Shakin’ things up so much it registers on the Richter Scale

richter scale
Brace yourself

I recently took part in a group conversation with some other writers, and naturally, the topic came around to “So what else are you working on?” I always enjoy this sort of thing. So many great ideas out there.

When it was my turn, I mentioned some of what’s been occupying my time, which included the Christmas-themed mystery-comedy.

“A Christmas mystery-comedy? What’s that about?”

I launched into my 30-second elevator pitch. “LA Confidential with an all-elf cast.” The seedy underbelly of the world of Santa’s workshop. Guns. Sassy dames. Tough-talking gangsters. Intrigue. Double-crossings. The whole gin-soaked ball of wax.

While most thought it sounded like a lot of fun, one person looked absolutely horrified.

“Oh no!” they exclaimed. “My kids and I love Christmas. It’s supposed to be sweet and wonderful! I can’t believe you’d want to write something like that.” (All that was missing was them sprawled on a fainting couch, claiming to have the vapors while frantically fanning themselves.)

How could I not want to write this? Sweet and wonderful doesn’t make for good storytelling. I love this kind of story, and think it would make a great script.

This person makes it sound like trying something new is a bad idea because it messes with the comfort of the familiar. Yet one of the most common tenets is “Familiar, but different.” A story you’ve seen before, but told in an entirely new way. It’s what we should all work towards.

Everybody’s looking for something truly original and unique. Why in the world would you want to write something that doesn’t offer up anything new?

Every script you write is a golden opportunity to push your creativity to the limit so you really catch ’em off-guard. You know the story you want to tell, but it’s on you to truly surprise your reader/audience. Take things in an entirely different direction. They may think they know what’s coming, but you know better and look forward to how they’re going to react.

No matter what genre your story falls into, there will be certain expectations that come with it. The challenge of every writer is to not just meet those expectations, but toss them out the window and offer up a totally new and unexpected way of telling that story. Some people may not like it, but it’s most likely they’re in the minority, and therefore not your target audience.

Think about it. What kind of script are you more likely to take notice of and remember? One that goes for new and original, or one that plays it safe with the tried, true and predictable?

I know which one I’d pick, and will be waiting over by the window for your answer.

The good bad of your antagonist

mitchum
Few better examples than this guy

My original goal for February was to complete the second draft of the low-budget comedy. But as always, things didn’t go as planned.

I’d finished the initial edit, but then got hit with a nasty cold that put me out of commission for about a week, followed by all the activity involved with my daughter’s Bat Mitzvah (where she did a fantastic job), so writing-wise, things came to a screeching halt.

But we’re in a new month, so lots of new opportunities abound. Here’s hoping I can work this script into shape by the 31st.

I’d gotten some very helpful notes on it, the most notable of which was “Your antagonist is too nice. They need to be more at odds with the other characters.”

And they were right. Looking at it with fresh eyes, it’s easy to see how that observation rings true. During that read-through edit, I found at least three places where the character’s badness could definitely be ramped up, and expect more will be found over the course of this rewrite.

Sometimes I’ll even surprise myself by having the antagonist do something unexpected (in terms of behavior, not the story), especially if I personally find it very off-putting. But if it works within the context of the story AND further builds on the difference between them and the protagonist, all the better.

The challenge in writing a solid antagonist is really putting the emphasis on the “antagonize” part. What they want is most likely the opposite of what your protagonist wants, and they are determined to get it – possibly at all costs. To them, they’re the hero of the story, and your protagonist is what’s standing in their way.

I’ve always hated when I read a script and the antagonist is a stereotypical cookie-cutter villain who’s bad for no apparent reason, or because the story requires them to be. Why do they want what they want? I know what the hero wants, but what about them? Just because they’re the antagonist doesn’t mean there’s no story behind who they are.

So the next couple of weeks should be pretty interesting. There’s still a lot of work to do on this, but no doubt one of the high points will be the fun of coming up with ways to make my antagonist even more devious.

Because that’s the kind of character she is.

So this is what inner peace feels like

zen garden
Serenity, calm, and all that

Philosophy, metaphysics and existentialism aren’t really my thing, but I suppose you could say I’m feeling very “zen” these days.

Part of it is stems from completing the last-polish-before-contests of my western. It definitely reads better, and I’m extremely happy with the results.

