Expiration date: NEVER!

arthur dent
Don’t throw in the towel just yet, Arthur

A friend emailed me earlier this week to vent his frustration regarding the latest development for pitching his TV pilot. Suffice to say, it didn’t go the way he’d hoped.

“Writing is hard work for me, and to have a project like this dismissed completely deflates me. I think I need to set a deadline (end of 2016?), and if I haven’t gotten a sale or at least representation by then, exit, stage left.”

I can totally sympathize. Who hasn’t been in that boat before? You try and try, feel like you’re making no headway and going nowhere fast.

But setting up a deadline of when you’ll stop once and for all?

Um, no.

As we all know, this is not an easy thing to do. The odds are already stacked against us, and it takes an extraordinary amount of effort, determination and perseverance to keep moving forward. And that’s just to get your first break.

I of all people can attest to feeling like nothing good is ever going to happen for me, and why again am I putting myself through the agony of all of this?

Because we’re writers. WE WRITE BECAUSE WE LOVE DOING IT.

For a writer willing to give up writing is, to quote the late, great Vizzini, inconceivable. As crazy as it sounds, I’d rather write and continue to fail than not write at all. (But in theory would be improving after each failure, thereby resulting in an inevitable success.)

DON’T GIVE UP. You never know when things will work out for you, so continuously having at it will always increase your odds.

Continue to work on getting better. Even if only a handful of people read your stuff and like it, that’s still a victory. And they do add up.

IT’S A MARATHON, NOT A SPRINT. It takes a very, very long time to get to the finish line, let alone at your desired pace. And even then, you’re always striving to improve on it. Take this from someone who writes screenplays AND does half-marathons.

Believe me, there will be shitty days. Lots of them. You will be angry and frustrated. You will see others succeed while you feel like you’re going nowhere. It happens. But that’s the price you pay for setting off on this seemingly impossible journey.

But also keep in mind that you’re not alone. There are lots of us out on a similar path. Feel free to make the occasional turn so your path intersects with somebody else’s. It can help make the journey a bit easier.

My friend responded with a note of thanks and gratitude, which included “I’m ultimately a storyteller, a writer. This is what I exist to do, even if my audience is a small one. I will work hard to find it and share my stories.”

Couldn’t have said it better myself. Hang in there, chums.

Not everybody’s going to like it

pie
Astonishing as it is, some people actually don’t like pie. Heathens.

Notes and comments continue to come in for the comedy spec. I’m seeing some very insightful stuff that will prove most beneficial for the next draft.

Reactions range from “I loved it!” to “I was very disappointed with this.” The author of the latter even started things out by saying “I wanted to like it, but just couldn’t. I guess our senses of humor are just too different”.

And you know what? They’re right, and that’s totally fine. Comedy is subjective. Everybody likes different things. If it’s not for you, it’s not for you.

Would I have preferred they liked it? Of course. But they didn’t, and that’s all there is to it. I still value their opinion and will continue to ask them for feedback in the future.

But I also shouldn’t totally disregard what they had to say. They made some valid points and suggestions in their explanation of why it didn’t work for them, a lot of which could potentially be applied to the aforementioned rewrite.

Nor should I take one person’s rejection as the final word. They didn’t like it, but in no way does that mean everybody else will have the same opinion. For all I know, this one dislike is the exception to the rule.

This is one of those things that a lot of writers, especially newer ones, fail to grasp. You slave away on a script, and then you send it out, convinced it’s a work of genius. And you don’t get the reaction you were hoping for. PASS. Thanks, but no thanks. We’re working with something similar.

Heartbreaking, ain’t it? “How could they not have liked it?” you cry out to the writing gods. It’s just the way it is. Remember – it’s not about you. It’s about the script.

So you’ve got two choices. Obsess over the rejection, or accept it, put it behind you, and keep pushing forward. Maybe figuring out why their reaction was negative could help.

But don’t let that negative slow you down. Do what you can to turn things to your advantage. Like with practically everything connected to screenwriting, it won’t be easy.

Start by making sure you like it, and then take it from there.

So this is what inner peace feels like

zen garden
Serenity, calm, and all that

Philosophy, metaphysics and existentialism aren’t really my thing, but I suppose you could say I’m feeling very “zen” these days.

Part of it is stems from completing the last-polish-before-contests of my western. It definitely reads better, and I’m extremely happy with the results.

Working on this rewrite also renewed my sense of “don’t hold back”. It was exhilarating to write material that felt so alive and vibrant. I am fully confident this will continue with each draft of each of my scripts from this point on.

For some reason, this may also tie directly into a majority of my anxiety and stress and self-imposed pressure simply disappearing, or at least being drastically reduced.  Seriously. Maybe it’s from just accepting that success will happen when it happens, and that beating myself up until it does is just counter-productive. I suspect there will be times when I’ll still get a little down, but expect it to occur on a less regular basis and definitely not as severe.

Big things of a positive nature are ahead, chums. I will do my best to maintain this blissful sensation while I keep working toward reaching that inevitable goal.

Which I do expect to happen. Preferably sooner than later, but either way I’ll get there.

**Editor’s note – this is my 700th post. While the ideal subject matter would have been “I sold a script!” or at least along those lines, I’m quite content with it covering the topic it does.

