Even though a lot of the past week was family-oriented, thoughts about the current spec were omnipresent. There’s still a lot to figure out, but things are progressing, albeit slowly.
One positive result is that as these ideas develop, each causes a ripple effect in terms of how it impacts the rest of the story.
Just as an example, I needed to come up with a very important story detail, so started listing all the possible reasons how it could happen. I came up with one I felt worked best and started implementing it into the still-under-construction outline. That in turn triggered thoughts of “that could be because of ____” or “what if ____ is why?”.
A little more rejiggering of possibilities and how they’d fit into the story and voila! Some really helpful ideas and additional details that strengthen its designated storyline AND how it affects a few others.
When I started this project, I reminded myself that the end result would most likely be very different while the core story remained the same. Staying on top of all those little details is really keeping me on my toes, while also forcing me to constantly ramp up my creativity to make this script as original and entertaining as possible.
It’s a safe bet I’ll come up with more story-changing/impacting ideas over the next few weeks, but I welcome them and will deal with those as they happen.
The main focus remains just putting it all together.
I’ve been on somewhat of a tear lately in regards to watching films – both at home and in theaters.
One of the things that’s really stood out is the tightness of the writing. In every film, the scenes don’t waste time. They present what’s needed at that particular moment while also advancing the story.
I’ve always had a tendency to overwrite – especially in my earlier scripts. There was just too much on the page, or some scenes just went on too long. This would result in necessary editing and trimming down in subsequent drafts.
But then I heard a piece of advice I’m fairly certain is attributed to playwright David Mamet:
GET IN LATE, GET OUT EARLY
I interpreted this as “Get to the point of the scene as soon as possible, then move on to the next one”.
You don’t want your reader/audience to be bored by slowing things down with anything unrelated to the story. They’ll become less interested in wanting to see what happens next. Once that happens, you’re pretty much screwed.
This is something I’ve seen in a lot of scripts – especially from newer writers, along with a handful of seasoned vets. Many is the time I’ve given a note along the lines of “this is good, but tightening it up would make a world of difference.” Sometimes it’s dialogue, or description, or action lines.
If something can be cut from a scene and the scene still accomplishes what it needs to, then whatever you cut didn’t need to be in there in the first place.
When I outline, I do so with a “what’s the point of this scene?” approach. What happens in this scene that advances the story? Even as the story continues to grow and develop, the focus on the main point of each scene continues. There may be a small amount of overwriting in the first few drafts, but those are quickly dealt with.
This approach has really helped contributed to establishing the flow and fast reads for my scripts, and I’m looking forward to applying it to the current spec.
I’d originally planned to repost this because I liked what the topic was discussing. It became especially pertinent after reading the first line. The past repeated itself this week with my fantasy-comedy also not advancing to the quarterfinals in PAGE this year. It stung a bit – especially after an earlier draft accomplished it two years ago. But it is what it is, and I’ve gotten past it as I focus on more important stuff. In the meantime, enjoy this post from July 2016.
Before we get to the gist of today’s post, let’s address the elephant in the room: my western did not advance to the quarterfinals of the PAGE contest.
Honestly, I was a little surprised; I thought it would have done better. After a brief wallow in disappointment, I shrugged my shoulders and moved on. It’s just another one of those things over which I have no control. I still have a ton of confidence in this script and might submit again next year. Also waiting to see how it fares in Austin and the Nicholl.
True, it was a rather lousy way to start the weekend, but over the next couple of days, I managed to redirect my focus, which included a nice long run that involved traversing the Golden Gate Bridge, and attempting something I’ve always wanted to try:
Making a pineapple upside-down cake (from scratch, naturally).
Guests were coming over for dinner, and I’d made pies for them before. But this time, I wanted to try something entirely new and preferably a little challenging. I’d say this falls into both categories.
I scoured the internet for an ideal recipe, found one to my satisfaction, and followed the directions to the letter. The result? It looked like it was supposed to, and that’s where the similarities end. A little too sweet and the center was still kind of goopy. Nevertheless, my guests still liked it, and K & I split the last piece after they left. Not bad for a first attempt.
Why did it not turn out the way I expected? A lot of reasons. The oven’s a piece of junk. It didn’t bake long enough. The ingredients and the amount of them probably need to be tweaked. No matter what, I know now that I can adjust all of these next time and get closer to the results I seek.
