Working in a timely manner

train conductors
“Now that’s something you don’t see every day, Chauncey.” “What’s that, Edgar?” “A writer setting a schedule and sticking to it.”

Following the lead of some of my writing colleagues, I’m making more of an effort to establish a sense of order and structure when it comes to my writing and all things connected with it.

It used to be “Write when you can!,” which in a way it still is, but more layers and categories have been added to the mix.

-First and foremost, the setting aside of at least an hour a day to work on one of my own projects continues, be it outlining, writing, editing, rewriting, or polishing. This remains the primary objective.

-Networking. While connecting with people is easy, maintaining those relationships takes effort, and can quickly become time-consuming. As much as I enjoy conversing (albeit online) with people, I try to keep it to a minimum – unless it’s relevant to the project of the moment.

-Related to that is the reading and note-giving for other writers, especially those who were equally as generous with their time to do the same for me. I may not always be on schedule about it (something I’m trying to improve), but I make a point of getting it done.

-Career-building. This mostly involves researching potential recipients for pitching and queries, which means diving head-first into the scavenger hunt that is IMDB Pro. While most of the time the contact info is accurate, sometimes it’s out of date (people move on), or there’s no contact info whatsoever, or the person or company in question hasn’t existed for years.

*True story – researching an agent, I’d discovered they’d apparently died several years before but the email was still in operation. I opted not to query them.

-Overall stayin’ organized. I’ve started jotting down each day’s objectives and “must do’s” in a little notebook, and checking off items as they are accomplished. It’s been very helpful in making me stay focused on what needs to get done, rather than hoping I remember later on.

All of this is still somewhat early in the process, but so far, so good. That feeling of being in control helps make the whole thing seem a little easier, as well as feeling like stuff is actually getting done.

How about you? What steps are you taking to be more organized with your writing?

If only I were getting paid to be this busy…

Steinbeck typing
There are worse role models

It’s been a busy couple of days with no sign of letting up, so another shorty today.

-Sorry to say a lot of my time recently has been taken up dealing with technical issues for my email and this blog. Many’s the time I wanted to fling my laptop against the wall due to something not doing what it was supposed to be doing.

-Latest batch of query letters sent. A handful of “send it!” (fingers crossed for that one to the big prodco), a handful of “thanks, but no thanks” and a lot of silence from the rest. Undeterred, I’ve got a few new lists ready to go.

-Got some great suggestions and feedback on my 1-pagers, so rewrites are underway.

-A hearty thanks to those who’ve contacted me about “scripts wanted” listings which are potentially solid matches for some of mine. Follow-ups are in progress.

-Still working on script notes for a few of you. Your patience is greatly appreciated.

-Huge thanks to those offering their support and words of encouragement during some recent times of feeling lousy, confidence-wise. Knowing you’re in my corner means a lot.

-Even though I’ve been super-busy, I’m still doing what I can to do some actual writing, both for my own projects and some outside ones I’m involved with. It’s not always easy, but really making the effort to get something done each day.

Have a great weekend, and hope you get some kickass writing done.

Don’t open that door!

doors

Another busy week around Maximum Z HQ, with a significant part of it involving waiting to hear about the potential future of some of my projects.*

I hate the waiting. It opens the door to allow fear and anxiety to stroll on in.

A friend who’s a director put it very succinctly: It’s all about control. A lot of that stuff is out of your hands now, which makes you nervous about the outcome. You have to redirect your attention to anything and everything for which you can take charge, and do something with it. The sooner the better.

How absolutely true, and it was exactly the reminder I needed.

In my case, that comes down to the work and all things related. It’s easy to forget how many things with which I’m involved. My own stuff (which is a growing category unto itself), giving notes, networking, sending out queries, just to name a few.

Sure, it would be great for everybody to respond quickly, preferably with news of a positive nature, but it doesn’t work that way. These things are known to drag out for excruciatingly long periods of time, and me fretting over it is the last thing I need.

