Time very well spent

finish line
Yeah. It felt just like that.

And…I’m back. Didja miss me?

To say the past week and a half has been a little hectic would be a slight understatement*. And of course, it involves writing and the opportunities that come with it.

Long story short – Somebody wanted to read one of my scripts. But I hadn’t finished writing it yet. So I wrote, edited and polished it. In ten days. Without taking time off from work.

As you can probably guess, I’m equal parts exhausted and exhilarated at having done it.

While I catch my second wind, here’s the extended version:

A little over three weeks ago, I connected with somebody who works for a production company. They mostly do TV, but are looking at expanding into features.

Emails and pleasantries were exchanged. They took a look at the blog, liked what they saw, and asked for a list of my loglines “to see if my boss might be interested.” So I sent it. This was on a Friday afternoon.

A vital piece of the puzzle to keep in mind – just before all of this occurred, I’d gotten the outline of a long-dormant comedy spec to the point where I felt ready to start on pages. Which is what I was doing while all of this interaction was occurring.

The following Monday morning, the response came in. “Do you have scripts for X and Y? Would love to request if so.”

Naturally, X was the long-dormant comedy spec that so far I had written all of 8 pages, and Y was still in outline form (which I’d already been considering producing in another medium).

My initial thought was panic. Neither script was available, but I didn’t want to blow the opportunity; I wanted to be able to send them SOMETHING. Sooner, rather than later. What to do, what to do?

After a little evaluation and weighing all my options, I wrote back that I was still working on the latest draft of X (which was true), and could have it for them the following week. I’d considered saying a few weeks or a month, but that seemed too long. Regarding Y, I said pretty much what I mentioned above – it was an outline, but they could take a look at it if they wanted to.

They were cool with both options, and were looking forward to reading them.

I’d just thrown the gauntlet in my own face. What had I gotten myself into? Was I totally insane for thinking I could pull this off? Would I be able to pull it off?

Only one way to find out.

I had a script to write, and had to do it faster than I’d ever done it before. I had no intention of sending them a first draft, so I had to crank that out and do a major polish on it. In about a week and a half. Taking time off of work was not an option, so I’d have to be as productive as possible in the off-hours that didn’t involve sleeping.

I explained my plan to my understanding family and got to work.

I produced as many pages as I could per day, averaging 8-10. Those would then be edited & polished during all available downtime at work (it being summer vacation season was a godsend – traffic’s much lighter, so that really helped). I’d get home, incorporate the changes, then move on to the next set.

Write, edit/polish, rewrite, repeat. A seemingly never-ending cycle.

A few things I discovered during all of this:

-Having a solid outline made it so much easier. I knew exactly what had to happen in each scene, and how I wanted it to happen, so there was no time wasted trying to figure it out.

-I sincerely think my joke-writing’s gotten better.

-I’ve gotten much more proficient at coming up with solutions to last-minute script-related problems.

-I seriously wondered if this is what it would be like if I were doing this for a living. I’d actually be pretty cool with it.

After ten days of non-stop effort, I had what I considered a somewhat decent 97-page comedy script. Both it and the outline have been sent.

Of course, they may not like either one. But at this point, I don’t care. Simply having accomplished this is my victory. I set an intense short-term goal and did it.

The script could definitely benefit from at least another rewrite, but that’s not a priority at this juncture. I wrote it in the time I said I would, and that’s the important thing.

Others may scoff at my feeling of accomplishment, claiming it’s no big deal or that they’ve done it or even done it in less time. But their words will fall on deaf ears because it’s a big deal to me. This is something I did, and am extremely proud of having done it.

So what now? I’m taking the weekend off, which will include going for a much-missed and much-needed training run.

But come Monday, I’ll be right back at it, hard at work on whatever project I opt to do next.

Hopefully, I’ll be able to take my time with it.

*I really appreciate everybody’s patience, and hope you enjoyed the throwback posts. And K wanted to thank everybody for the kind comments about her guest post. Yes, I am a very lucky guy to have somebody like her.

Returning to the sprucing-up stage

painting
It’s going to take just a little bit more than a new coat of paint

It all started with a “Scripts Wanted” listing.

A small prodco with an even smaller budget was looking for a particular kind of script. I felt that one of my earlier efforts was a perfect match, so I sent it in.

A few days later came the response “Just not what I’m looking for.” A bit disappointing, but that’s the way it is. No big deal. I’ve moved on.

It was at this point I realized it had been quite a while since I’d actually read the script. As far as I could remember, it was in good shape.

So I read it.

The result? It’s better than I remember, and a lot of the jokes still work. But what it really needs is just a good, solid edit/polish. There’s definitely some fat in need of trimming, and a lot of that is just extra and/or unnecessary words.

The draft I’d been using for years was 109 pages, which is a little excessive for a comedy. I’ve completed the initial edit, which brought it down to 105. A more thorough red pen edit is underway, and after going through the first third, another page has been cut out, bringing the current total to 104. The hope is to cut out at least another 2-3 pages.

