Little changes = big results

I’d been struggling with the rewrite of the fantasy-comedy spec. I identified a few things that could probably be cut and where some repositioning might come in handy, but there were still a few details that were proving difficult.

So I did what any sensible writer would do: I shifted my attention to another project. Naturally, I’d still return to this one every once in a while, trying to find a viable solution.

Since my usual approach wasn’t working, (helpful tip – don’t try to force ideas. Let ’em happen naturally) I decided to try the tried-and-true “go for the hard turn”. Same objective, much different route to get there.

“Rather than THIS, how about THAT, which still gets us to THERE?”

The spark had been lit. Definitely some potential here, but with some reservations. How much would this drastically impact the story? This was already a major rewrite/overhaul project, but I didn’t want to get away from what appealed to me about the story in the first place.

I mapped things out, looking for scenes and story details that could be changed just enough to make a difference but also not sending things too off-course. Found a few things that matched that criteria and made the appropriate changes in the outline.

I usually stick with the outline until the entire story is ready, but I wanted to give these new ideas a test run to see if they worked on the page. I cranked out a few pages – while also keeping in mind the guideline of “keep it tight!” (i.e. Don’t go for the flourish; just write what needs to be there).

End result – pretty good. It’ll need a little more polishing, but I’ll deal with that later.

There are a few more story details that need work, but I’d say this is a good start.

Just 2 weeks left on the crowdfunding for my short film SHECKY. We were very fortunate to hit our initial goal and are now working towards a stretch goal. Every $ goes towards post-production, and whatever’s left over will help get the short into some film festivals.

There are several tier rewards, including a new one that includes a personalized video of me telling you a terrible joke (which is on theme for the short).

So if you’re a big supporter of indie filmmaking, the telling of terrible jokes, and the overall screenwriting community, I hope you chip in to help this project reach the finish line.

Change: embraced

The ping-ponging between my three projects continues, with a little bit of progress for each.

A lot of this whole endeavor comes down to not only rewriting, but how each rewrite is put together. What to keep, what to cut, and most importantly: what to change.

For the most part, there’s nothing huge or drastic, but just enough to make a difference.

Is this scene necessary, and if so, where does it fit best into the story?

Is there a different way to present it so it’s not the same as its previous version but still accomplishes what it’s meant to?

What would be a more effective way to show the protagonist in action while driving the story, but also reinforces their arc?

Notes for each project are dotted with questions that need addressing (e.g. WHY DOES SHE DO THAT? WHICH IS SHE MORE LIKELY TO DO?, etc.) – all with the intent of helping me figure things out.

Also very helpful – a collection of notes from readers with questions, comments, and suggestions. Some have had quite a lasting impact.

It’s becoming easier to make these changes. Some long-term darlings have been sacrificed, all for the greater good – resulting in what is hopefully a better and stronger story.

It’ll be interesting to see what the end result for each project is, with every day seeing a few steps forward.

Good news for the crowdfunding of my short film SHECKY! We hit our initial goal, which was all about post-production. There are still a few weeks left, so a stretch goal has been added with whatever’s raised going towards helping out with film festival fees.

All the tier rewards remain in place, with the addition of a new one that includes a personalized video of me telling you a terrible joke. And in case that sounds weird, it’s keeping with the style of the short’s story.

So if you’re a supporter of indie filmmaking, the telling of terrible jokes, and the screenwriting community, I hope you can chip in. Every dollar really does make a difference.

Thanks!

…and looking ahead

Last week was all about 2025.

This week, to paraphrase the words of Dr Emmett L Brown, we plan for… the future!

-First and foremost, nailing down the story of the new action-comedy spec, and churning out at least 1-2 drafts. I’d say it’s about 2/3 of the way there. Still some details to work out, but I like how it’s developing.

Also nice – several readers have already volunteered their services to give it a look and subsequently tear it apart. In a helpfully critical way, of course.

-The other big thing is doing a major polish/revision on my western and fantasy-comedy specs. They’re good, but there is definitely potential to elevate the quality of each.

