comedy

Happy to make your acquaintance?

Maximum Z agent, comedy, crowdfunding, manager, networking, producer, query letter, screenplay, screenwriting, script, short films, social media, thriller , , , , , , , , , , , ,

A quick reminder – just over a week left on the crowdfunding for my thrill-omedy short film SHECKY, so there’s still time for you to kick in a few bucks if you haven’t already. And a major thanks to those who have.

I’ve been pretty diligent in posting about the crowdfunding all over my social media platforms, so I’m checking them all several times a day. After initially checking my own stuff, I’ll do a quick skim of what else is going on out there.

One thing that seems to be popping up more often is a slight uptick in interest in spec scripts from reps and producers. Many are from already-established writers, but there’s also a slight increase in writers connecting with said reps and producers via social media.

Goodness knows I’ve tried doing that, but with very limited results – if you can even call it that.

On a similar note, Facebook has been posting more “Connection recommendations” that include a lot of writers and reps, plus a handful of producers. I’d considered trying some of those, but figured they probably prefer to keep their personal and professional lives separate (or even totally apart), so opted to not take that path.

I’d posted about this and got several responses back, including “You’d be better off using LinkedIn, X/Twitter or Instagram.”

Yeah, tried those too. Most of those connection requests go unanswered, with a handful accepting.

One odd exception is a few lit agencies following me on Instagram. Those responses tend to range between zero and none.

No matter what the platform is, I make a point of just being friendly (“Hi. Hope your projects are going well”) and not immediately starting with “Hi! Nice to connect! Read my script!” I hate when people do that to me, and suspect industry folks hate it even more.

I interact when I can and try to keep it respectful. Bad impressions have incredible staying power.

I haven’t tried using any of these for queries due to past experience of zero response, but you never know. Just need to do some research to see who might be the most receptive. It might be a longshot approach, but trying is better than doing nothing.

With so many other projects in the works, I’m not querying as much as I used to. One of these could even potentially attract some attention, thereby nullifying the need to query at all.

In the meantime, it’s all about the short film and having fun developing my scripts.

A few bangs for your bucks

Maximum Z comedy, community, crowdfunding, determination, filmmaking, perseverance, persistence, producer, screenplay, screenwriting, script, short films, thriller, writing , , , , , , , , , , , , ,

The crowdfunding for my short film SHECKY continues. We’re closing in on 30%, and doing what I can to keep those numbers climbing.

Every dollar raised goes into the costs involved with making this film, and there are different amounts you can donate. Each tier has its own reward as a thank you for donating.

(and if the names seem a bit odd, just think “showbiz”. It’s part of the story)

$10 – Stage Door Johnny

Social media shoutout of your total awesomeness & onscreen thanks expressing my eternal gratitude

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$25 – What, And Give Up Show Biz?

Social media shoutout, onscreen thanks, and your name as “Member of the Chorus” on a Paradise Theater poster

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$50 – Road Company

Social media shoutout, onscreen thanks, your name & your vaudeville act on a Paradise poster

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$75 – Rising Star

Social media shoutout, onscreen thanks, your name & your act as headliner on a Paradise poster

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$100 – Presenting…

Social media shoutout, onscreen thanks, your name on the Paradise marquee, a pdf of the film’s poster, a copy of the script

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$250 – In The Spotlight

Social media shoutout, onscreen thanks, a video of Shecky telling you a joke, poster, script

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$500 – Stage Manager

Social media shoutout, onscreen thanks, joke video, poster, script, digital copy of the film

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$1000 – Publicity Agent

everything above & onscreen credit as “Patron of the Arts – Silver Circle” + 1 ticket to screening (if possible), full-service script notes

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$2500 – Mr./Ms. First Nighter

everything above, onscreen credit as “Patron of the Arts – Gold Circle”, 2 tickets to screening, script notes, interviewed on The Creative Writing Life podcast

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$5000 – Box Office Smash

Everything & above, onscreen credit as “Patron of the Arts – Diamond Circle”, 1 ticket to a screening at a film festival, script notes, podcast interview, short film consultation

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This is a project that’s been a long time coming, so I sincerely hope you’ll be willing to chip in to help make it happen.

