Looking back (and a peek ahead)

sleeping
Me around 10:30 on New Year’s Eve

As the end of the year gets closer, one can’t help but be a little reflective of how the past 12 months have gone, and in this context, it’s all about the screenwriting and its related subjects.

-My western. A labor of love finally put to bed once and for all. This script has gone through A LOT of changes, and both I and it could not have gotten to this point without the sage feedback received from many of my trusted colleagues.

-Other scripts. Over the course of this year, I completed a first draft and two outlines (with a third in its final stages), all for separate scripts. I may not be as productive as I’d like, but think this is still pretty good. I’m hoping that at least two of these will be completed scripts by this time next year.

-Establishing a career. I’ve always said that each draft of every script gets me a little closer to accomplishing that dream of being a working writer. 2015 saw some strong progress on that front. My writing’s getting better, I discovered I’m pretty good at pitching, and found out the hard way what should and shouldn’t go into a query letter. It’s an ongoing learning process, but I’m getting there. Hopes are high of moving to the next level or two in 2016.

-Networking. The number of writers I’ve connected and interacted with has definitely grown by leaps and bounds. Some have been in person, while most have been via social media, but the benefits have been tremendous all around. From exchanging script notes to being a sounding board for ideas to plain old moral support, you couldn’t ask for a more helpful bunch of folks. Hopefully they got as much out of it as I did. Highly recommended.

-Running. After involuntarily taking a year off, I got back into the habit of going for runs and took part in four half-marathons this year. Didn’t set any new records, but stayed within my realm of expectatins. Really glad I did them and already looking forward to the ones next year. How does this relate to screenwriting? Well, apart from the standard quote of “It’s not a sprint, it’s a marathon (or half-marathon, in my case)”, it’s about determination, endurance, perseverance, and setting a goal and working towards achieving it. All necessary elements involved in writing a script.

-The blog. This year saw the wrap-up of my series of interviews with scripts readers and consultants. I still keep in touch with a lot of them, and happy to say that a lot of those posts continue to get hits. Thanks to all of you for that. In the meantime, no big changes planned for what you read around here, but I’ve got a few ideas.

Thanks for reading, happy new year, and may we all get some kickass writing done in 2016.

 

How’s it going?

public speaking
Go ahead. You’re among friends.

From what I’ve been reading on the internets, a lot of you are making some excellent progress with both your writing and your careers.

I’d love to hear more. Feel free to share the latest development(s) for you and/or your writing. Anything worth noting you’d like to tell the world? Doesn’t matter if you’ve made a sale or written 2 pages in your latest draft. It’s all good stuff.

I’ll go first.

I’m about halfway through outlining the story for a sci-fi side project, working on some script notes for a few friends, still trying to break the story for my new idea, and my western has advanced to the semifinals of the 2015 Screenwriting Action/Thriller contest.

See? Nothing to it.

Your turn.

Relocating to a state of zen – OR – Ohmmmmmm

I'll wear the orange, but no way am I shaving my head
I don’t mind the orange robes or the incense, but no way am I shaving my head

As has been well-documented round these parts, I recently entered my western in two contests. One includes feedback as part of the entrance fee, the other gives it as an option.

I don’t usually go the feedback route when it comes to contests, but it had been recommended, so I bit the bullet and opted to do it.

You know that nervous feeling you get in the pit of your stomach while you’re waiting for some kind of potentially life-impacting news? That’s exactly what I was experiencing. Despite my confidence in the script, plus positive comments from friends and trusted colleagues, the butterflies were still taking up residence in my mid-section.

No matter how much I tried to redirect my concentration on working on the low-budget comedy, that nagging thought about the contest feedback would not go away.

What if after all was said and done, the general consensus was that the script sucked and I’d wasted all that time and effort for nothing? Sometimes there’s nothing as powerful as a writer’s self-doubt. It can be downright crippling.

Then the first email came in. If I’d been hooked up to a heart monitor, the thing would have blown a fuse in trying to keep up.

The notes were very positive. Some intriguing comments about what the reader thought needed work, but they seemed to really enjoy it. Possibly even a lot, which was extremely reassuring.

