ideas

Looking back (and a peek ahead)

Maximum Z ambition, appreciation, blog, consultants, craft, determination, draft, feedback, goals, half-marathons, ideas, inspiration, motivation, multitasking, networking, outlines, output, passion, perseverance, persistence, pitching, productivity, professionalism, query letter, running, screenplay, screenwriting, script, social media, story, storytelling, success, westerns, writing
sleeping
Me around 10:30 on New Year’s Eve

As the end of the year gets closer, one can’t help but be a little reflective of how the past 12 months have gone, and in this context, it’s all about the screenwriting and its related subjects.

-My western. A labor of love finally put to bed once and for all. This script has gone through A LOT of changes, and both I and it could not have gotten to this point without the sage feedback received from many of my trusted colleagues.

-Other scripts. Over the course of this year, I completed a first draft and two outlines (with a third in its final stages), all for separate scripts. I may not be as productive as I’d like, but think this is still pretty good. I’m hoping that at least two of these will be completed scripts by this time next year.

-Establishing a career. I’ve always said that each draft of every script gets me a little closer to accomplishing that dream of being a working writer. 2015 saw some strong progress on that front. My writing’s getting better, I discovered I’m pretty good at pitching, and found out the hard way what should and shouldn’t go into a query letter. It’s an ongoing learning process, but I’m getting there. Hopes are high of moving to the next level or two in 2016.

-Networking. The number of writers I’ve connected and interacted with has definitely grown by leaps and bounds. Some have been in person, while most have been via social media, but the benefits have been tremendous all around. From exchanging script notes to being a sounding board for ideas to plain old moral support, you couldn’t ask for a more helpful bunch of folks. Hopefully they got as much out of it as I did. Highly recommended.

-Running. After involuntarily taking a year off, I got back into the habit of going for runs and took part in four half-marathons this year. Didn’t set any new records, but stayed within my realm of expectatins. Really glad I did them and already looking forward to the ones next year. How does this relate to screenwriting? Well, apart from the standard quote of “It’s not a sprint, it’s a marathon (or half-marathon, in my case)”, it’s about determination, endurance, perseverance, and setting a goal and working towards achieving it. All necessary elements involved in writing a script.

-The blog. This year saw the wrap-up of my series of interviews with scripts readers and consultants. I still keep in touch with a lot of them, and happy to say that a lot of those posts continue to get hits. Thanks to all of you for that. In the meantime, no big changes planned for what you read around here, but I’ve got a few ideas.

Thanks for reading, happy new year, and may we all get some kickass writing done in 2016.

 

Rip-roaring and ready to go yet again

Maximum Z ambition, confidence, creativeness, creativity, determination, experience, fun, goals, ideas, inspiration, logline, patience, perseverance, persistence, plot points, productivity, project, screenplay, screenwriting, script, self-confidence, story, storytelling, writing

 

lightning
That’s me. All charged up.

Over the past week or so, the idea for a new story has been slowly developing inside my head.

Even though most of my attention continues to be focused on completing other projects, that seed has been planted and I work out a few details about it when I can.

This is just the beginning of the whole process, and my work is definitely cut out for me. Like with any script, it’s going to be tough.

But I also have to admit I’m quite thrilled about it.

There’s just something about coming up with a new idea that really reinvigorates your creative process. You’re excited about the story, the potential within it and possibly even (gasp!) looking forward to writing it.

I certainly doubt I’m the only who experiences this.

As expected, there will be days I get frustrated about any number of things related to this, which is par for the course. But I’ve also been doing this for a while, so the positive days steadily continue to outnumber the negative.

As has also been my experience, some of those negative days will most likely include outside comments of a tearing-down nature. Fortunately, I’ve developed a thick skin over the years and learned to ignore the ramblings of self-proclaimed “experts”.

For now, everything is still in the early-early development stage. It took a while just to come up with a good logline, and even that will probably still need work. Now I’m just figuring out the plot points. There’s no rush, especially since I already have several other scripts that require my attentions.

I like the concept of this one, and am really looking forward to seeing how things work out with it.

What comes after the light bulb?

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light bulb
This is how it starts

Being a writer means your creativeness is always running, or at least should be. It never shuts off, and sometimes kicks in when you least expect it.

Inspiration can hit anytime, but are you prepared for when it does?

You could be doing something you do practically every day or see something seemingly normal, and all of a sudden think, “Hey! There’s a story here!” It could be whatever you can imagine: the basis for a short, an episode of a webseries, or part of a feature.

Then there’s the thrill as your mind races through all the potential possibilities. What if THIS happened? Or THIS? Ooh! I love THIS! It’s like a shot of adrenaline into the right side of your brain.

