Think of it as a story renovation project

This is kind of what it feels like
They’re the writers and the house is the first draft. See? It’s a visual metaphor!

When I started this rewrite, I wanted to really shake things up and take it beyond just putting on a new coat of paint and rearranging the furniture.

This had to be really different from what it already was. Major changes require major brainstorming and planning.

The starting point was breaking down the previous outline on a scene-by-scene basis. What worked? What didn’t?

One subplot has already been cut because it just didn’t mesh with the rest of it. A more suitable replacement has been developed, and not only does it still work for the story, it opened up more possibilities.

Each scene is still evaluated to determine how it advances the story as well as how it fits in to the plot.  Yes, some darlings must be killed as work progresses, but if they don’t serve a purpose that supports the overall story, then they weren’t needed in the first place. Maybe they can be reconfigured and used another way.

Working through all of this reminded me of a significant bonus to writing on a regular basis – your creativeness gets a constant workout, which has made it slightly easier than expected to come up with ideas of how to make a scene stronger or at least more effective.

And since this is a mystery, it’s extremely important that all the intricate details are in place. Clues and red herrings are in the process of being planted, a key factor of which is making sure their place in the puzzle is organic, and not shoehorned in.

Taking a steady, methodical approach to this has made it not as imposing as originally expected.

When I started this rewrite, I had the standard fear/concern that I wouldn’t be able to figure things out and come up with solutions.

Now, not so much.

Finding the spark to get those synapses firing

The solution to your problems is somewhere in there
The solution to your problems is somewhere in there

Finding time to work on the outline of the rewrite has been a bit challenging these days, but I’m managing. I do what I can to make the most out of a limited timeframe. Do this often enough, and it actually gets easier.

One of my biggest concerns with this new draft was “what if I can’t think of anything?”

Trying to figure things out had been bothering me for the past couple of days. No matter what I was doing, I’d be going over potential scenes and scenarios in my mind. How about this? Does this work?

All that was missing was the cartoony stormcloud over my head.

So I’m riding my bike home from work. All of a sudden, a metaphoric lightning bolt springs from that cloud and hits me dead center.

A small idea pops in.  Just a two-word phrase, but within it is the potential to have a widespread impact throughout the rest of the story.

This then triggered a steady flow of still more possibilities. If I redo this part, then this could happen, thereby changing that and the other thing around completely.

How could I not see any of this before?

Writer’s block happens to everybody. It can be extremely frustrating, but you can’t let it stop you. It takes time to break it down, but don’t force it.

Do what you can to encourage your creativeness, and eventually it’ll be a lot more cooperative.  Once you have that breakthrough, you’ll feel like there’s nothing that can stop you.

Pretty cool, isn’t it?

The writing sprint: no training necessary

race
It’s not about speed; it’s how you handle the course

Finally, finally got to type in those illustrious words FADE OUT, which brings the first draft of the western spec to a satisfying close.

It’s very tempting to read it and see what needs work, but at this point, I’m opting to let it sit in hibernation while shifting the focus to the rewrite of the mystery-comedy.

While the previous draft is a more solid foundation than I thought, there are still some ideas I’m looking to incorporate.

Rather than jot a few down at a time, or hope inspiration hits every once in a while, I’m opting for a method that’s proven quite helpful in the past: the writing sprint.

Set aside 30 minutes. Just you and a blank page (paper or digital – doesn’t matter, although digital might be easier & faster to work with). Once that timer starts, write out scene ideas as fast as you can.  Don’t stop to think if they’re good or not. Just crank ’em out.

It’s not a bad thing to write what you already have, but maybe you’ll come up with something you never thought of, or suddenly hit on a solution to a problem that’s been bothering you.  Feel free to even take things a totally new direction. For now, there are no bad ideas.

It’s possible you could run out of gas before time runs out, but push yourself to keep going.

Once the 30 minutes is up, take a look at what you’ve got: a ton of (mostly) new material.

Pick and choose what works for you now, but make sure to hold on to the rest. Inspiration could hit from any of them, and you never know what might come in handy later.

Moving that inner strength outward

It may not be as heavy as you think
It may look heavy, but it might not feel that way

I hate hitting a lull. Even the sound of it is off-putting.

“Lull.” Yuck.

Which of course is exactly where I found myself over the past few days regarding the first draft. I thought I was making some good progress, but instead found myself staring at a screen that mockingly stared back.

“Come on, writer boy,” it seemed to say. “Show we what you can do.”

Putting more pressure on yourself combined with the anthropomorphization of electronics doesn’t usually end well. You’re already frustrated, and when the words won’t come, you just want to throw up your hands and do your best Bill Paxton impression.

I’ve been down this path before. I don’t like it, it ain’t pretty, but it’s gonna happen and I accept that.

This is one of those times when you have to remind yourself that you’ve got two options: quitting, which is the easy way out, and totally squashes all the hard work and effort you’ve already put in.

Or you dig deep and force yourself to keep going. Again.

I recently started re-reading my copy of THE FIRST TIME I GOT PAID FOR IT, which chronicles the tales of many successful and well-known writers and how they got started. Apart from some great stories, it’s a good reminder to us outsiders striving to be insiders that even the pros started in the exact same place we are now.

And if you’re like me and want to change your status in that scenario, there’s only one way – keep writing!

I don’t know what the exact trigger was, but the next time I faced off against that blinking cursor and half-empty page, something clicked.

Boy, did it.

The words didn’t just flow – they gushed. It was like a Niagara Falls of scenes and dialogue pouring onto the page. My fingers could hardly keep up with my brain.

Whoa. Three pages in thirty-five minutes? Inconceivable!

I definitely now feel back on track. A renewed sense of what drew me to the story in the first place. Being that much closer to being able to type FADE OUT. And a little more faith in my ability to be productive, even when I don’t think I can be.

Take that, lull.

Quel est le bon mot, baby?

Normally I'm a G&T kind of guy, but one these sounds pretty nice right now
Normally I’m a G&T kind of guy, but one of these sounds kind of nice right now

Opting for a random assortment of topics today. Enjoy.

-Ever get to the point where you just want to finish whatever is you’re working on and get it out of the way? That’s about where I am right now with this first draft. I wouldn’t call it a slog; more like resisting the urge to make a mad dash to the end.

On a positive note, the closer I get to finishing, the more I see how much has to be fixed.

Here’s a great guest column from Lee Jessup’s blog about how a writer should approach rewriting.

-Sometimes you come up with a story idea out of nowhere that makes you wonder: Even though this is a totally new genre for me, could I make it work?

I came up with a concept for a found footage story, including what may be a workable grasp on how to handle the ‘omnipresent camera’ part. It can be a little intimidating to try something new, but you won’t know until you try and possibly even discover a strength you never knew you had.

-I connected with this fine fellow the other day on Twitter. Do so if you haven’t already, and make sure to take the screenwriting survey. One of the questions is something along the lines of “what are some of your basic screenwriting rules?”

This is what I came up with:
1. Don’t be boring.
2. The audience is more intelligent than you think.
3. Write as if ink costs $1000 an ounce.

There are lots of others, but I think those are pretty important. Feel free to contribute yours in the comments section.

-This isn’t necessarily me hopping on the Kickstarter bandwagon, but check this out if you’d like to help preserve the small moviehouse experience. Give if you can, even if you don’t live in the Bay Area. It’s a great theatre.