Saving now for future use

Behold! Filing cabinets of the 21st century
Behold! Filing cabinets of the 21st century

When was the last time you looked through your idea file?

You know the one. That desktop folder or flashdrive where you keep all those random thoughts and story ideas you’ve jotted down over the years.

You do have one, right? If not, you really should start one.  It’s easy. Just write stuff down, hold on to it and never get rid of it. Never.

Chances are a majority of these ideas probably won’t make it past the logline/story concept stage, and it’s even more likely you’ll have forgotten about them after a relatively short time. But don’t let that stop you from constantly adding to the file.

Each idea is a good reminder of the potential you saw within that story. Why else would you have written it down?

It’s also a nice little ego boost/confidence-builder to be reminded of your own creativeness. “I don’t remember coming up with that.”

I’ve mentioned many times about being ready when someone asks you “What else have you got?”. This guarantees you’ll have something ready to go, even if it’s just a couple of sentences that take all of ten to fifteen seconds to pitch.

You never know what’s going to work. That throwaway concept you came up with years ago could end up being your next project.

So the next time you take a break from whatever it is you’re working on right now, open up that file and see what’s in there. You might be surprised, intrigued, pleased or even thrilled.

The possibilities really are limitless.

Meanwhile, 365 days later…

When exactly are the days of auld lang syne again?
When exactly are the days of auld lang syne again?

Things definitely changed for me during 2013, happily for the better.

-My script DREAMSHIP got me a manager, was a semifinalist in a high-profile contest and placed in the top 15 percent of the Nicholl. While I hope more things happen with it this year, I’m also pretty excited about the potential of the western spec and the two still in the rewrite/development stages.

Most importantly, I’d say I finally realized the true meaning of “write what you know”. A lot of what I write could fall squarely into the category of pulp material. A high-flying adventure guaranteed to buckle anyone’s swash. A western where you can practically breathe in the dry and dusty air and hear the thundering hoofbeats. A noir-style mystery that makes you want to hang on to your fedora as you toss back a shot of cheap rotgut.

I live for this kind of stuff, and strive to convey the same kinds of sensations and experiences in my work. It took a while to really understand this, but it’s made a significant difference for me and how I approach writing.

-Through this blog, assorted networking websites and writing forums, I’ve connected with a lot of extremely talented people from all over the world. Pleasantries, experiences and script advice have been exchanged, and I’m looking forward to continuing all of them (when possible, regarding the latter).

-Absolutely nothing happened with relaunching the podcast, mostly because I never found the time. Will do my best to change that.

-I ran 5 half-marathons, including two where I finally managed to break the 1:55 mark and set a new personal best – 1:51:10. I don’t know if I’ll do as many this year, but would like to try and at least hit 1:50.

-The running and bike riding definitely helped me stay in shape, and I attempted to maintain a semi-regular regiment of upper body work. Not as fit and toned as I’d like to be, but it’s helped a little. This will continue.

-The great baklava experiment was a smashing success. It’s been requested I make it again, this time with pistachios instead of walnuts. No reason that can’t happen. Still undecided about what new concoction to attempt this year, but baked alaska currently holds the frontrunner position.

As always, I’d like to thank you for coming along with me on this thrill ride of an experience, and hope you stick around because 2014 holds bigger and better things.

Happy new year, and see you on the other side.

Out of the fog – literally

Definitely the kind of weather you'd find this guy in
Conditions like this I call “Sam Spade kind of weather”

Call it a benefit of being a creative type.

Even though I may be working on one project, there’s always the strong possibility that ideas connected with another can still pop up. Happens to all of us.

When they do, I do my best to take advantage of it.

Just such a thing happened yesterday morning. As is my usual routine, I was riding my bike to work. (Didja know I leave the house at 4AM? True.) Suffice to say, it was dark.

And foggy. This is San Francisco, where fog is a serious issue. Visibility was limited to fifteen, maybe twenty yards.

