ambition

Shakin’ things up so much it registers on the Richter Scale

Maximum Z ambition, audience, characters, Christmas, cliches, confidence, creativeness, creativity, encouragement, entertainment, feedback, genre, ideas, inspiration, networking, noir, obstacles, originality, perseverance, persistence, pitching, quality, reading, rewrite, screenplay, screenwriting, script, story, storytelling, writing, writing group
richter scale
Brace yourself

I recently took part in a group conversation with some other writers, and naturally, the topic came around to “So what else are you working on?” I always enjoy this sort of thing. So many great ideas out there.

When it was my turn, I mentioned some of what’s been occupying my time, which included the Christmas-themed mystery-comedy.

“A Christmas mystery-comedy? What’s that about?”

I launched into my 30-second elevator pitch. “LA Confidential with an all-elf cast.” The seedy underbelly of the world of Santa’s workshop. Guns. Sassy dames. Tough-talking gangsters. Intrigue. Double-crossings. The whole gin-soaked ball of wax.

While most thought it sounded like a lot of fun, one person looked absolutely horrified.

“Oh no!” they exclaimed. “My kids and I love Christmas. It’s supposed to be sweet and wonderful! I can’t believe you’d want to write something like that.” (All that was missing was them sprawled on a fainting couch, claiming to have the vapors while frantically fanning themselves.)

How could I not want to write this? Sweet and wonderful doesn’t make for good storytelling. I love this kind of story, and think it would make a great script.

This person makes it sound like trying something new is a bad idea because it messes with the comfort of the familiar. Yet one of the most common tenets is “Familiar, but different.” A story you’ve seen before, but told in an entirely new way. It’s what we should all work towards.

Everybody’s looking for something truly original and unique. Why in the world would you want to write something that doesn’t offer up anything new?

Every script you write is a golden opportunity to push your creativity to the limit so you really catch ’em off-guard. You know the story you want to tell, but it’s on you to truly surprise your reader/audience. Take things in an entirely different direction. They may think they know what’s coming, but you know better and look forward to how they’re going to react.

No matter what genre your story falls into, there will be certain expectations that come with it. The challenge of every writer is to not just meet those expectations, but toss them out the window and offer up a totally new and unexpected way of telling that story. Some people may not like it, but it’s most likely they’re in the minority, and therefore not your target audience.

Think about it. What kind of script are you more likely to take notice of and remember? One that goes for new and original, or one that plays it safe with the tried, true and predictable?

I know which one I’d pick, and will be waiting over by the window for your answer.

Not perfect, but getting closer each time

Maximum Z ambition, characters, confidence, contests, feedback, motivation, screenplay, screenwriting, script, self-confidence, storytelling, writing
reaching
Almost…

It’s that magical time of year once again: screenwriters are entering their works in some of the major contests. And I plan to be among their number. At least for a few of them.

Buoyed by some recent success (thanks, Screencraft!) and dismayed by the even more recent lack thereof (WTF, Bluecat?), I’m taking one more look at my western before sending it out. Nothing major; just seeking out any necessary last-minute fixes (of which there was at least one, which totally caught me off-guard and has since been taken care of).

I’d considered sending the end result out for some feedback, but quickly opted not to because I actually don’t need to. The script is pretty rock-solid as it is (at least in my opinion),  and is exactly what I want it to be.

How will it do in any of these contests? Beats me, but I believe it’s a quality script about unique characters in a fun, original story. I hear those are pretty popular. Is it the best you’ll ever read? Probably not, but I bet you’d still remember it long after reading it.

It’s taken me a while to trust that gut instinct about my own work. Sometimes the self-doubt and second-guessing is there, but definitely not as much as it used to be.

Ever get that feeling that truly amazing things are going to happen for you?

I do. Quite often. Especially lately.

And I intend on doing everything I can to make them happen.

 

Working in a timely manner

Maximum Z ambition, determination, editing, feedback, goals, motivation, notes, organization, outlines, output, perseverance, persistence, preparation, productivity, query letter, rewriting, Rocky & Bullwinkle, screenplay, screenwriting, script, structure, time, writing
train conductors
“Now that’s something you don’t see every day, Chauncey.” “What’s that, Edgar?” “A writer setting a schedule and sticking to it.”

Following the lead of some of my writing colleagues, I’m making more of an effort to establish a sense of order and structure when it comes to my writing and all things connected with it.

It used to be “Write when you can!,” which in a way it still is, but more layers and categories have been added to the mix.

-First and foremost, the setting aside of at least an hour a day to work on one of my own projects continues, be it outlining, writing, editing, rewriting, or polishing. This remains the primary objective.

-Networking. While connecting with people is easy, maintaining those relationships takes effort, and can quickly become time-consuming. As much as I enjoy conversing (albeit online) with people, I try to keep it to a minimum – unless it’s relevant to the project of the moment.

-Related to that is the reading and note-giving for other writers, especially those who were equally as generous with their time to do the same for me. I may not always be on schedule about it (something I’m trying to improve), but I make a point of getting it done.

-Career-building. This mostly involves researching potential recipients for pitching and queries, which means diving head-first into the scavenger hunt that is IMDB Pro. While most of the time the contact info is accurate, sometimes it’s out of date (people move on), or there’s no contact info whatsoever, or the person or company in question hasn’t existed for years.

