pulp fiction

Wanted: wonder, fun & excitement

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Seeking this kind of vibe
Seeking this kind of vibe

This was parent-teacher conference week, so my after-school parenting schedule was shaken up a bit. As a result, not as much time to work on the mystery spec rewrite.

So in an attempt to make the most of my limited time, and without my laptop with me, I opted to tinker with the outline for the monster spec.

Like any good writer, I had my ever-present notebook and story notes with me. Seriously.  I keep them in my bag for just such a situation.

The first act is really coming together, with most of the focus now on working out the details of the gaps between the plot points of Act Two. And as happened before, I’m having a blast.

At its heart, this story is a pure pulp adventure, which is exactly the mood I’m going for. Grab you from page one and not let go as it gains momentum from there on, building and building until finally culminating in a jaw-droppingly amazing, can’t-believe-I-just-saw-that finale.

Simply put, my objective is to create a simple-yet-solid story with three-dimensional characters, using the spectacle aspect as support that keeps things interesting.

Similar to how it was with the western, I’m a huge fan of the genre and know what I as a member of the audience would want to see. I’m not looking to reinvent the wheel here; just tell a fun story. Hopefully my appreciation and knowledge of this kind of material will come through on the page.

What it really boils down to is the more I can make this a smart and exciting thrill ride, the better.

As I work out the story details, I’m keeping this in mind: If there was a free-of-plot-details trailer for this, you’d be overwhelmingly compelled to want to see it.  (Sort of what they’ve done for GODZILLA and GUARDIANS OF THE GALAXY.)

Meanwhile, 365 days later…

Maximum Z action, adventure, baking, blog, confidence, cooking, creativity, cycling, encouragement, feedback, goals, half-marathons, manager, message boards, mystery, networking, podcasts, productivity, public forums, pulp fiction, representation, rewrite, running, screenwriting, script, self-confidence, social media, spec, story, westerns, writing
When exactly are the days of auld lang syne again?
When exactly are the days of auld lang syne again?

Things definitely changed for me during 2013, happily for the better.

-My script DREAMSHIP got me a manager, was a semifinalist in a high-profile contest and placed in the top 15 percent of the Nicholl. While I hope more things happen with it this year, I’m also pretty excited about the potential of the western spec and the two still in the rewrite/development stages.

Most importantly, I’d say I finally realized the true meaning of “write what you know”. A lot of what I write could fall squarely into the category of pulp material. A high-flying adventure guaranteed to buckle anyone’s swash. A western where you can practically breathe in the dry and dusty air and hear the thundering hoofbeats. A noir-style mystery that makes you want to hang on to your fedora as you toss back a shot of cheap rotgut.

I live for this kind of stuff, and strive to convey the same kinds of sensations and experiences in my work. It took a while to really understand this, but it’s made a significant difference for me and how I approach writing.

-Through this blog, assorted networking websites and writing forums, I’ve connected with a lot of extremely talented people from all over the world. Pleasantries, experiences and script advice have been exchanged, and I’m looking forward to continuing all of them (when possible, regarding the latter).

-Absolutely nothing happened with relaunching the podcast, mostly because I never found the time. Will do my best to change that.

-I ran 5 half-marathons, including two where I finally managed to break the 1:55 mark and set a new personal best – 1:51:10. I don’t know if I’ll do as many this year, but would like to try and at least hit 1:50.

-The running and bike riding definitely helped me stay in shape, and I attempted to maintain a semi-regular regiment of upper body work. Not as fit and toned as I’d like to be, but it’s helped a little. This will continue.

-The great baklava experiment was a smashing success. It’s been requested I make it again, this time with pistachios instead of walnuts. No reason that can’t happen. Still undecided about what new concoction to attempt this year, but baked alaska currently holds the frontrunner position.

As always, I’d like to thank you for coming along with me on this thrill ride of an experience, and hope you stick around because 2014 holds bigger and better things.

Happy new year, and see you on the other side.

The argument for originality

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Nobody saw it coming, and look what happened
Nobody saw it coming, and look what happened

As a screenwriter who hopes to one day see my work displayed on the big screen at your local theater, I strive to have each of my scripts present a unique tale that takes the audience on an entertaining ride.

Part of that uniqueness comes from me wanting to offer up a story that hasn’t been seen before. What’s better than being surprised with something you weren’t expecting, and liking it?

A lot of scripts adhere to “familiar, yet different,” which is fine. But there’s something to be said for putting a little more emphasis on the second part.

There’s an abundance of complaints about the lack of new ideas, or at least how sequels/remakes/reboots/re-imaginings are outnumbering original ideas.  (I won’t argue with that, especially with the recent announcement of a planned remake of GREMLINS. As the saying goes, is this really necessary?)

Don’t let that stop you.  New, smart and interesting will always triumph over dull, cliched and predictable.

Part of your job as a writer is to make your story so appealing that it becomes impossible for someone to say ‘no’ to it.

Put your creativeness to work.  Figure out what could make your story different. Don’t be afraid to take chances.

Show off those writing and storytelling skills.  Make the most of it and give ’em something they’re really going to remember.

“She pressed a couple of 38s against my chest…

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Who knows what evil lurks in the hearts of men?

…and then she pulled out some guns.”*

*I heard this joke years ago and still find it extremely hilarious. To commemorate Mickey Spillane’s birthday, I once used it at the end of a traffic report on a public radio station. The program director was not amused.

With company coming, I was forced to finally get around to unloading some more boxes from our semi-recent move. These just happened to hold books I’d amassed over the years. Many of which could be classified under the category of ‘the pulps’.

It’s been a long time since I read any of them. If you’ve never experienced the sensation of immersing yourself in a world of tough guys, brassy dames, femme fatales and itchy trigger fingers, then you’re really denying yourself one of life’s simpler pleasures.

There’s a definite charm to this kind of storytelling. Since the writers got paid by the word, not only did they have to be prolific, they had to also make sure the writing was strong enough that you’d want to keep coming back for more.

I also love how even though the stories are from the 30s, 40s and 50s, once you get past the time capsule aspect, they still read as fresh and exciting.

But I’m positively ecstatic when it comes to ‘men of mystery’ stories like The Shadow, The Spider and Doc Savage.  Give me a stack of those, a comfy chair, and maybe a properly-made gin and tonic, and I am one happy guy.

I never really made the connection before, but I suppose the scripts I like to write could kinda-sorta be considered variations on pulp stories. Or at least leaning in the direction of the fantastic.

A rip-roaring adventure involving flying pirate ships. A revenge-seeking woman in the Old West. A scientist battling monsters to literally save the world.  They all sound pretty pulp-y to me.

At first it seems too challenging. “I’ll never compare to those guys!”  But if you take the aspects of what you like in those stories, put your own personal spin on them, and let your imagination run wild… voila!

A pulp story all your own. In my case, one in screenplay form.

Remember the old adage: Write what you know.  You probably know more than you realize.