story

The Force is strong with this one

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galaxy
Don’t get your knickers in a twist. This isn’t about that.

Star Wars: Episode VII officially opens today, and my God, what an impact this is having. I’ve been a fan since way back in ’77, but not to the point of sleeping in front of a movie theatre for days on end.

I’m opting to wait a couple of days and let all the crazy hoopla die down. It’s not like it’ll play for a week and disappear. Even the neighborhood theatre up the street is playing it on both screens. That’s saying something.

Looking at this phenomenon from a screenwriting point of view, you can’t help but be impressed with the world that’s been created here. Count me among those inspired by the creativity on display in these films and who strive to achieve something similar with our own work.

I’ve written before how I’d love to write the next STAR WARS (as would a zillion other writers), but I don’t mean a sprawling epic space opera, although that would be kind of cool.

I’m talking about an entertaining story of memorable characters and situations that you never get tired of seeing. That thrills you with its overwhelming sense of wonder. The sheer joy of being swept away as this tale unfolds before your eyes and ears.

Do I have that ability? Hard to say, but I like to think so. Nobody thought STAR WARS was going to do well, and you know how that worked out.

So in the meantime, I’ll keep plugging away, telling my own stories the best way I can, and hope that someday I come close to accomplishing something similar. At the very least, it’ll be fun trying.

See you at the movies.

 

How’s it going?

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public speaking
Go ahead. You’re among friends.

From what I’ve been reading on the internets, a lot of you are making some excellent progress with both your writing and your careers.

I’d love to hear more. Feel free to share the latest development(s) for you and/or your writing. Anything worth noting you’d like to tell the world? Doesn’t matter if you’ve made a sale or written 2 pages in your latest draft. It’s all good stuff.

I’ll go first.

I’m about halfway through outlining the story for a sci-fi side project, working on some script notes for a few friends, still trying to break the story for my new idea, and my western has advanced to the semifinals of the 2015 Screenwriting Action/Thriller contest.

See? Nothing to it.

Your turn.

A few points about plot points

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delorean

Time for a quick refresher course, chums.

Today’s topic: plot points. What they are and what they represent.

I’ve always seen plot points as pivotal moments in the story; events that change the situation for your protagonist, usually in a negative manner, and ask/reiterate the central question (Will your hero achieve their goal?).

Having solid plot points also helps establish your story’s structure. Without it, all you’ve got is a big convoluted mess, and who wants to read that?

Although this uses a 110-page script as an example, plot points don’t have to happen exactly at those pages. A few more or less is totally acceptable. I’ve also opted to use fairly recognizable examples to emphasize each plot point.

Pencils ready? Let’s begin.

Page 3 – statement of theme. What’s the overall message of your story? The theme should also be incorporated in some fashion into each scene throughout the course of the story. (“No McFly in the history of Hill Valley has ever amounted to anything!” “Yeah, well, history’s gonna change.”)

Page 10 – inciting incident. The event that shakes up you protagonist’s world, and asks the central question of the story. (Will Indy get the Ark before the Nazis?)

Page 17 – a twist to further complicate things for the protagonist. (“Alderaan? I can’t go with you to Alderaan!”)

End of Act One (page 25-30) – Your protagonist leaves behind their old world and enters a new one to achieve their goal. Also repeats the central question. (Marty arrives in 1955)

Page 45 – another twist to complicate things for the protagonist (Indy saves Marion, destroys her bar. “I’m your goddamned partner!”)

Midpoint/Point of No Return (page 55-60) – your protagonist becomes fully committed to achieving their goal (Brody decides to go after the shark after his son barely survives the latest attack)

Page 75 – yet another twist to really complicate things for your protagonist (Vader kills Ben as Luke & Co escape)

End of Act Two (page 90) – All is lost. Your protagonist is totally screwed with no apparent way out. Makes it seem like the answer to your central question is “no”. (The Nazis get the Ark).

Climax (page 95-100) – final showdown between your protagonist and antagonist. (Rebels attack the Death Star. Marty must hit the wire when the lightning hits. Nazis open the Ark. The shark attacks the Orca, eats Quint.)

Resolution (page 100-105) – Aftermath of the climax. Central question gets answered. (Rebels victorious. Marty returns to 1985. Brody & Hooper survive. Indy delivers the Ark.)

Denouement (page 105-110) – How your protagonist’s world is now different from what it used to be (but not necessarily better). (Marty’s family is successful. The Ark gets crated and goes into a warehouse. Luke & Han hailed as heroes. Brody doesn’t hate the water anymore.)

So there you have it. Do the plot points of your story match up with these? Just something to think about. And feel free to watch the movies represented here (or one of your own personal favorites, or one similar to yours) to see all those plot points in action.

It just might be some of the most fun homework you’ll ever have.

Rip-roaring and ready to go yet again

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lightning
That’s me. All charged up.

Over the past week or so, the idea for a new story has been slowly developing inside my head.

Even though most of my attention continues to be focused on completing other projects, that seed has been planted and I work out a few details about it when I can.

This is just the beginning of the whole process, and my work is definitely cut out for me. Like with any script, it’s going to be tough.

But I also have to admit I’m quite thrilled about it.

There’s just something about coming up with a new idea that really reinvigorates your creative process. You’re excited about the story, the potential within it and possibly even (gasp!) looking forward to writing it.

I certainly doubt I’m the only who experiences this.

As expected, there will be days I get frustrated about any number of things related to this, which is par for the course. But I’ve also been doing this for a while, so the positive days steadily continue to outnumber the negative.

As has also been my experience, some of those negative days will most likely include outside comments of a tearing-down nature. Fortunately, I’ve developed a thick skin over the years and learned to ignore the ramblings of self-proclaimed “experts”.

For now, everything is still in the early-early development stage. It took a while just to come up with a good logline, and even that will probably still need work. Now I’m just figuring out the plot points. There’s no rush, especially since I already have several other scripts that require my attentions.

I like the concept of this one, and am really looking forward to seeing how things work out with it.

What comes after the light bulb?

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light bulb
This is how it starts

Being a writer means your creativeness is always running, or at least should be. It never shuts off, and sometimes kicks in when you least expect it.

Inspiration can hit anytime, but are you prepared for when it does?

You could be doing something you do practically every day or see something seemingly normal, and all of a sudden think, “Hey! There’s a story here!” It could be whatever you can imagine: the basis for a short, an episode of a webseries, or part of a feature.

Then there’s the thrill as your mind races through all the potential possibilities. What if THIS happened? Or THIS? Ooh! I love THIS! It’s like a shot of adrenaline into the right side of your brain.

When the idea hits, do you immediately write it down, or is it suddenly burned into your brain so deeply that there’s no way you could possibly forget any part of it?

Of course, it’s one thing to come up with the idea. How far do you go with it? Does it lose its luster after a few days, and then you just give up completely? Do you hold onto it because there’s just SO MUCH POTENTIAL here? Do you tinker around with it, file it away, then come back to it weeks or months later?

How original an idea is it? Can you think of something that’s similar? Who’s your target audience? Is it something you yourself would actually pay to see?

Let’s also not forget that this is all based on your thinking. You love the idea, but what if somebody says “I don’t get it” or all you get is a shrug? Do you think the idea is worth developing? Is it one you’re prepared to slave away on for an extended period of time?

It’s easy to come up with the ideas, but definitely not easy to turn them into quality, fleshed-out screenplays. It takes a long time to get the hang of doing this, let alone doing it well. But don’t let the difficulty or length of the journey dissuade you from at least trying.

Start with the idea, and take it from there.