*True story – researching an agent, I’d discovered they’d apparently died several years before but the email was still in operation. I opted not to query them.

-Overall stayin’ organized. I’ve started jotting down each day’s objectives and “must do’s” in a little notebook, and checking off items as they are accomplished. It’s been very helpful in making me stay focused on what needs to get done, rather than hoping I remember later on.

All of this is still somewhat early in the process, but so far, so good. That feeling of being in control helps make the whole thing seem a little easier, as well as feeling like stuff is actually getting done.

How about you? What steps are you taking to be more organized with your writing?

The significance and heartbreak of almost

Maximum Z ambition, contest, determination, goals, opportunity, output, perseverance, persistence, pie, professionalism, project, screenplay, screenwriting, script, self-confidence, story, storytelling, success, westerns, writing
Tim Love/Hellmanns Recipe shoot.
You celebrate your way. I’ll celebrate mine.

Well, that’s that. The results are in, and it looks like it was mighty close. Practically a photo finish. One that will be debated by scholars far and wide long after the fact.

Actually, I have no idea what the results were.

All I know is that the 2015 Screencraft Action/Thriller contest announced its Grand Prize winner and First Place winner, and my western was neither.

(I almost said it failed to get either, but opted not to. More on that in a sec.)

It did, however, place among the top ten finalists, so I guess that’s something.

An honor to be part of this elite group? Most definitely. All ten finalist scripts are being distributed to Screencraft’s network of industry contacts, so all I can do now is hope for the best (while working on new scripts, of course).

That being said, how can I not feel pangs of frustration from not achieving either of the top two? Could the script have been better? Probably. Is it solid enough now? I like to think so. For all I know, it came in third.

I totally get how this is part of the process and should be thrilled the script made it this far. Believe me, I am. Very much so. But I’d be lying if I didn’t say I, along with every other writer who entered the contest, wasn’t entertaining daydreamy thoughts of being proclaimed the winner. But that’s not how it worked out.

Honestly, it hurts. Or maybe stings is more fitting. Either way, it feels like “I tried my best, but it still wasn’t good enough.” This sensation will linger for about a day, eventually fading but not totally disappearing. By that time I’ll have dusted myself off, ready to jump back into my normal routine of full speed ahead. I’ve got a few irons in several fires, plus a few projects I prefer to keep on the QT. For now, at least.

I mentioned being tempted to say the script failed to win. True, it didn’t win, but maybe “fail” is too harsh a word. The script did exceptionally well, which I suppose is a reflection of my writing ability and how it’s developing. This is the third consecutive year I’ve had a script place in some manner in a contest, so I must be doing something right.

So for now I’ll keep in mind that sage piece of wisdom uttered after all competitions:

Just wait ’til next year.

Looking back (and a peek ahead)

Maximum Z ambition, appreciation, blog, consultants, craft, determination, draft, feedback, goals, half-marathons, ideas, inspiration, motivation, multitasking, networking, outlines, output, passion, perseverance, persistence, pitching, productivity, professionalism, query letter, running, screenplay, screenwriting, script, social media, story, storytelling, success, westerns, writing
sleeping
Me around 10:30 on New Year’s Eve

As the end of the year gets closer, one can’t help but be a little reflective of how the past 12 months have gone, and in this context, it’s all about the screenwriting and its related subjects.

-My western. A labor of love finally put to bed once and for all. This script has gone through A LOT of changes, and both I and it could not have gotten to this point without the sage feedback received from many of my trusted colleagues.

-Other scripts. Over the course of this year, I completed a first draft and two outlines (with a third in its final stages), all for separate scripts. I may not be as productive as I’d like, but think this is still pretty good. I’m hoping that at least two of these will be completed scripts by this time next year.

-Establishing a career. I’ve always said that each draft of every script gets me a little closer to accomplishing that dream of being a working writer. 2015 saw some strong progress on that front. My writing’s getting better, I discovered I’m pretty good at pitching, and found out the hard way what should and shouldn’t go into a query letter. It’s an ongoing learning process, but I’m getting there. Hopes are high of moving to the next level or two in 2016.

-Networking. The number of writers I’ve connected and interacted with has definitely grown by leaps and bounds. Some have been in person, while most have been via social media, but the benefits have been tremendous all around. From exchanging script notes to being a sounding board for ideas to plain old moral support, you couldn’t ask for a more helpful bunch of folks. Hopefully they got as much out of it as I did. Highly recommended.

-Running. After involuntarily taking a year off, I got back into the habit of going for runs and took part in four half-marathons this year. Didn’t set any new records, but stayed within my realm of expectatins. Really glad I did them and already looking forward to the ones next year. How does this relate to screenwriting? Well, apart from the standard quote of “It’s not a sprint, it’s a marathon (or half-marathon, in my case)”, it’s about determination, endurance, perseverance, and setting a goal and working towards achieving it. All necessary elements involved in writing a script.

-The blog. This year saw the wrap-up of my series of interviews with scripts readers and consultants. I still keep in touch with a lot of them, and happy to say that a lot of those posts continue to get hits. Thanks to all of you for that. In the meantime, no big changes planned for what you read around here, but I’ve got a few ideas.

Thanks for reading, happy new year, and may we all get some kickass writing done in 2016.