Dream big, work small-ish

Small beginnings can have big endings
Small beginnings can result in big endings

Last week, I had the good fortune of having a “getting to know you” lunch with a working writer I’d connected with via Done Deal Pro.

We discussed numerous things, almost of all which were about our writing. Hearing about another writer’s experiences never gets old, especially one that’s had some success.

As our time started to wrap up, he offered to read one of my scripts. “But,” he added, “don’t send me any big-budget tentpoles. There are six people who could actually make those happen, and I don’t know any of them. On the other hand, there are about three thousand who can work with a small, low-budget script, and I know a lot of them.”

As much as I wanted to send him one of those big-budget tentpoles, I decided it was better to go with an older one that would be considered small budget and only has a few locations. (Since it was an older script, I added that my skills have improved since then)

Another point he made was that there are a lot of writing assignments available (TV movies, small indie films, etc), and a small script could show you’ve got the chops to handle this kind of work. He admitted it may not be the most glamorous, but I totally understood when he talked about the thrill in seeing his name with a “Written By” credit on TV.

As much as I enjoy writing the stuff I do, just about all of it does fall into the big-budget tentpole category.  I’m not an established writer, which makes it that much harder to move forward with it. Having a manager helps, but it’s still an uphill climb.

It’s smart to take this kind of realistic approach. You may love working on that effects-heavy epic extravaganza, but don’t count out the potential of that low-key dramedy you haven’t looked at in years. A little touch-up work may be all it needs.

It never hurts to have more scripts in your arsenal of material, and a smaller one may end up being the one that gets things started.

Typing with frostbitten fingers

Yeah, kind of like that
Yeah, that’s kind of how it feels

Technically, it’s not winter yet, but you wouldn’t know it around here.

32 degrees in San Francisco? Amazing, but true. Not to mention harsh, bitter and just plain unpleasant.

At least it’s not snowing. Traffic is hellish enough around here when it rains. I can’t imagine what would happen if Bay Area motorists had to deal with snow. And don’t even get me started on what some of the larger hills would be like.

So with several layers in place and a large cup of coffee at my side, I’ll do my best to stay warm while recounting recent goings-on from my slice of the frozen tundra.

-Work on the mystery spec continues. Page output varies from day to day. Have to keep reminding myself it’s an early draft, so everything doesn’t have to be perfect this time around. The “this plot point happens on this page” concept is already out the window, but for now, it’s all about just getting it written. Fixes come later.

-Notes on the western spec from friends and trusted colleagues continue to pour in. A wide variety of comments to take into account for that inevitable rewrite.

Several people had the same comment/suggestion about a significant story point, which has made me seriously reconsider how it plays out. I’ve been foolishly stubborn about not wanting to change it, but taking everything into account, the alternative may actually be the best fit.

-Slowly working my way through Season One of BATTLESTAR GALACTICA on Netflix Streaming. Worth the wait.

-Signed up for my fifth half-marathon of the year, taking place on Dec 28th. Which means I have to go outside and train. Safe to say that shorts will not be involved.

As much as I’d like to hit 1:50, I’ll be happy with anything under 1:55 and actually more concerned with not freezing my ass off.

Stay warm, friends.

Keeping the lines of communication open

uhura
Starfleet’s emergency backup plan for when Skype’s not working

Since signing with my manager earlier this year, our back-and-forth emails had somewhat dwindled. It seemed to be taking longer to hear back, and even those brief messages were less than encouraging.

Despite working on the new spec scripts, this, combined with my overactive imagination and requisite writer’s self-doubt, made me convinced that nobody was interested in the script.

And I mean nobody.

*Side note – want to feel even worse about yourself? Seek the opinions of those on a public forum. I think I’m truly done with that.

I needed to do something, which turned out to be sending my manager an email asking if he was available to talk.

Best thing I could have done.

I explained to him how I was feeling frustrated about not knowing what was going on, and asked if there was anything I else I could do to help move things along (apart from keep writing).

He totally understood, apologized for being incommunicado, and gave me the update – who the script had been sent to, including several studios and production companies. One studio had passed, another was still reading it, and somebody at a prodco really liked it and wanted to see what else I had.

We also discussed getting the new specs to him, the potential of one of them with a well-known production company and how he was adding a staffer who’d be more in the middle of all the action.

This ten-minute conversation was able to wash away all my self-doubt, inadequacy and just plain lousyness.

It’s hard enough to get representation, but once you do, it’s not all up to them. These people are busy, so it’s easy for you to fall off their radar. You have to be the one to remind them you’re still there. Don’t be afraid to ask “can we talk?”.

If you have questions or concerns, ask them. As I mentioned, it’s all too easy to let your imagination run wild and start generating counterproductive thoughts. The occasional update chat is the best way to stay positive and keep yourself focused.

Rediscovery within the idea factory

Where output is a 24/7 operation
Where output is a 24/7 operation

Where do you keep your collection of story ideas? A folder stashed away somewhere in your home office? A notebook tucked away on a bookshelf?  A flash drive lost amidst the clutter on that messy desk you keep telling yourself you’re going to eventually get around to cleaning?

No matter where it is, hopefully you still have it and have been contributing to it all this time.  The stuff you came up with way back when with the intention of getting back to it someday.

When was the last time you looked at any of them?  How much did you work on this or that before moving on?

It might just be a title, a logline, or a single paragraph. Take a closer look. How do they read now?

Does your mind still race about the possibilities of what could happen? Do you read it and think “I barely (or don’t) remember writing any of this,” or (hopefully) “This is a lot better than I remember.” Do you make a mental note that this has to be your next project?

Sometimes the ideas we come up with are better than we realize. The initial effort might not be what we’re hoping for, but  the idea or concept behind it is so strong – that’s what really appeals to us; it really drives us and motivates us to explore it further. Some may jump right into reworking it, while others file it away – “I’ll hold on to this.”

Maybe all you really needed were time and experience. Aren’t we all better writers than we were, say, a year or two ago?

Last week I wrote about working on two projects. While I wait for feedback on each in their current state, I turned my attention to the outline of a story I came up with about five or six years ago.

Much to my surprise, there were two outlines: the original, and then a semi-rewrite from two years after that. I skimmed through both. I prefer the second one, but there are definitely elements from the first I can incorporate into a new version.

There’s nothing like finding some of your old material and not just enjoying it, but seeing its potential and looking forward to working on it.

(As much as I’d like to add this into the mix, it’s probably better to not overdo it. I’ll focus on the other two, then move on to this one.)

So dig around and find your ideas from days gone by. You might even be surprised and potentially impressed with what you find.

Making space in my repertoire

This many
On the verge of this many more

After finally finishing the outline for the rewrite last week, I immediately jumped into re-reading the western spec in preparation for the inevitable rewrite/polish.

Looking at it after a 1 1/2-month break was incredibly helpful, and it still reads great.

Then it hit me.

If I can keep up this kind of productivity, I’ll have two brand spanking-new scripts ready to go relatively soon.

Yay.

This whole “dedicating a little time each day to writing” thing continues to be paying off.

Added bonus – more material at my disposal to respond to the question “What else have you got?”