So there I am, pedaling along, and I can’t help but notice how delightfully creepy and sinister it all is. Barely-lit slick streets blanketed with dense fog, the hearty blast of the foghorn sounding over by the Golden Gate.  Something in my brain switches on.

“This is the perfect setting,” I think to myself, “for the opening of the monster script.”

The fog hung around for about another two miles, giving me lots of time to come up with a mental list of what could happen during that sequence. After I got to work, I wrote some of them down. If only the rest of this was as easy.

Even though this is just a small part of the story, and the actual work on the script may not happen for a couple of months, it was pleasantly unexpected.

We can’t force inspiration, so when you suddenly come up with an idea, let alone one that works, no matter how big or small it is, grab hold with both hands and do not let go.

The details might change, or you might not even use it, but it’s still a small step towards being done that helps make the whole process a little more bearable.

Find a tone and stick with it

Something in this seems a little out of place
Something in this seems a little out of place

I used to dread getting feedback. It always meant having to go back and rewrite something.

Fortunately, I’m well past that and now appreciate how necessary both feedback and rewriting are.

Feedback makes you learn to value the necessity of hearing how somebody else interprets your work, and more importantly, how to be objective when it comes to really understanding what they have to say.

While working on the outline of my mystery rewrite, I looked for opportunities to put in an occasional joke (read: cheap laugh).

The problem, according to my top feedback-provider, was that the jokes, while understandable for their intent, were totally wrong for this kind of story. They make my protagonist come across as an idiot and the action comes to a screeching halt each time. And since this is more mystery than comedy, they shouldn’t be drawing attention to themselves like that.

There were other notes besides this one, but this one really struck a nerve – in a good way. I’ve been working on rewriting the jokes to make them a better fit within the context of the story, rather than have them be glaringly obvious and out of place.

As you create the world of your story, you have to make sure all the elements combine to make a believable scenario. This goes way beyond the story and the characters – take everything into account.  If something seems out of place, fix it or get rid of it.

And if you’re not sure, that’s what feedback is for.

Rediscovery within the idea factory

Where output is a 24/7 operation
Where output is a 24/7 operation

Where do you keep your collection of story ideas? A folder stashed away somewhere in your home office? A notebook tucked away on a bookshelf?  A flash drive lost amidst the clutter on that messy desk you keep telling yourself you’re going to eventually get around to cleaning?

No matter where it is, hopefully you still have it and have been contributing to it all this time.  The stuff you came up with way back when with the intention of getting back to it someday.

When was the last time you looked at any of them?  How much did you work on this or that before moving on?

It might just be a title, a logline, or a single paragraph. Take a closer look. How do they read now?

Does your mind still race about the possibilities of what could happen? Do you read it and think “I barely (or don’t) remember writing any of this,” or (hopefully) “This is a lot better than I remember.” Do you make a mental note that this has to be your next project?

Sometimes the ideas we come up with are better than we realize. The initial effort might not be what we’re hoping for, but  the idea or concept behind it is so strong – that’s what really appeals to us; it really drives us and motivates us to explore it further. Some may jump right into reworking it, while others file it away – “I’ll hold on to this.”

Maybe all you really needed were time and experience. Aren’t we all better writers than we were, say, a year or two ago?

Last week I wrote about working on two projects. While I wait for feedback on each in their current state, I turned my attention to the outline of a story I came up with about five or six years ago.

Much to my surprise, there were two outlines: the original, and then a semi-rewrite from two years after that. I skimmed through both. I prefer the second one, but there are definitely elements from the first I can incorporate into a new version.

There’s nothing like finding some of your old material and not just enjoying it, but seeing its potential and looking forward to working on it.

(As much as I’d like to add this into the mix, it’s probably better to not overdo it. I’ll focus on the other two, then move on to this one.)

So dig around and find your ideas from days gone by. You might even be surprised and potentially impressed with what you find.