Except for the oven. It will forever remain a piece of junk until it dies. Which can’t happen soon enough. But I digress.
Notice all of the comparisons you could make between baking and writing a script? Trying something new and long-sought-after. Seeking advice and guidance. Following the guidelines. Doing what I was supposed to. An okay-but-was-hoping-for-better initial result. Planning ahead on what to fix/adjust for next time.
If a less-than-determined baker ended up with the cake I made, they’d probably denounce the whole process, give up entirely and probably buy pre-made stuff at the supermarket. But we’re made of sterner stuff. We hit a snag or some kind of unforeseen development, and we compensate as best we can. We learn what not to do next time. Sometimes you end up with something jaw-droppingly amazing, and sometimes you end up with something totally inedible.
With this whole experience behind me, I can now focus on projects of the immediate future, which includes another round of editing and revising a script, and making a pie or two for a dinner party this coming weekend.
It’s my intention to have the results of both of these undertakings be totally and utterly irresistible when they’re done and ready to serve.
Hard as it is to believe, it really has been 16 years since I started this blog. (July 9th, to be specific)
Initially once a day, which was a foolhardy attempt on my part, so it switched to twice a week for a while, and then to once a week, which seems to work just fine.
My original intent was to chronicle my journey towards being a working screenwriter. At the time, that translated to “write and get paid for it”.
That still applies – sort of.
Don’t get me wrong. I’d love for that to still happen, but my interpretation of what it means to be a “working screenwriter” has drastically changed.
First and foremost, I can say with absolute certainty that my writing is significantly better. Looking at a script from back then and at one from earlier this year, the difference is more than noticeable. Took a while to get there, but well worth it.
On a side note, I think my analytical skills when it comes to giving notes have also improved. Of all the scripts I’ve read, there’s only been one writer who didn’t like what I had to say.
The number of writers I’ve met, both virtually and in person, has also skyrocketed. I’m quite proud to have established and maintained a professional relationship with many of them.
Some of those connections have led to other things, like becoming involved with the San Francisco Writers Conference to invitations to speak to writing groups and appear on podcasts.
And speaking of podcasts, my connection with another writer led to my co-hosting, and eventually solo hosting a podcast about writing.
I’ve done what I can to help the community, from forwarding or posting “scripts wanted” listings to inviting submissions to the Maximum Z Script Showcase to offering my two cents on screenwriting craft, methods and practices.
And for those who’ve been following along the past few weeks, production finally commenced on my short film, with things now moving into post-production.
It’s been a fantastic journey with lots of ups and downs, and I am exceptionally grateful to all of you fantastic readers who’ve been incredibly supportive over the years. I really appreciate all the likes and comments – don’t be stingy and keep ’em coming!
Hope you’ll join me in a celebratory piece of pie to commemorate this momentous occasion. In the meantime, keep writing and keep pushing forward.
As the crowdfunding for my short film continues (all donations welcome!), I’ve also donned my producer’s hat and am quickly discovering just about everything involved with putting the whole operation together.
I say “just about” because my more-than-capable director is handling some of the more technical aspects, but pretty much everything else falls under my jurisdiction.
For someone who hasn’t done this before, I’m taking the approach of “this is something I’m pretty certain needs to be done, so I better take care of that”.
And I am not understating it by saying there is A LOT to take care of.
From all the social media to get word out about the crowdfunding to making lists of props I need to pick up to reaching out to local restaurants about donating food for the shoot (with onscreen credit, natch), every day a few more things get added to the list.
Writing the script is challenging. Producing it is a whole different and much bigger ballgame.
It’s exhausting, and sometimes I feel pulled in multiple directions, constantly wondering if I’m doing a good job. But I will admit on a certain level I’m enjoying it. This is a project I’ve worked on for a long time, so doing everything I can to make sure it all goes smoothly, or at least as close to that as I can get.
And we haven’t even gotten to the post-production part of the conversation. I’m bracing for that one.
As I’ve said to more than a few people involved with the project, I hope they’ll be patient as I stumble my way through all of this. It won’t be pretty, but I’m doing what I can.
And here’s the link to the crowdfunding once again, which also falls under the category of “something that needs to be done”.
Maximum Z 