Can’t go wrong with a little originality

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The crowdfunding effort for my short film has passed the 25% mark. On one level that is FANTASTIC, but there’s still that remaining 75% with about six weeks to go. That means my extensive efforts and outreach will continue.

It’s the only way to make this happen.

It’s great to have so many supporters step up. More than a few have commented on how much they love the concept, along with a handful who’ve asked to read the script – and liked that as well.

One of the recurring comments has been how this would be a great example of independent film. In all honesty, I never thought of it that way. I just wanted to write and make a short film that other people could enjoy. Mostly for the experience of doing it, but also for the satisfaction of having something I can show the world and say “I wrote that”.

But what it really comes down to – a bunch of creative types making a film based on an original idea.

Hopefully that’s what’ll happen. Fingers remain, as always, firmly crossed.

And please donate if you can at the link above. Thanks!

A lot of moving parts

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Progress on the new spec has been slow but steady-ish.

Biggest development was finally figuring out the reason why my antagonist is doing what they’re doing, and that in turn will have an impact on the rest of the story. Still working out some of the details about the subplots connected to that; some directly and some not so much.

As I work my way through all of it, more subplots for the overall story are popping up. It’s gotten to the point that I’ve put together a pair of lists – one for the protagonist and one for the antagonist, each listing their respective subplots (along with some important details about their storylines).

Both have grown exponentially, and I have to be careful not to overdo it. I don’t want things to get too confusing. The last thing I want is a reader to stop and ask questions, or have something left unexplained. Things need to be easy enough to understand, but not too simple. I try to make sure everything plays a part.

Honestly, this is one of those parts of the process I enjoy – just figuring stuff out. It’s a challenge, to say the least, but it’s oh so worth it to take the time to make sure all the pieces fit together the way they should. This probably explains why the development and outlining take me so long – trying to get everything organized and set up in the right places.

As I work my way through all of these potential ideas, there’s a good chance a lot of them will be dropped – wouldn’t be the first time – but it’s easier to cut and revise than to try and jam something in that feels forced. Sometimes I get lucky and discover a viable connection set up earlier in the story, which is more likely serendipity than me being exceptionally cunning.

A reader on my fantasy-comedy had commented there was a lot going on over the course of the story and they were wondering if I’d be able to pull off keeping things organized. But when they were done, they admitted to being impressed with how all the subplots played out both individually and how they all came together in Act Three. They could tell I’d put in a lot of effort to ensure that happened.

That’s what I’m going for with this one. There really is a lot going on for this story, which is why I’m really taking my time to figure everything out so it all works the way it’s supposed to.

That’s one out of the way…

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Hard as it is to believe, I can honestly say that my work on the animated fantasy-comedy has come to an end. I got some great notes from a new batch of readers (and one previous one), did a few passes on it, and there you have it.

I think it’s a very strong piece of work and at the very least makes for a fantastic sample/calling card.

Bonus – one reader really enjoyed it and offered to put out feelers for potential interest within their network of industry connections. There was no hesitation to say yes (and thanks).

When the year started, I had plans of what I wanted to accomplish in terms of writing and the writing-adjacent. With this rewrite officially in the books, I feel totally unencumbered to do that.

Things feel different this time around, like the air is rife with possibilities. It’s up to me to take advantage of that and be productive while also enjoying the ride.

A few more ideas jotted down for the new spec, work continues on getting things ready for the short film, lining up guests (and reading their work) for the podcast, and putting the finishing touches on the panels for the Writing For Hollywood track at the upcoming San Francisco Writers Conference.

And when I can find the time, reading scripts – both produced and specs.

There’s a lot going on. So far, so good.