The way I see it, if the reader isn’t gushing over how perfect and wonderful the script is, then I figure there’s not much chance it’ll place, let alone win. Turns out I’m cool with that. While it would be great to win, this is still a pretty solid result.

Two days later, the next email came in. Oh jeez. All those positive feelings I’d reestablished vanished in a puff of smoke. Here we go again.

But much to my surprise, these notes were on par with their predecessor. Lots of positive things to say, plus some suggestions about potential fixes, plus a few things the reader didn’t catch that I thought were fairly obvious, or at least hadn’t been an issue before.

These notes also included scores in 16 categories. Out of a potential 10, I got 2 8s, 2 10s, and the rest were 9s, which was fantastic. Final score 135 out of 150. Not perfect, but still – they seemed to like it, and nobody’s saying, “You suck! Give up now!”  Again, do I think I’ll win? Not likely. Place? Maybe. But right now, that doesn’t seem important.

This whole experience definitely feels like a “face your fears” kind of thing. I know I can do this, and each draft really does help me improve. I was psyching myself out about how I’d do, and ended up actually doing better than expected. That’s pretty good. And since each set of notes had similar things to say about a particular part of the script, I have plenty of time to work on making those fixes before the deadlines for more high-profile contests like PAGE and the Nicholl. Also pretty good.

But most of all I really like the fact that now I can finally put aside thinking/worrying/obsessing about these contests with a little more confidence in my abilities and get back to focusing on developing my other scripts*.

*I’m taking part in the “write an entire script in November” project, but I admit to having had a bit of a head start by working on the low-budget comedy, which was already around the halfway point. But getting this draft done by the end of the month would still put me ahead of schedule.

-My writing chum Justin Sloan, who’s interviewed me as part of his Creative Writing Career book series, has launched the similarly-named Creative Writing Career podcast. A great listen for creative writers interested in several fields, including screenwriting, books and video games. Highly recommended.

Hand over the peanut butter cups and nobody gets hurt

Anybody else suspect how the American Dental Association figures in all of this?
Anybody else suspect how the American Dental Association figures in all of this?

Halloween Eve shorty today.

This has been a real rollercoaster of a week around Maximum Z HQ. Highs, lows, and many points in between, including:

-Notes back from BlueCat and Screencrafting Action about the western. Very positive comments from both, plus a few “needs a little work”-type items. Don’t know if I have a shot at winning either, but I’d be okay with a top 10 or along those lines. At least nobody said the script sucked.

-Been busy giving notes on friends’ scripts. So far, everybody’s liked what I’ve had to say, including a lot of agreement about what the notes say. Always nice.

-Started compiling a new list of potential query recipients to add to the master list I already have. Also got some great feedback on a revamped query letter. Trying to be more organized about it this time, including customizing as many letters as I can.

-There’s a strong sense of big changes of a positive nature in the air, so I’m going to do what I can to hold on to those and keep working on turning them into reality.

Hope you have a great weekend and get lots of kickass writing done (after whatever Halloween activities you’ll be engaging in, of course).

Just another project status update…

All the news about me that's fit to digitally publish
All the news about me that’s fit to digitally publish

Having recently given some notes on a couple of comedy scripts, I decided to see what I could do with mine, which I hadn’t looked at in about 5 months (due to finishing up the western).

The outline still seemed pretty solid, but could do with some minor tweaking. I’d already started on a first draft, so I thought I’d see how that read.

I honestly didn’t remember how far I’d gotten. Maybe page 25 or thereabouts?

Nope. A whopping 49 pages. Whoa. That’s around halfway through! Talk about pleasant surprises.

I read through and already see what needs to be cut, including too many instances of over-writing (a bad habit of mine that always occurs in first drafts). From what I’ve read, it looks like a lot can be taken out without too much of an impact on scenes or story.

So now I’ll see if I can settle back into that 3-pages-a-day routine and have it finished relatively soon-ish. I was hoping to have a draft of something done by the end of the year, so looks like I may actually be on track for that.

Fingers, as always, remain firmly crossed.

And how’s your current project coming along?