Not a lot of writing done this week due to being slammed with a nasty cold. Hoping to get back on track next week.
In the meantime, waiting to hear about some potential leads. Exhilarating in that they exist in the first place, and frustrating in that things seem to advance as fast as molasses in January.
Each one part of the process we all put ourselves through in this crazy ongoing pursuit. It’s not easy. Far from it. But we knew that going in.
Some days it feels like success is a little closer within reach, and sometimes it feels like you’re caught in a fiery downward spiral of doom.
Given my druthers, I prefer the former.
In the meantime, here are two posts from last year that might help restore, or at least remind you of your confidence in yourself, why you’re doing this, and what you’re capable of.
Well, 2016 is pretty much in the books. I hope it was a good year for you, writing-wise.
Mine was okay.
Among the more noteworthy events:
-I completed the first draft for 3 separate scripts. 2 comedies, 1 sci-fi.
-One of those comedies was written, edited and rewritten/revised over 10 days.
-My western made it to the top 15 percent in the Nicholl and was one of the top 100 in the Emerging Screenwriters competition, but did not advance with PAGE or Austin.
-Several read requests from managers and production companies. Unfortunately, everybody passed with the commonly-used “Just not what I’m looking for.”
-Built up my network of talented writers located all over the world, along with numerous getting-to-know-you in-person chats with those in the immediate geographic vicinity.
-Organized and hosted a very successful and enjoyable networking event for screenwriters. In a deli. A block from the Pacific Ocean.
-Took part in script swaps for somewhere in the neighborhood of 15 scripts.
Not a bad compilation.
As for 2017, the usual objectives:
-Along with the aforementioned rewrites, complete the first draft for at least 2 or 3 new scripts.
-Continue the quest for representation. Already a few potentials on the horizon.
-Based on how my western did in the Big 3 contests, I’m torn between seeking professional feedback for one more polish, or just leaving it as is and trying again next year.
-Continue providing notes and doing script swaps.
-Look into hosting another networking event, probably at a bigger venue.
-More networking and establishing connections with more talented writers.
-More getting-to-know-you in-person chats.
-Watch more movies.
-Read more scripts
-Stay confident. Be patient. Not lose hope, even on the shittiest of days.
-Keep trying to make this work. Eyes on the prize.
And a final note to all you loyal readers – thanks for coming along on this rollercoaster ride of a journey. I hope you’ve enjoyed reading about it as much as I’ve enjoyed writing about it.
All the best from me to you for a very happy and successful 2017. Fingers remain, as always, firmly crossed that this is The Year It Happens.
I can’t remember exactly where I saw it, but a couple of days ago there was a comment in a screenwriting forum that read something like “All you wannabe dreamers are just wasting your time”.
Oh, how I adore the encouraging words of total strangers.
But in all seriousness, I take issue with that statement. Nothing wannabe about me at all. I’m a total dreamer, through and through, and I don’t see this as wasting my time.
Far from it.
I think up stories and put ’em down on paper, and I really like that I can do that. A lot. (So much to the point that I think I could actually make a living at it. Here’s hoping, anyway.)
Other dreamers express themselves using any form of different methods. They’ll paint, draw, sculpt, compose, act, or sing. And it’s probably correct in assuming they get the same joy out of doing it that I do.
Is everybody good at it? No. Does that mean they shouldn’t even try? Of course not. We do it because we enjoy it.
One consequence about being a dreamer is that there will always be somebody like that anonymous naysayer. You don’t have to listen to them. It’s a lot easier to tear someone down than it is to build them up. That person may have had been bad experiences trying to do the same thing, and if they couldn’t do it, then nobody else can (or so the theory goes).
But you should also be realistic. Not everybody’s going to create The Most Amazing Thing Ever. Don’t let that stop you from trying. Speaking from my own perspective, even though I’ve made some forward progress for both skills and career, it’s taken a long time, with the number of setbacks and disappointments being significantly higher, but despite all that, there’s nothing else I’d rather be doing. Better to put myself through all of that rather than to have given up and not tried at all.
What can I say? It’s the dreamer in me.
So here’s to all of us dreamers. Long may our imaginations and the ability and methods in which we express them reign in an effort to make the world a slightly more enjoyable place.
Let’s not complicate things with petty details like who I am
So this email arrived yesterday.
“Hi, Paul, Do you know any past or current Executive Producers that might be eager to engage in a new multi-billion dollar franchise that could be as good as “Harry Potter” or “Star Wars”?”