There are at least two sequences (so far) that need rewriting to accommodate some of this editing, and the solution to one of them (a key part of the story) came to me a lot faster than I was expecting. That’s always nice. There’s no reason I couldn’t be done with a much more presentable draft in a week or less, which is also nice.

Since this script is from way back when, it was quite the experience to look at how I used to write with the advantage of having all the knowledge and skill I’ve acquired since then.

Go through your own catalog of completed scripts. Almost-completed and first drafts are allowed. When was the last time you looked at one of your earliest efforts? How does it compare to your most recent project?

I bet it’s super-easy for you to spot the differences between then and now. You might be surprised at how much you’ve improved, or possibly even laugh at how bad you used to be. Happens to everybody.

Whenever I would pass this script along to another writer, I would always precede it with the caveat “This is one of my earlier scripts, so the writing’s not as good.”

After this edit/polish, I don’t think I’ll be saying that anymore.

Knocked down, but not staying there

Skating Waiter
Just give me a sec to get back on my feet. Bonus – drink remains unspilled

The Chinese restaurant script got the standard “Just isn’t what I’m looking for” response from a producer.

Years of experience has taught me how to properly respond to this kind of situation.

“Well, that sucks. Okay. Moving on.”

Thus the struggle continues to gain a new foothold on this constant uphill climb. But I’m in it for the long haul.

Sure, it’s frustrating to get yet another “no” about a script, but getting upset about it won’t do me any good.

And what better way to get over it than by working on something else with the intent of making this one that much better? And there are plenty of something elses to keep me occupied.

A revamping of the outline of an older script continues, with pleasantly productive results (along with some phenomenal feedback on the logline). More insightful notes have come in for the comedy spec. Setting up a few more get-to-know-you meetings with other local writers*.

(*A meeting last week with one writer about her current project resulted in me being able to offer up some suggestions to another writer feeling frustrated about his. He, in turn, felt very encouraged with a renewed sense of hope, and was excited about some possible new avenues to try. I’m just happy to help.)

Hearing “thanks, but no thanks” still stings, but only for the briefest of moments. It’s taken a very long time for me to get to this point.

A few months ago, all that pressure I’d been putting on myself just went away. And I’m a lot better for it now.

And patient.

Success will happen when it happens.

But having it happen sooner rather than later would still be much appreciated.

New steps on an old path

road
A return journey to a long-ignored route

Over the past couple of days, as notes for the low-budget comedy spec were being compiled, I considered jumping right in to the rewrite, but instead opted to take a break and put it on the back burner for now. It’s been the focus of my attention for a while, and I didn’t want to risk burning out on it.

No big deal. All of the material will still be there when I get back to it.

So what now? Work on another script, natch.

But which one?

I just didn’t have it in me to work on the few that were still in plot-development stage, nor did my brain feel totally ready to tackle assembling the pieces of the jigsaw puzzle that is the mystery-comedy.

Since I’ve been on a bit of a low-budget kick, I delved into my stash of long-ignored stories to see if there was a suitable candidate.

And I found one. A comedy I haven’t worked on for a good number of years that would make for another great low-budget production.

It had gone through several better-than-I-remembered drafts of the outline, each one with elements similar to the others, but also with its own uniqueness. Looking them over, there’s a lot of material to work with and develop into a new version.

Plus, it’s a fun story, which is always enjoyable.

(Moral of the story – never throw anything away.)

Working on the previous comedy spec also helped boost my confidence regarding my comedic writing skills. It’s not perfect, but better than it was. There were already some good jokes among these earlier drafts, and coming up with new material is still somewhat of a challenge, but not as daunting.

So the next couple of weeks will be all about combining, editing and fine-tuning this story, and then cranking out some actual pages.

Exciting times, chums.

Break out the sledgehammers!

renovation
Just like me during a rewrite

A few more sets of notes on the comedy spec have come in, and they are good. And helpful. Which is very good.

The value of having connections with experienced and knowledgeable writers once again proves to be a huge asset. Networking, people!

But back to the topic at hand…

It doesn’t appear that a major reworking is in order, but there’s still a lot to do. This is definitely more than just a new coat of paint; more like a thorough renovation. More than a few comments covered the same issues, so working on those and the resulting ramifications will be the starting point.

One of the biggest obstacles when it comes to a rewrite (for me, anyway) is that nagging thought of “How am I going to make this better?” Especially when there’s already something there on the page.

It’s tough to get rid of the old stuff. You worked so hard on it, and now you have to get rid of it? Or change it? Sometimes you gotta just jump right in, totally let go and kill all those darlings. Sounds gruesome, but it has to be done.

And as I have often found in the past, once those changes are made, the new version is usually significantly better to the point that you barely remember that much about the old one. Plus, making those changes gets a little bit easier each time.

Into the breach!

A few additions to the Maximum Z Bulletin Board:
-The filmmakers behind the short film Goodbye, NOLA have set up their crowdfunding project. Donate if you can.

-Author Jeff Guenther proudly announces the release of his new World War 2 thriller In the Mouth of the Lion.

Got something you’d like to promote? Drop me a line.