Working on this rewrite also renewed my sense of “don’t hold back”. It was exhilarating to write material that felt so alive and vibrant. I am fully confident this will continue with each draft of each of my scripts from this point on.

For some reason, this may also tie directly into a majority of my anxiety and stress and self-imposed pressure simply disappearing, or at least being drastically reduced.  Seriously. Maybe it’s from just accepting that success will happen when it happens, and that beating myself up until it does is just counter-productive. I suspect there will be times when I’ll still get a little down, but expect it to occur on a less regular basis and definitely not as severe.

Big things of a positive nature are ahead, chums. I will do my best to maintain this blissful sensation while I keep working toward reaching that inevitable goal.

Which I do expect to happen. Preferably sooner than later, but either way I’ll get there.

**Editor’s note – this is my 700th post. While the ideal subject matter would have been “I sold a script!” or at least along those lines, I’m quite content with it covering the topic it does.

I hope you’ve enjoyed being part of this for the previous 699 posts over the past 7 years, and that you’ll keep coming back for more.

Thanks for reading!

Enjoying that microsecond of contentedness

cannoli
True, normally I’m a pie kind of guy, but I’ve really been craving these for a while…

Happy times around these parts, chums. The November writing project was a success. The first draft of the low-budget comedy is complete.

I listen to Pandora for white/background sounds while I write, and – this is absolutely true, swear to God – Handel’s Hallelujah Chorus was playing as I typed in “The End”. A pretty solid good omen, if you ask me.

So the draft is done, and now gets tucked away for a couple of weeks. It’ll definitely need a lot of work when I come back to it, but it’s great to know I have a completed draft to come back to.

This is that feeling that every writer should savor when they achieve a specific milestone like this. A lot of would-be writers start a project, then abandon ship when it “just gets too hard” or “don’t have time”. It’s those of us who are truly dedicated that toil away no matter what. You’ve had a long day at work. Stuff around the house needs to get done.

Through it all, we find the time and make the effort. Even if it’s only 30 minutes or one page a day. We do it not just because we want to, but because we have to. We consider not writing unthinkable.

There are good days and bad days, but you learn to work your way through both. You have a goal in mind, and do what you can to get there. And once you do, there’s nothing that can compare to that feeling of accomplishment.

Enjoy it. You’ve earned it. The first of what will probably many rewrites awaits, but it can wait just a little bit so you can reward yourself in a small but appropriate manner.

A friend told me that whenever they finish a first draft, they celebrate with scotch. Scotch really isn’t my thing, but I wouldn’t say no to a cannoli from this great Italian bakery down on the Peninsula…(diet be damned)

Have a great weekend, and get some great kickass writing done.

A workload on steroids

Man drowning in stacks of paperwork
All I need to do is cut out the non-essentials. Who needs food, sleep or oxygen anyway?

I’m in the home stretch for the November writing project. I got into Act 3 over the weekend, and think there about 10-12 pages left before I can call it a day. No reason I can’t wrap things up in the next couple of days. Estimated final page count should be somewhere in the mid-90s, so pretty much where I was hoping it would be.

My original intent was to put that on the back burner once it was done and shift my focus to another script, but something else has developed that definitely requires my attention: other people’s work.

Over the past couple of months, I’ve been very fortunate to have gotten some fantastic feedback from friends and trusted colleagues. Now it’s my turn to return the favor.

Actually, make that favors. Plural.

Every time I’ve asked someone if they’d be willing to read and give me notes, I always offer to do the same for them. And several have taken me up on the offer.

Which is totally fine. I just didn’t expect all of them to happen within such a short timeframe.  But it’s cool. Just requires a little planning.

Some script-related items, two scripts requiring special attention (with a bit of a time limitation), and at least 4-5 others getting straight-up notes. Yeah, that’s a lot, but I’d feel pretty shitty if I didn’t reciprocate the kindness all of these folks extended to me.

While I’d love to keep the 2-pages-a-day momentum going clear through to the end of December and have at least part of a draft of another script, taking care of these is now top priority.

It may take me a little longer than I expect, but I always strive to honor my commitments. I said I’d do something for you, and by gosh, I’ll do it.

It’s the least I can do.