be sweet and wonderful! I can’t believe you’d want to write something like that.” (All that was missing was them sprawled on a fainting couch, claiming to have the vapors while frantically fanning themselves.)

How could I not want to write this? Sweet and wonderful doesn’t make for good storytelling. I love this kind of story, and think it would make a great script.

This person makes it sound like trying something new is a bad idea because it messes with the comfort of the familiar. Yet one of the most common tenets is “Familiar, but different.” A story you’ve seen before, but told in an entirely new way. It’s what we should all work towards.

Everybody’s looking for something truly original and unique. Why in the world would you want to write something that doesn’t offer up anything new?

Every script you write is a golden opportunity to push your creativity to the limit so you really catch ’em off-guard. You know the story you want to tell, but it’s on you to truly surprise your reader/audience. Take things in an entirely different direction. They may think they know what’s coming, but you know better and look forward to how they’re going to react.

No matter what genre your story falls into, there will be certain expectations that come with it. The challenge of every writer is to not just meet those expectations, but toss them out the window and offer up a totally new and unexpected way of telling that story. Some people may not like it, but it’s most likely they’re in the minority, and therefore not your target audience.

Think about it. What kind of script are you more likely to take notice of and remember? One that goes for new and original, or one that plays it safe with the tried, true and predictable?

I know which one I’d pick, and will be waiting over by the window for your answer.

So this is what inner peace feels like

zen garden
Serenity, calm, and all that

Philosophy, metaphysics and existentialism aren’t really my thing, but I suppose you could say I’m feeling very “zen” these days.

Part of it is stems from completing the last-polish-before-contests of my western. It definitely reads better, and I’m extremely happy with the results.

Working on this rewrite also renewed my sense of “don’t hold back”. It was exhilarating to write material that felt so alive and vibrant. I am fully confident this will continue with each draft of each of my scripts from this point on.

For some reason, this may also tie directly into a majority of my anxiety and stress and self-imposed pressure simply disappearing, or at least being drastically reduced.  Seriously. Maybe it’s from just accepting that success will happen when it happens, and that beating myself up until it does is just counter-productive. I suspect there will be times when I’ll still get a little down, but expect it to occur on a less regular basis and definitely not as severe.

Big things of a positive nature are ahead, chums. I will do my best to maintain this blissful sensation while I keep working toward reaching that inevitable goal.

Which I do expect to happen. Preferably sooner than later, but either way I’ll get there.

**Editor’s note – this is my 700th post. While the ideal subject matter would have been “I sold a script!” or at least along those lines, I’m quite content with it covering the topic it does.

I hope you’ve enjoyed being part of this for the previous 699 posts over the past 7 years, and that you’ll keep coming back for more.

Thanks for reading!

Make something happen

organizational chart
Time to get organized!

Lots of resolutions and goals being bandied about today, but that’s just the first step.

All the things you want to accomplish this year as a screenwriter. What are you doing to make them a reality?

It’s going to take a lot of work. It’ll be frustrating at times, but isn’t this something you’re willing to put yourself through hell for in order to see happen?

Give yourself some goals, but be realistic.

Write. Edit. Rewrite. Polish.

Watch. Analyze.

Read. Study. Learn. Hone.

Network. Connect. Share. Support.

Enter contests. Attend conferences. Pitch.

Research. Query. Reconnect.

Keep trying.

Don’t give up.

Enjoy yourself.

Make 2016 the year you make something happen for you.

Now go get started.