When the idea hits, do you immediately write it down, or is it suddenly burned into your brain so deeply that there’s no way you could possibly forget any part of it?

Of course, it’s one thing to come up with the idea. How far do you go with it? Does it lose its luster after a few days, and then you just give up completely? Do you hold onto it because there’s just SO MUCH POTENTIAL here? Do you tinker around with it, file it away, then come back to it weeks or months later?

How original an idea is it? Can you think of something that’s similar? Who’s your target audience? Is it something you yourself would actually pay to see?

Let’s also not forget that this is all based on your thinking. You love the idea, but what if somebody says “I don’t get it” or all you get is a shrug? Do you think the idea is worth developing? Is it one you’re prepared to slave away on for an extended period of time?

It’s easy to come up with the ideas, but definitely not easy to turn them into quality, fleshed-out screenplays. It takes a long time to get the hang of doing this, let alone doing it well. But don’t let the difficulty or length of the journey dissuade you from at least trying.

Start with the idea, and take it from there.

Getting the sucky part out of the way

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Okay, script. I'm getting a little tired waiting for you to write yourself.
Getting a little tired waiting for you to write yourself.

So how’s your November writing project coming along?

Making the progress you were hoping for? Maybe you’re producing a number of pages above and beyond what you were expecting? Or are you feeling trapped in a morass of agony and frustration because the words just won’t cooperate?

No matter what your output, good on you for keeping at it. Only 20 days to go!

For the sake of this discussion, let’s say at month’s end you have a finished draft. Most likely a first draft.

How would you rate it? Good? Bad? Somewhere in the middle? Or, if you’re like a lot of writers, you’ll label it “okay, but needs a lot of work.”

And you know what? That’s totally cool.

That’s the point of the first draft. Don’t worry about if it’s perfect or not. It’s not. But it is helping you lay down the foundation for your story so you can spend each consecutive rewrite fixing any and all things that need to be fixed.

And there will be a lot of them.

Again, still cool.

Some writers consider just writing the first draft as the biggest obstacle. You’re literally creating something out of nothing. Compared to that, every subsequent draft gets a little easier. You might even be surprised how many new ideas you come up with it as you go along.

The first draft is indeed a necessary evil. At times it probably feels like a neverending slog, but once you actually do finish it, the hard part’s out of the way. All your initial ideas are now assembled into what may or may not resemble what you’re trying to create. It may not be anywhere near the point you want it to be, but you’re definitely better off than when you started.

Don’t just embrace the opportunity of getting through the first draft. Grab it with both hands, hold it tight, and run like hell.

A thought that never truly goes away

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Just a little self-evaluation to pass the time
Just indulging in a little self-evaluation

I posted this just about a year ago, and after recently receiving some very supportive and encouraging script notes, think it’s still relevant.

“Am I getting better?

One of the sad truths about trying to make it as a screenwriter is that it’s an extremely frustrating process.

On certain days, the frustration feels like it extends to the uppermost part of the outer edge of the stratosphere. To the nth degree.

What is it about screenwriting that people who don’t do it think it’s easy? If you’re reading this, it’s more than likely you’ve given it a go, or at least know somebody who has, so you know full well that it most definitely is not.

We even try to warn those who think hammering out a first draft in a few weeks is a guaranteed million dollar paycheck. This is a long and arduous road, we say, but they don’t let that stop them. A legion of the truly unaware who will discover the scary truth soon enough.

Those of us who are fully committed (an apt phrase if ever there was one) finish the latest draft, then edit, rewrite and polish it so many times it enters well into double digit territory, hoping our writing and storytelling skills are improving with each new attempt.

But how do we know if that’s even happening?

We ask friends and trusted colleagues for feedback. We pay for professional analysis. The script gets reworked yet again.

We hope this newest draft is light years ahead of all of its previous incarnations in terms of quality, but sometimes it’s tough to be able to recognize if that’s the case. At least for me, anyway.

Whenever I send somebody a script for critiquing, I always say “Thanks for taking a look. Hope you like it.”

I know the script isn’t perfect – maybe even far from it, which is why I ask for help. Part of me knows it’s good, but can be better. It’s being able to identify the latter that gives me trouble. I’m so deeply embedded in a story that it’s tough to step back and be objective. Maybe I can not look at it for a few weeks, but even then it’s tough to look at it with fresh eyes.

Follow-up notes will tell me what they liked and what they feel needs work. There will be a fair mix of stuff I should have already figured out and some “How could I have missed that?” surprises.

So back I go into rewrite mode, hoping for improvement for both the material and myself, still not knowing if that improvement is there until I undergo the entire process all over again.

Or at least somebody tells me.