I hope you’ve enjoyed being part of this for the previous 699 posts over the past 7 years, and that you’ll keep coming back for more.

Thanks for reading!

Happy to be done with it

jump-for-joy
Yeah, kind of feels like this

Another chapter has closed in my ongoing quest to become a working writer, or at least an annoying wrinkle has been ironed out.

Following the latest but not-surprisingly disappointing results, my involvement with the  “pay to pitch” practice has come to an end. A person can only take so much before totally abandoning the ship in question.

Simply put: I ain’t doin’ it no more.

How did I end up here? Easy. Desperation.

Despite all my efforts on several fronts, nothing was happening with any of my scripts. I got to the point that I’d try anything.

So I tried this. A few times, each with the same result – PASS, accompanied with a few classic chestnuts. “Couldn’t get excited about the story.” “Didn’t really care about the characters.” “No specificity of the throughline.” (This last one will stick with me until the end of time.)

I even went so far as to do one via video streaming, but technical issues really mucked things up. It’s kind of tough to pitch to someone when they can see you, but YOU CAN’T SEE THEM. Did the best I could, but still another PASS.

I got a survey/questionnaire about this one, and didn’t pull any punches in airing my frustration about it, adding how I couldn’t in good conscience recommend the service to anybody.

A representative contacted me soon afterward, expressing their sympathy and understanding, as well as an explanation that “their policies regarding responses were different now”, and offered a free pitch. I considered it, and decided to hold off unless something too irresistible came along. The rep also offered to help me with the pitch so as to get maximum results.

A few months went by, and what seemed like a solid match popped up. I contacted the rep, asking for their help, which they provided in the form of suggested edits. Each subsequent draft had to be uploaded to a file-storing program for the rep to read it, but I didn’t know if each new draft was replacing the old one, or just sitting there next to it. My emails to the rep were going unanswered, and the deadline was drawing near fast. In the end, there was nothing I could do.

The deadline came and went. Days went by, and no response. Days turned to weeks, and still nothing. As it neared the 2-month mark, I’d decided that was a sufficient amount of time and sent an email to the rep asking what had happened (plus a copy to the rep’s supervisor, just in case).

The response was almost immediate – from the supervisor. This was the first they’d heard about my situation, apologies were offered, along with the promise to give my pitch top priority with that company the next time. I said I’d be in touch.

A few hours later, I got an email from the original rep, who informed me they were no longer with the company (their departure most likely around the same time as, if not before, my original deadline).

Jump ahead a few days, and a response to my original pitch arrived from the company in question.

5/5 in every category, save for a 3/5 in Character Obstacles (which was one of the things I’d cut based on the rep’s suggestions).

PASS.

I sent another email to the supervisor, informing them about this (since I’m sure they weren’t even aware of it) and officially calling it quits. I won’t hold my breath waiting for a response.

What bothers me the most about this whole experience is how easily I bought into the false hope that was being sold. Like I said, I was feeling frustrated and desperate, and this seemed like my only option, which of course it wasn’t.

There are very rough days where I get extremely depressed about my lack of progress, and going through something like this doesn’t help – especially when it keeps happening over and over again. You learn real fast how many hits you can endure before wanting to simply give up completely.

But I’m not at that point just yet.

A lot of writer friends have offered up words of encouragement, and a few positive things have happened recently so as to improve my spirits, or at least renew my belief in my writing skills. Things will take a turn for the better.

The marathon continues, one step at a time. But I won’t be paying for it anymore.

 

Working in a timely manner

train conductors
“Now that’s something you don’t see every day, Chauncey.” “What’s that, Edgar?” “A writer setting a schedule and sticking to it.”

Following the lead of some of my writing colleagues, I’m making more of an effort to establish a sense of order and structure when it comes to my writing and all things connected with it.

It used to be “Write when you can!,” which in a way it still is, but more layers and categories have been added to the mix.

-First and foremost, the setting aside of at least an hour a day to work on one of my own projects continues, be it outlining, writing, editing, rewriting, or polishing. This remains the primary objective.

-Networking. While connecting with people is easy, maintaining those relationships takes effort, and can quickly become time-consuming. As much as I enjoy conversing (albeit online) with people, I try to keep it to a minimum – unless it’s relevant to the project of the moment.

-Related to that is the reading and note-giving for other writers, especially those who were equally as generous with their time to do the same for me. I may not always be on schedule about it (something I’m trying to improve), but I make a point of getting it done.

-Career-building. This mostly involves researching potential recipients for pitching and queries, which means diving head-first into the scavenger hunt that is IMDB Pro. While most of the time the contact info is accurate, sometimes it’s out of date (people move on), or there’s no contact info whatsoever, or the person or company in question hasn’t existed for years.

*True story – researching an agent, I’d discovered they’d apparently died several years before but the email was still in operation. I opted not to query them.

-Overall stayin’ organized. I’ve started jotting down each day’s objectives and “must do’s” in a little notebook, and checking off items as they are accomplished. It’s been very helpful in making me stay focused on what needs to get done, rather than hoping I remember later on.

All of this is still somewhat early in the process, but so far, so good. That feeling of being in control helps make the whole thing seem a little easier, as well as feeling like stuff is actually getting done.

How about you? What steps are you taking to be more organized with your writing?