I wouldn’t even be surprised if I get an email in a few months about one of these that I’ll probably have totally forgotten. It’s happened before.

Keeping busy really does help you stay focused and keep the negatives at bay. It might not be easy, but do what you can to slam that door shut, lock it and throw away they key.

 

*heard back from a producer soon after posting this. They passed on my script, which sucks, but will now re-double my efforts with the other projects.

 

The significance and heartbreak of almost

Tim Love/Hellmanns Recipe shoot.
You celebrate your way. I’ll celebrate mine.

Well, that’s that. The results are in, and it looks like it was mighty close. Practically a photo finish. One that will be debated by scholars far and wide long after the fact.

Actually, I have no idea what the results were.

All I know is that the 2015 Screencraft Action/Thriller contest announced its Grand Prize winner and First Place winner, and my western was neither.

(I almost said it failed to get either, but opted not to. More on that in a sec.)

It did, however, place among the top ten finalists, so I guess that’s something.

An honor to be part of this elite group? Most definitely. All ten finalist scripts are being distributed to Screencraft’s network of industry contacts, so all I can do now is hope for the best (while working on new scripts, of course).

That being said, how can I not feel pangs of frustration from not achieving either of the top two? Could the script have been better? Probably. Is it solid enough now? I like to think so. For all I know, it came in third.

I totally get how this is part of the process and should be thrilled the script made it this far. Believe me, I am. Very much so. But I’d be lying if I didn’t say I, along with every other writer who entered the contest, wasn’t entertaining daydreamy thoughts of being proclaimed the winner. But that’s not how it worked out.

Honestly, it hurts. Or maybe stings is more fitting. Either way, it feels like “I tried my best, but it still wasn’t good enough.” This sensation will linger for about a day, eventually fading but not totally disappearing. By that time I’ll have dusted myself off, ready to jump back into my normal routine of full speed ahead. I’ve got a few irons in several fires, plus a few projects I prefer to keep on the QT. For now, at least.

I mentioned being tempted to say the script failed to win. True, it didn’t win, but maybe “fail” is too harsh a word. The script did exceptionally well, which I suppose is a reflection of my writing ability and how it’s developing. This is the third consecutive year I’ve had a script place in some manner in a contest, so I must be doing something right.

So for now I’ll keep in mind that sage piece of wisdom uttered after all competitions:

Just wait ’til next year.

A multi-pronged approach

freeway
Lots of different ways to go, as long as you know where you’re going

Had another great lunchtime chat with a fellow writer yesterday. Among the many topics of conversation: the necessity of how a writer trying to break in must work towards achieving success from as many angles as they can.

Got a good script? How many others have you got that are ready to go? How many are you currently developing so as to increase that number? Are you sticking with one genre or trying several?

Are you actively seeking writing projects? There are a lot of smaller, not-as-prestigious projects out there in need of writers. You may not get a big paycheck, but you’ll gain experience (and maybe an onscreen credit). It could also help educate you about what goes on during production.

Think your script is good enough for one of the high-profile contests? What’s more important to you – the prize money, the prestige of winning (or at least placing), or how this could help get your career going?

Are you connecting with other writers? As introverted as a lot of writers are, social contact is a necessary factor of doing it professionally. It’s one thing to communicate electronically, so make a point of going to a social event in your area (you could even go so far as to arrange one!), or attend a conference where you actually talk to people. This will also come in handy when you reach that next level and start taking meetings.

You’ve done everything you can with this current script and are ready to start looking for representation. How much research have you done into who would be the most receptive to it? Does your script seem like a good match for them? Have you worked on that query letter to the point that it would be impossible for them to not want to read your script?

Naturally, these questions and situations are just the tip of the proverbial iceberg. Everybody’s path is going to be different from yours, but there will be similarities. Fortunately, you have time and a wide array of resources at your disposal to start preparing in your own way for all of them.

Good luck, and get to it.