Looking back, looking forward

Since this is the last post of 2023, it’s only fitting – and probably expected – to review the events of the past 12 months, as well as lay out the plans and hopes for the next 12.

This was a pretty good year for me on a few fronts.

After a significant amount of rewrites, my animated fantasy-comedy did okay with contests. It placed 3rd in Family/Teen/Animation for StoryPros, made quarterfinals in PAGE (first time breaking that barrier) and was a 2-time Second Rounder at Austin (first time for that one as well, and 2 times because I entered 2 drafts and each made it).

Because of the strike, and then being hit with consecutive bouts of Covid, I wasn’t able to do much with putting the script out there – something I’m hoping to fix come January.

I also finally made it to Austin and had a phenomenal time. I got to meet a lot of the amazing people I’m connected with on various social media platforms, as well as a few established pros.

As for 2024…

Currently working on the rewrite of the sci-fi adventure, and have been laying the groundwork for a new one – an action-comedy. Hoping to have both done by this time next year.

Since there’ll be more focus on the writing, I’m taking the year off from contests. Just seems like the right thing to do – and will save a decent chunk of change. No plans to go to Austin either. Maybe in ’25.

Also hoping to get things moving on the representation front. Since I’ll be skipping contests, I’m looking into some of the programs offered by Roadmap Writers. Heard lots of good things.

And I know I’ve mentioned this before, but I’m really hoping to get the ball rolling on filming the short script I wrote a few years ago. I’ve been really fortunate to have lots of offers of help and guidance to assist me in reaching that finish line.

There were a good deal of moments this past year involving self-doubt, uncertainty and just feeling not good enough. It’s been a long arduous journey just to get to this point, and there’s still a long distance to go. It can be frustrating, but I know I can keep finding the strength and determination to keep going. It helps to have so many people in my corner, metaphorically cheering me on.

At the end of each year, I usually say something like “Here’s hoping the new year brings bigger and better things on the screenwriting career front.” This is year is no different. There will no doubt be more heartbreak and feelings of inadequacy, but I like doing this too much to even consider the idea of giving up. Yes, I hope things work out or at least advance to some next levels, but if they don’t, I’ll still be plugging away and enjoying the journey.

Can’t close things out without saying thanks for coming along with me on this ongoing rollercoaster ride, and I wish you nothing but the best for all your projects in the coming year, and hope it’s truly phenomenal for you.

-Also wanted to thank everybody who sent in for last week’s Script Showcase. Hope you got some read requests!

One week to go

Submissions continue to come in for the upcoming Maximum Z Winter ’23 Script Showcase, which goes live on Friday 22 December. The cutoff for sending in is Thursday 21 December, so there’s still time to add your screenplay or TV script into the mix.

If you’ve been trying to think of a way to spread the word about your script, then look no further. Once the post is up, I’ll post a link to it on several of my social media platforms, and hope you’ll do the same.

All this free marketing and publicity, with an emphasis on the “free” part.

Here’s how it works:

Email the following info here with the subject line “Maximum Z Winter ’23 Script Showcase”

-Film or TV?

-Title

-Author(s)

-Genre(s)

-Logline

-Awards (if applicable) – limit of 5

-your email

And that’s it. No more, and definitely no less.

A few important things to remember before sending:

-DO NOT SEND THE SCRIPT! If somebody is interested in reading it, that’s why your email is included.

-ONLY ONE SCRIPT PER PERSON

-MAKE SURE YOUR LOGLINE IS ACTUALLY A LOGLINE. A few writers have sent in synopses and taglines, which are most definitely NOT loglines.

-PROOFREAD YOUR INFO! Is everything spelled correctly? Is all the info there that needs to be there? I will post what you send as is – no editing on my part, so make sure it reads the way you want it to.

The inbox remains open for just a few more days. The cutoff date of Thursday 21 December will be here before you know it, so don’t delay and send today.

Our crack staff of editors is standing by.

The other three little words

My, what a rough week this was.

PAGE semifinalists and Nicholl quarterfinalists were announced. My script was not on either list.

Disappointing, especially since I think it’s a pretty solid script.

At least that’s what my readers say.

But like you always hear: it’s all subjective.

Your first thought when you get that notification that includes “Unfortunately,…” is probably “I must be a really shitty writer”.

Not so. I’ve read a lot of scripts of exceptional quality that also didn’t advance, including one by a previous Nicholl top 10 finalist.

There is absolutely no way to tell how a script is going to do in a contest. You send it, hope for the best, then move on to whatever the next thing is.

After I’d posted about not advancing, more than a few writers responded in kind.

“Me too.”

“Another swing and a miss.”

“Whoo! My eighth consecutive year of not advancing.”

It’s taken me a lot of time to accept that while it’s great to see your script do well in a contest, when it doesn’t do well is no absolute reflection on you as a writer.

Again: it’s all subjective.

One writer I know was frustrated after years and years of their script never doing well in a contest. That script then went on to place in the top 50 for the Nicholl.

This isn’t to say that your script couldn’t do with a little more work. That’s really up to you.

If you’re among the horde of writers whose contest journey has come to an end, give yourself a minute to vent and air those grievances, then decide what you’re going to do about it.

Is your script as solid as it can be, or would it be worth your while to give it another read to see if anything could use some tweaking?

Something to also keep in mind: winning a contest can be a stepping stone to a career as a writer, but it’s not the only way. A script can not do well in a contest but still attract the attention of somebody interested in making it.

As another writer put it: “I’d rather write a script that would be a good movie, than one that wins contests.”

