A little re-educating never hurts

I’d already been working on the new spec for a bit when a friend offered up the chance to be a beta tester for his new screenwriting course.

It offers a lesson a day to help you get your first draft done. He admits the course is geared more towards newer writers still learning the ropes, but thought I might enjoy it – as well as provide feedback about my experience with it as needed.

I figured “Why not?” and signed up.

Just a few days in and I like how it’s going.

I’m following the lesson plan, which so far has involved the very basics – What’s your idea? Which genre is it? Tell us about your protagonist. Do you have a few ideas for the title? What’s the logline?

It would be really easy to blow all this off and just jump ahead, but I said I’d adhere to the guidelines, so that’s what I’m doing.

In some ways it’s helping take some of the pressure off and avoiding the trap of the whole “just write it!” mindset. Taking it nice and slow, and being slightly more reflective than usual is reaping some benefits. Getting the more manageable tasks out of the way has also resulted in a few more bursts of creativity – which is especially helpful as I continue to work on coming up with story ideas.

It’s almost zen-like in the approach.

I also like the accountability factor. It’s great for me to work on this, but I want to help my friend make the course as effective as I can, which is why I’m being diligent about completing each day’s lesson. I’d call that a win-win.

This is a 60-day course, and I’m still in the single digits and about to get into the outlining phase. Like I said, I’d already been working on this, so I have a lot of the first act in place – it’s the second act that’s proving to be the challenge.

But I’m not stressing about it. One lesson/task a day equals slow but continuously steady progress.

If things work out the way the course intends, then I should have a pretty solid first draft in just under two months, which is fine by me.

Then the rewrites begin, which will probably a totally different course.

Al…most…there!

A few weeks ago I completed a hearty rewrite of the animated fantasy-comedy. Notes from readers continue to trickle in.

Responses have been generous with their excitement and enthusiasm about it, along with some extremely insightful notes.

I’ll admit to hoping the script was strong enough as is, but there’s no denying the effectiveness of those notes, which means at least one more draft in my future.

Not crazy about that, but if it needs some more work, then so be it.

I’m not as prolific – and definitely not as fast – as other writers, but this approach works for me. I’d rather take the time to really fine-tune something than rush through it and have it not be as solid as can be.

The silver lining here is that each draft is better than its predecessor, as you would expect. Each round of notes helps contribute to making the script and my overall writing better.

It might seem just out of reach now, but I’m confident that both I and this script will eventually get there.

Did it before. Can do it again

The biggest note I’ve received on the animated fantasy-comedy is that my protagonist needs to be more involved; be the thing that drives things forward, and how what she does affects those around her.

The challenging part is figuring out how to do that while keeping a lot of important story details.

Challenging, but not impossible.

Just as I imagine this task becoming more insurmountable the more I think about it, I’m reminded that I did a major overhaul on my western that involved the same thing. The protagonist needed to be more proactive in driving the story forward.

The end result had A LOT of changes that required a new approach. It took some time, but I was able to accomplish that, and the script ended up being better for it.

No reason to think I can’t repeat it this time around.

Thus the revising is underway. Slow, but steady.

I’ll get there.

So many plates!

The past few months have not been as productive as I’d hoped, writing-wise.

My initial intent for this year was to complete the rewrite of the sci-fi adventure. January started out strong, but more and more other projects needing attention kept shoving it to the side to the point where it’s practically invisible.

I’m hoping to get back to it soon.

In the meantime, there’s been an inordinate amount of other stuff going on. It’s getting to the point where I worry about burnout and spreading myself too thin, which could result in nothing getting done.

And that’s definitely the last thing I want to happen.

I’m trying to focus on one thing at a time, and also not stress about what I’m not focusing on. It can be challenging, but I’m working my way through it.

Another interesting aspect of this is seeing a lot of other writers touting their latest progress. Scripts completed, deals signed, etc. I’m happy for them, but can’t help but feel like I can’t get out of first gear.

I wouldn’t call it writer’s block; more like an inadvertent short attention span. I work on something, then remember I need to also work on this other thing, so I work on that, and so on and so on.

Sometimes it feels overwhelming, but doing what I can to keep things under control and manageable.

Granted, there are also times when things go smoothly and get completed. Those victories, no matter their size, are always savored, as well as act as a reminder that yes, I can do this.

I’m sure more pieces will begin to fall into place and that most of this will eventually get back on track.

Until then, one plate at a time.

Fingers + brain + keyboard

Another shorty this week. I’ve been busy on several fronts, including the latest round of work on the animated fantasy-comedy.

Several sets of extremely helpful notes have been received. I’m quite happy with how it’s coming along. Definitely feels like a stronger script.

When it’s ready, off it goes to another batch of readers, which will most likely result in another draft after that.

I’d initially decided to skip contests this year, but am still on the fence about the Nicholl. One deciding factor is their new limit of total number of entries at 5500 (currently standing at a smidge above 650 as of this writing).

If in a few weeks I’m happy with the end result and they haven’t hit the 5500 mark, I’ll consider it. Early bird deadline is March 1st, with a still-reasonable entry fee of $50 USD, then regular deadline on April 1st for $70, and finally late deadline on May 1st for $120.

And if in the end I still decide to skip it, it’ll definitely be ready for next year.

I’d rather take the time to fine-tune it as much as possible than send in a draft considered “good enough”.

Hope you have a productive writing weekend, and for my fellow Californians – stay dry.