I’m also very fortunate to have a manager who’s really psyched about helping me on all fronts, from feedback on pages to getting the scripts out there.

As last year wound down, several columnists and podcasts talked about planning a strategy for achieving writing goals over the course of the year. A few really hit home for me, and I’ll be putting my own spin on that approach.

Looking forward to seeing how it all goes.

-Another significant project for this year is seeing the completion of post-production on my thrill-omedy short film SHECKY. The crowdfunding is just about halfway there and as of this posting, hovering around 71% funded.

Several readers of the blog have chipped in, and I once again put out a sincere request to anybody else who can contribute and is willing to do so. This is a long-in-development project for me, so any help I can get to reach that finish line is highly appreciated.

There are also some fantastic tier rewards, including invaluable feedback on scripts, directing reels, and acting reels. Click on the link above to take a look around and see if anything strikes your fancy.

-Lastly, my hosting of The Creative Writing Life Podcast continues. Guests are already lined up into February, and I’ll see what I can do about finally adding some theme music.

Those are the big ones for the next 12 months, and no doubt other things will show up.

Exciting times are ahead, chums. Make your 2026 as amazing as you want it to be.

Looking back…

It’s my final post of 2025, so here’s a short breakdown of how it went in terms of screenwriting and the screenwriting-adjacent.

For the most part, there were two highlights:

-I got a manager. I’m especially proud of this because it was because of my writing, and not because of an arbitrary (and ridiculously costly) scoring system or contest results. He likes my stuff and is very enthusiastic about it and my potential for the coming year.

He’s also very supportive regarding the developing of new material, in that he’ll give feedback but not in a “I think you should do it my way” way. I’m looking forward to how he responds to the new spec.

-The other one is that after years of holding off and delays, my short film is that much closer to becoming a finished project.

There was crowdfunding to raise $ for production – 52%, which wasn’t bad.

A whirlwind 2-day shoot in my house (and a special thanks to my wife K for being incredibly patient and helpful during that time).

Lots and lots of back and forth with my extremely talented, capable, and also very patient director.

The editor worked her magic on it, and now it’s in the hands of the sound department. FYI – crowdfunding to cover post-production continues, so it would be very cool and highly appreciated if you’re able to chip in to help get it across the finish line.

-On the contest front, results were less than desired – a few whiffs and a handful of QFs and SFs. I’ll write more about this next week, but I think I’ll be skipping the 2026 season.

-I had the pleasure of reading a lot of phenomenal scripts from many of the fantastic writers in my network of associates. Exchanging scripts and the subsequent feedback among peers is invaluable.

-Speaking of which, The Maximum Z 2025 Script Showcase posted last week. 89 great works by 89 great writers. Feel free to give it the once-over and reach out to any writers whose work you’d like to read.

Overall, it was a good year. Hope it was for you too.

And here’s to the next one being even better.

The countdown continues!

**Disclaimer – this post is for the most part promoting stuff I’m doing, especially the second one, so it won’t be shared to some of the usual social media platforms because they frown on that sort of thing and I do my best to not be a rabble-rouser**

And with that out of the way…

Here’s a pair of brief but very, very important announcements:

-One week from today is the great unveiling of The Maximum Z 2025 Script Showcase! A thrilling assortment of screenplays, TV scripts and short scripts* from an exceptionally diverse cadre of skilled and savvy writers.

If you’re among those who has NOT sent in the info for your script, you have until Thursday 18 December to do so. All the details can be found here. Please make sure to read them carefully and be diligent about following the instructions.

*no webseries submissions as of yet, but it could still happen

-The crowdfunding campaign to raise post-production costs for my thrill-omedy short film SHECKY is up and running. The editing and sound departments are working their magic, and the latest cut is looking mighty good.

There are tier rewards, including invaluable feedback on scripts, directors reels, and acting reels. Great stuff all around.

If you’re a fan of indie filmmaking, terrible jokes, and supporting the screenwriting community, then I sincerely hope you can help out by chipping in a couple of bucks.

Thanks.