Immediate smartass answer: Well, of course I do, person-I’ve-never-communicated-with-before! I like the cut of your jib, especially with that totally unsolicited request for help! I’ll pass your info along straightaway! Even though I think smoking is a totally unhealthy thing, I’m going to learn how just to be able to literally light cigars with hundred-dollar bills which I’ll be grabbing out of the huge bags o’cash which will no doubt be continuously rolling in once Hollywood gets its mitts on this!
Secondary upon-reflection answer: Do you really think this is the best approach?
Sure, we’ve been connected on a networking site for several years, but as far as I can recall, have had absolutely no interaction during that time. No emails. No comments on a post. Not even a single “Hey, how’s it going?” And then, totally out of the blue, you come to me and ask for help.
I’m more than happy to help somebody out when I can, but it has to be somebody I know, somebody I’ve communicated with, and somebody I think is worth helping. Apart from this nebulous “connection” we have, to me you’re little more than a total stranger.
And you’re not asking for just any kind of help. You have what you proclaim to be “the next big thing”. If I had a dollar for every time I’ve heard or read that about a script/story/idea, I’d be able to fund my own franchise.
It’s great that you have a high opinion of your material, as you should, but keep in mind you might be the only one who does. You can prognosticate all you want, but that’s not going to impact anything. You can’t say something’s going to be a hit because you want it to be.
I’m still a little fuzzy on the details, but I think the title “Executive Producer” depends on the extent of that person’s involvement with the project. Until then, I believe “producer” is the appropriate title. Feel free to enlighten the rest of us in the comment section.
Let’s also discuss the fact that you sent this to me. Me. Why? I’m not exactly Mr Industry Insider. In fact, I’m more likely in the same boat as you; a nobody busting his ass trying to establish a career. Did you know that? Did you do any research, or are you just sending this to as many people as possible, hoping one of them works out?
I never responded to the email in question, simply because I don’t think it’s worth it. I suspect anything short of “Here are those names you asked for” would not be welcome, let alone “This is a really unprofessional email, and here’s why”. As always, I wish them the best of luck.
I’ll admit I’ve made a lot of mistakes over the years, but each one has been a learning experience unto itself. I’ve learned how to network, how to communicate, and how to interact. I know how to seek out help and how to offer it. I’m a firm believer in researching and finding out everything I can about whatever it is I’m working on.
I always strive to be as professional as I can when it comes to this sort of thing. Everybody’s a potential future partner/connection/resource, but I don’t take it for granted.
I’ll treat you with respect provided you do the same.
As long as we’re emphasizing Qs today…(Yes, it’s a terrible joke. But that’s how we operate around here.)
Today is all about query letters.
I read about other writers who’ve gotten reads, representation, options and even production. There must have been something quite special about those letters (and scripts) to get those machines in motion.
There are also a select number of writers who’ve never had to use a query letter. Bully for them, I say. But I’ve never fallen into that category, so I’m firmly planted in the “those who send” group, which is still fine.
Taking a look at the somewhat limited results of my past efforts and reading about others’ experience makes me wonder in a “big picture” way about the nature and concept of the query letters themselves.
Are they worth the effort?
Naturally, if something happens as a result, of course they are. But even that appears to be a needle-in-a-haystack kind of scenario.
(Incidentally, any tales of query success are more than welcome in the comments section.)
There are so many factors to take into account, including but not limited to:
-who you’re sending to
-what kind of material they want
-they’re intrigued enough to want to read the script
-your script is a good match (or at least close enough) to what they want
-they think your writing’s strong enough
-they think they can make something happen with your script
Several years ago, an agent who’d struck out on their own (along with a sole assistant) told me that their office received approximately 75-100 queries a week. From around the world. Some were good, most were awful. A significant part of each morning was spent sorting through them. As you’d imagine, finding one, possibly two, that clicked seemed to be the norm.
Remember, this was a two-person operation. If they were getting that many, imagine how many the mega-agencies were getting, and still are. Possibly in the thousands.
The chances of success are minuscule, and grow smaller with each progressive step. Those not exactly in the know are more likely to think they’re the exception, but those of us who’ve been down this road before know better.
This isn’t to say that queries never work, but the odds definitely appear to be not in our favor. Luck and timing seem to also play significant parts. Maybe the person you’ve sent to just happens to be looking for a script exactly like yours. I’ve heard it does happen; just not very often.
But the dedicated, persistent and determined among us, including yours truly, will keep at it.
Even though my success rate hasn’t been the best, I’ll continue to do the research, find potential recipients, craft what I believe is a solid query, and send it out.
All that’s left is to wait, hope for the best, and keep busy working on other scripts, each of which will probably also have its own respective query letter get sent out sometime in the near future.
Maximum Z 