At this point I don’t know what my plan is for next year’s contests. I’m too busy working on scripts to worry about it.

Which reminds me of another three important little words:

Don’t. Stop. Trying.

From the archives: Two shoulders, no waiting

shoulder
Plus two sympathetic ears at no additional cost

Over the past few weeks, as part of group Zoom calls and one-on-one discussions, I’ve discussed with other screenwriters the frustration with how things are going for the writing, establishing/maintaining a career, and just the overall experience. And the current writers strike ain’t helping much, either. Sometimes all you can do is listen and offer encouragement and moral support. It might not be much, but it can still make a difference. It also reminded me of this post from August 2019. Enjoy.

Trying to make it as a screenwriter is a tough choice to begin with. It’s a long, drawn-out process that takes a long time before any significant results can be achieved. Sure, there are exceptions, but for the most part, it remains a marathon, not a sprint.

And that also means there’s going to be A LOT of heartache and disappointment along the way, and that can really take its toll on you. Not to sound too New Age-y, but all that negative energy can do significant damage to your confidence and self-esteem.

“This is never going to work.”

“I can’t do this.”

“Why do I even bother?”

If you’ve never said or thought any of these things, I’d love to know how in the world you managed to accomplish that and still call yourself a screenwriter.

Many’s the time I’ve seen comments on a public forum from another writer that echo these sentiments, or had them send me a private note saying something similar.

And I feel for them – whole-heartedly. I’ve been that writer thinking those thoughts a lot, too.

Do I wish I could help them out in any capacity? Without a doubt.

Even though it may not be much, I’ll offer up whatever support or encouragement I can. Don’t underestimate the power or effectiveness of telling somebody you’re in their corner. It makes quite the difference knowing you’re not alone during this tumultuous journey.

I once got a note from a writer I barely knew. They knew a writer I knew, and had seen some of my postings online. We were both semi-finalists in a prestigious contest, and it was the day the finalists were being announced.

For reasons totally unknown to me, they contacted me, asking if I’d received any kind of update. I hadn’t.

“Having a total shit writing year so far so I’m clinging to anything positive ha,” was their response.

I told them I was sorry to hear that, and offered up my own frustratingly good-but-not-great batting average, along with a few words of encouragement in the vein of “much as it hurts to get thrown off, you just gotta keep getting back on the horse”.

They were in total agreement.

An hour or so later, the finalists were announced. I wasn’t one of them. But they were. Naturally, I was disappointed, but also happy for them because they had something good happen.

The takeaway here is that you’re not alone in this. Every other writer goes through it. We’re all going to have a lot of bad days, probably a lot more than the number of good days, and it can be tough to get through it, let alone come out stronger.

This is one of those added benefits to networking and connecting with other writers. You’re not just helping to develop your writing and analytical skills, you’re creating your own emotional support network.

Chances are you’ll have a stronger relationship with a small number of people; the ones you’ve interacted with, or shared scripts, exchanged notes, etc., on a more regular basis.

Don’t be afraid to reach out and tell one of them “Hey, I’m not feeling too good about this right now. Mind if I talk about it?” They’ll understand, and be supportive about it (in theory). Just being able to talk about it could help you feel a little better.

Screenwriting is complicated enough, and gets even more so when you throw all your hopes and ambition into it. Sometimes you’ll feel strong, powerful, ready to take on the world. And sometimes you’ll feel like the world’s beaten you to a bloody pulp with no hope for recovery. (Again, I’ve experienced both.)

You can’t force yourself to feel better and restore your confidence, but you can take little steps to help yourself out – at your own pace. And any help you might need is always there and easily accessible.

It is what it is

They say failure is the best teacher, and boy did I learn my lesson these past few weeks.

As you might be aware, a lot of the past few months were all about the animated fantasy-comedy spec. Many drafts, revisions, and polishes have taken place. My primary objective was to have what I hoped was a quality script that might have a chance with some of the big contests.

I felt it was ready, so I sent it in, along with to a few smaller contests – just to see how it might fare.

Its track record now stands at 0-2 for those smaller ones, one of which focused on fantasy (and sci-fi). If the script couldn’t even make the quarterfinals in that, it definitely doesn’t bode well for the more high-profile contests that get thousands upon thousands of entries.

Also adding to this sad-but-likely conclusion was getting some notes back after the script had been entered in said contests. The notes were brutally honest about what worked and what didn’t.

Simply put – there were problems that I hadn’t addressed, and it just wasn’t ready.

Thus another rewrite took place, with this year’s contests already being written off. It’ll be quite surprising if anything positive happens with any of those.

I don’t think I was jumping the gun in entering it in the contests. Was I more confident than I should have been? Maybe, but I still think it’s a solid piece of work – especially after this latest rewrite.

There’s still one more set of notes on the way, so there will most likely be another draft, and I’m seriously considering getting some professional feedback for that one a few months down the road.

It bothers me that this year’s contests already seem to be wasted, but I accept that this is how it worked out and I’m pretty good about getting back up on the proverbial horse. The positive spin/silver lining is that this gives me more time to prepare for next year.

Once all the work on this script is finished – which hopefully won’t take too long, I’ll return to the rewrite of the sci-fi adventure – and based on this experience, will dedicate more time to making sure it’s REALLY ready to send out.

Heeding my own advice and encouragement to other writers, I will keep pushing forward.

-As of this writing, the WGA strike is still going on.

To quote Harlan Ellison: pay the writer

#WGAStrong