The significance and heartbreak of almost

Tim Love/Hellmanns Recipe shoot.
You celebrate your way. I’ll celebrate mine.

Well, that’s that. The results are in, and it looks like it was mighty close. Practically a photo finish. One that will be debated by scholars far and wide long after the fact.

Actually, I have no idea what the results were.

All I know is that the 2015 Screencraft Action/Thriller contest announced its Grand Prize winner and First Place winner, and my western was neither.

(I almost said it failed to get either, but opted not to. More on that in a sec.)

It did, however, place among the top ten finalists, so I guess that’s something.

An honor to be part of this elite group? Most definitely. All ten finalist scripts are being distributed to Screencraft’s network of industry contacts, so all I can do now is hope for the best (while working on new scripts, of course).

That being said, how can I not feel pangs of frustration from not achieving either of the top two? Could the script have been better? Probably. Is it solid enough now? I like to think so. For all I know, it came in third.

I totally get how this is part of the process and should be thrilled the script made it this far. Believe me, I am. Very much so. But I’d be lying if I didn’t say I, along with every other writer who entered the contest, wasn’t entertaining daydreamy thoughts of being proclaimed the winner. But that’s not how it worked out.

Honestly, it hurts. Or maybe stings is more fitting. Either way, it feels like “I tried my best, but it still wasn’t good enough.” This sensation will linger for about a day, eventually fading but not totally disappearing. By that time I’ll have dusted myself off, ready to jump back into my normal routine of full speed ahead. I’ve got a few irons in several fires, plus a few projects I prefer to keep on the QT. For now, at least.

I mentioned being tempted to say the script failed to win. True, it didn’t win, but maybe “fail” is too harsh a word. The script did exceptionally well, which I suppose is a reflection of my writing ability and how it’s developing. This is the third consecutive year I’ve had a script place in some manner in a contest, so I must be doing something right.

So for now I’ll keep in mind that sage piece of wisdom uttered after all competitions:

Just wait ’til next year.

How does your script move?

AMC Pacer
Not that kind of pacing

When you’re reading a script, are you able to notice how time is passing while you’re reading?

Have you zipped through a significant amount of pages without even realizing it? Or does it feel like this thing is just dragging on forever, and that even turning the page is going to require every last ounce of strength you’ve got?

A key factor in writing a script is establishing its pacing, or “how the story moves”. This is one of those skills that takes time to develop.

A script might be overwritten, or at least have too much going on that it distracts you from concentrating on the story. Or maybe it’s written in a flat, almost-monotone kind of way, which makes it tough to stay interested.

Who hasn’t read scripts containing scenes like all of these? And it’s probably reasonable to assume if the script has one scene like this, there are going to be a lot more just like it throughout the whole thing.

So what can you do about it?

The best advice is a two-parter.

The first is a quote usually attributed to David Mamet and/or William Goldman:

Get in late, get out early.

Get to the point of each scene as soon as possible, then get out and move on to the next one. Anything else is unnecessary and will slow things down, and you don’t want that.

The second is a universal rule of storytelling:

Don’t be boring.

Write so it holds our interest. Don’t overdo it, but don’t settle for the bare minimum either.

Get that momentum going, and do your best to keep it that way.

Rip-roaring and ready to go yet again

 

lightning
That’s me. All charged up.

Over the past week or so, the idea for a new story has been slowly developing inside my head.

Even though most of my attention continues to be focused on completing other projects, that seed has been planted and I work out a few details about it when I can.

This is just the beginning of the whole process, and my work is definitely cut out for me. Like with any script, it’s going to be tough.

But I also have to admit I’m quite thrilled about it.

There’s just something about coming up with a new idea that really reinvigorates your creative process. You’re excited about the story, the potential within it and possibly even (gasp!) looking forward to writing it.

I certainly doubt I’m the only who experiences this.

As expected, there will be days I get frustrated about any number of things related to this, which is par for the course. But I’ve also been doing this for a while, so the positive days steadily continue to outnumber the negative.

As has also been my experience, some of those negative days will most likely include outside comments of a tearing-down nature. Fortunately, I’ve developed a thick skin over the years and learned to ignore the ramblings of self-proclaimed “experts”.

For now, everything is still in the early-early development stage. It took a while just to come up with a good logline, and even that will probably still need work. Now I’m just figuring out the plot points. There’s no rush, especially since I already have several other scripts that require my attentions.

I like the concept of this one, and am really looking forward to seeing how things work out with it.

A pleasantly pocket-sized status update

Just the right size for enjoyment at your convenience
Just the right size for enjoyment at your convenience

Busy times continuing, so just a few items worth mentioning.

-Good progress as the November writing project continues. Closing in on the end of Act 2, and with a few days off next week, hoping to steamroll my way through Act 3 and wrap up the first draft. Still averaging about 2 pages a day, which isn’t necessarily because I’m not very productive, but partially due to…

-Been very busy the past couple of weeks giving notes on scripts written by writer pals kind enough to do it for me. Everybody’s patience is much appreciated.

-In the early discussion stages of helping out on 2 potential projects. Both feel like they’ll really push my creativeness to the limit. Always nice.

-Ran the Golden Gate Half this past Sunday. 1:56:36, including a lot of uphill on both sides of the bridge and a light drizzle during miles 8 through 11. Also nice.

-My daughter, the illustrious Ms V, turned 13 this week. The next few years are going to be interesting, to say the least. Wish me luck.

Have an excellent weekend, and make sure to get some kickass writing done.

Networking: more than just a group thing

“Working on the rewrite while I wait to hear from that manager. How about you guys?”

Despite the fact that writing, for the most part, is a solitary activity, a lot of us take great pleasure in being connected with other writers.

They can be the invaluable support, guidance and motivation we sometimes need to give us that little extra boost. Having a problem and being able to tap into this kind of resource in order to find a solution is priceless.

We get access to all the goings-on, good and bad, that happen among us and our peers.

While I’ve seen my fair share of both, I’m glad to say that a majority have been of a positive nature. This person got a manager. That person finished their latest draft. That other person began working with another writer on a new project. I’m thrilled for all of these developments, and offer up congratulations and words of encouragement. Each and every one of these people has worked hard to reach this particular milestone.

I’d be lying if I said I wasn’t jealous. That sense of longing and wondering “Will I eventually/ever get to announce some good news of my own?” keeps nagging at me, so I continue to buckle down and redouble my efforts in the hopes of making it happen a little sooner. Some days it’s really tough to be patient.

On the other side of the coin are the not-so-great things. This person’s script got a pass from a high-profile agent. That person is suffering from a severe case of writer’s block (or worse – depression). That other person is going through some tough things in their personal life. These also happen to a lot of us, resulting in messages of sympathy, understanding and moral support.

I’ve experienced this too. When times are tough, you find out who’s really in your corner, and are glad to know it.

But I wouldn’t have any of this kind of support if I hadn’t sought it out. There’s a reason it’s called “social” media. I’ve been able to connect with so many awesome people because of what I’ve read or seen about them online.

Is there a writer (professional or peer) whose work you enjoy? Someone whose tweets always make you chuckle? Send ’em a note telling them that.

Even better – are they in your area? When I learn about a local writer, I’ll offer up the opportunity for a face-to-face chat over coffee or lunch. I’ve also done this with folks just visiting the Bay Area. This has resulted in some great ongoing working relationships.

Everybody’s career advances at its own pace, and all the fantastic help and support we get on days good and bad are major pluses. Many writers are introverts at heart, but you have to make the effort to put yourself out there and get to know somebody.

It gets easier the more you do it, and you’ll be glad you did.